I think I timed my November trip to Shoreditch really well as it seemed that there were a whole load of fairly recent pieces, one of which is this extraordinary chrome rabbit underlit with pink light by Fanakapan. Better know for his helium balloon-style paintings, Fanakapan has in this instance gone for a solid chrome piece and shares some techniques with artists such as Bonsai.
Fanakapan, Shoreditch, London, November 2018
At first when I saw this I wasn’t entirely sure it was by Fanakapan, because it is a bit different from other pieces I have seen by him. The face of the rabbit is brilliantly worked and as for the neon crown…doers it get any better than this?
It took me a lifetime to get round to finding this collaboration and at last posting it. It is just a little too far from my work to manage in a lunchtime, so I had to make a special trip. It is by the incredible Fanakapan and Insane51.
Insane51 and Fanakapan, Upfest, Bristol, July 2017
There is so much to love about this piece (except its location) that I don’t know where to start. I could try to start with the cracked wall, which is cleverly done and lets us into the world of these two artists. It is interesting that the character is both behind the hole (see his head) and in front of it (see his left arm further down). I don’t know if this is intentional, but it adds to the wackiness of the piece.
Insane51 and Fanakapan, Upfest, Bristol, July 2017
The flamingo and tin can are the work of Fanakapan and the double image of the baseball caped man is by Insane51. The whole piece is utterly bonkers and brilliant, so beautifully executed and incredible attention to detail.
Insane51 and Fanakapan, Upfest, Bristol, July 2017
I love the reflections in the sunglasses and in the tin can – these are the things that highlight how talented these artists are. the wall itself is a bugger to photograph, because there is not much room between it and the wall behind, as you can see from the long shot. I’ve been saving some of the really good Upfest pieces until last.
The light was fading fast by the time I got to this wall. Had I known of its existence I would probably have tried to get to it earlier and benefit from better light. One of the pitfalls of wandering around aimlessly I suppose. All the pictures have been adjusted to make them less gloomy, but they really don’t convey the magnificence of this collaboration.
Fanakapan and Louis Masai, Code Street, Shoreditch, August 2016
Louis Masai and Fanakapan, two of the best street artists in the UK right now, collaborated to paint this wall as part of the Meeting of Styles, London event in May 2016.
Fanakapan and Louis Masai, Code Street, Shoreditch, August 2016
The patchwork style of Louis Masai and the helium balloon chrome style of Fanakapan work surprisingly well together and when the subject matter is wildlife conservation, what it there not to like about this piece?
Fanakapan and Louis Masai, Code Street, Shoreditch, August 2016
There is a very good piece by London Calling which shows the collaboration at work, in rather sunnier conditions than when I went to visit, which is well worth a gander.
Fanakapan and Louis Masai, Code Street, Shoreditch, August 2016
The theme for the event was ‘absolute freedom’ and this piece is entitled ‘Freedom?’. This was a pure joy for me at the end of a very long walk in Shoreditch…the pot of gold at the end of the rainbow.
Fanakapan and Louis Masai, Code Street, Shoreditch, August 2016Fanakapan and Louis Masai, Code Street, Shoreditch, August 2016
I am still working through a gigantic backlog of images from a wonderful late Summer spree in Shoreditch. This is a really great piece by Fanakapan in the amazing Rivington Street – a street with loads of superb walls.
Fanakapan, Rivington Street, Shoreditch, August 2016
Fanakapan never ceases to impress with his mastery of chrome and helium balloon reflection works. It is a technique he has refined and he now owns it. Boom. If I were being brutally honest though, I would say that this is not his best work, it seems to lack some of the freedom of other pieces he has done. Maybe the space is a bit awkward. It is very good nonetheless.
These pictures were taken when I had a couple of hours to kill in London after work recently, and I am really pleased with the ground I managed to cover in Camden. Although my sister went to school nearby, and I often drove through the area in my younger days, I haven’t been back for years.
Fanakapan, Hawley Mews, Camden, September 2016
I knew that the area is a favourite for street artists and graffiti artists, but I had no idea about the layout of the streets or what could be found where, so I just started to wander – my favourite thing.
Fanakapan, Hawley Mews, Camden, September 2016
I eventually happened upon this incredible mews, running parallel with one of the busier streets, but hidden away (note – always seek out alley ways and back streets). The reward for my explorations was this magnificent Fanakapan mural of flies (of course the helium balloon type).
Fanakapan, Hawley Mews, Camden, September 2016
This work is exceptional, not only the flies, but the perspective on the walls and shadows cast. A masterpiece and a privilege to find it and photograph it. There were loads of other pieces in this mews and I will in time post about them too.
My wanderings in Shoreditch turned up so many wonderful pieces of street art, but this duo of Mr Cenz and Fanakapan really has to be the pick of the bunch. I am really familiar with both artists, thanks in part to the excellent London Calling blog.
Mr Cenz, Hoxton Square, London, August 2016
For a while, I have longed to see some work, first-hand by both of these artists, so this was a real treat for me on a wet monday evening. Mr Cenz is a London street artist who started his graffiti in 1988 and is now a professional graffiti artist with his own company Positive Arts.
Mr Cenz, Hoxton Square, London, August 2016
This reasonably recent piece is a freestyle creation of a female portrait distorted with shapes and colour, typical of his current work. Exceptional work and so very pleasing to the eye.
Fanakapan, Hoxton Square, London, August 2016
Fanakapan is a genius in my view. He creates the most incredible images of shiny surfaces which recently has featured helium balloons of lettering, animals and other shapes. The way he captures these subjects is quite extraordinary and his technique is quite exceptional.
Fanakapan, Hoxton Square, London, August 2016
In this piece he has even managed to incorporate two wooden features on the wall into his art. I am a huge fan of both these artists, and wish they would do more work in Bristol outside of Upfest. I’ll keep my fingers crossed. I was a very happy man after finding these works on the side of 333 Mother, a pub on the end of Hoxton Square.
Natural adventures 