7151. Greenbank (170)

Rtiiika, Greenbank, Bristol, August 2025
Rtiiika, Greenbank, Bristol, August 2025

This is another clear and unambiguous message painted at the Bristol Mural Collective’s Palestine protest paint jam held last month on the long hoarding at Greenbank. The piece is by Rtiiika, which, although unsigned, is so characteristic of her style.

Rtiiika, Greenbank, Bristol, August 2025
Rtiiika, Greenbank, Bristol, August 2025

‘Gaza is starving’ – ‘Let aid in now’, two messages that have been persistently ignored by the Israeli Government. Every day brings new stories of the war crimes being committed by the Israeli Government, and still the international community does nothing to stop this. Trump is impotent and has been played by Netanyahu. Is it only me that sees the parallels between the Israeli state’s behaviour now and their justifications, and the behaviours and justifications of the Nazis during WWII? Surely the irony isn’t lost? One might have expected more compassion from a people who experienced some of the worst persecution in modern history. BTW, this does not make me an antisemite, just in case anyone was wondering, but it makes me very much opposed to the fascist elements of the Israeli Government.

Sorry, but I had to go there. Normal service will resume immediately.

7063. Cumberland Basin

Nice One, Cumberland Basin, Bristol, July 2025
Nice One, Cumberland Basin, Bristol, July 2025

Although this piece is unsigned (which in itself is a clue), I have made the pretty safe assumption based on the letter font that it is by Nice One. The piece is a protest piece about the war in Gaza and says ‘Smash Elbit’. Elbit is an international military technology company and defence contractor based in Israel, and clearly central to the annihilation of Gaza and its people.

Nice One, Cumberland Basin, Bristol, July 2025
Nice One, Cumberland Basin, Bristol, July 2025

The bleak piece, which appears like a smashed window, is a reminder that we are all witnesses to a genocide that western democracies have failed to stop, and indeed appear to support. It cannot be that hard to get tough on the Israeli government, can it? Street art once again providing a running commentary of contemporary issues with impact.

All hell break out

.

What is worse than hell?

a petulant bully Trump

breaking the broken

.

by Scooj

6642. Sussex Street

Sepr and Andy Council, Sussex Street, Bristol, December 2024
Sepr and Andy Council, Sussex Street, Bristol, December 2024

This is a wonderful political commentary collaboration from Sepr and Andy Council, who are unhappy with the Government’s attitude towards the situation in Gaza. On the left Sepr has painted a passive protest piece featuring a dove sitting on an olive branch. It is both witty and poignant and is beautifully painted.

Sepr, Sussex Street, Bristol, December 2024
Sepr, Sussex Street, Bristol, December 2024

To the right, Andy Council presents on of his ‘stitched together’ composition creature pieces, which this time is a snail, perhaps representing the slow speed of any progress on ending the Israeli occupation and systematic demolition of Gaza. The snail is painted in the colours of the Palestinian flag. Brilliant stuff from the duo.

Andy Council, Sussex Street, Bristol, December 2024
Andy Council, Sussex Street, Bristol, December 2024

6003. Peterborough

Nyces, Peterborough, April 2024
Nyces, Peterborough, April 2024 (morning)

Last month I visited Peterborough for work, and because it is some distance away from Bristol, I stayed the night before the workshop I was leading, in a hotel. On the way to my lodgings, I took a meandering route (as I always do when visiting an unfamiliar town or city), and was rewarded with this unbelievable mural by Nyces (Nathan Murdoch).

Nyces, Peterborough, April 2024
Nyces, Peterborough, April 2024 (afternoon)

It appears that Nyces is ‘the’ street artist in town, and although there are small pockets of graffiti writing in various places, Nyces ‘owns’ the walls of Peterborough. This outstanding piece is obviously a reflection of the horrific war in Gaza, with a child in combat gear sitting forlornly in a desert near a makeshift dwelling. A spray can sits amongst pebbles in the foreground, but the small bacon of hope comes from the snowdrop flower emitting some sparkles of light. This is a moving piece that has a calm about it, a sense of resignation – very powerful. It is superbly painted too.

I got really lucky on my way back to the station after my workshop. I had been told that there was an artist painting in the shopping centre opposite the station, and indeed it was Nyces who was painting a series of large murals to brighten the place up. Naturally I introduced myself and has great chat with him. Although he doesn’t leave Peterborough too often, he has visited Bristol once or twice in the past. One or two more pieces to come from Peterborough’s Nyces.

5886. Coach and Horses

Merny, Coach and Horses, Bristol, March 2024
Merny, Coach and Horses, Bristol, March 2024

Another artist and another protest piece about the war in Gaza. This time, some direct talking from the wonderful Merny. A warplane, fully marked up with his trademark letter/number pointers, is accompanied with the words “Stop killing people you tucking fwats”. Hear hear!

Merny, Coach and Horses, Bristol, March 2024
Merny, Coach and Horses, Bristol, March 2024

Merny’s work is deceptive in so much as it looks naive in style, but there is a deep sophistication that underpins his artwork, which always tells a story, often with a light dusting of humour. The piece is attention-grabbing, and along with all the other anti-war work in the city is representative of a groundswell of opinion that wants piece in Gaza specifically, and in the Middle East more generally.

Merny, Coach and Horses, Bristol, March 2024
Merny, Coach and Horses, Bristol, March 2024

It looks like Merny took the opportunity, while he was in the area, to paste a couple of posters on a nearby wall, which again have a simple sophistication about them and a wordplay caption “Problems? Just smooth things over”. The picture is of a mechanical sander – a great bit of bonus material from Merny.

5667. The Carriageworks (47)

Unknown collaboration, The Carriageworks, Bristol, November 2023
Unknown collaboration, The Carriageworks, Bristol, November 2023

The arches of The Carriageworks have been taken over as a bit of a protest area, calling for peace in Gaza and between Israel and Palestine. Much of the sentiment that is portrayed is pro-Palestinian people. There is nothing celebrating Hamas, and little or nothing that supports the Israeli Government, or those that have consented heir activity. It is probably a fair reflection of public mood in the UK. I think that most people simply want the fighting and bloodshed to stop – that is something people have to believe in, but it is out of our hands. The most people can do is protest in all the various ways that protest can manifest itself, and in Bristol, graffiti art is one such way.

Unknown collaboration, The Carriageworks, Bristol, November 2023
Unknown collaboration, The Carriageworks, Bristol, November 2023

This is a powerful piece and I have included it even though I don’t know who the collaborators were. This is a slight embarrassment for me because I met them and chatted with them while they were painting it. I didn’t quite catch their names, and I don’t know if that was my hearing letting me down, or their desire not to give away too much, I didn’t recognise them. The piece captures perfectly the scenes that we have been witnessing since this conflict began, and although there is a ceasefire right now, the fear is that the Israeli Government will return to flattening the rest of Gaza as soon as the ceasefire is over. Street art plays an important part in chronicling these word events in a vivid and representative way.

5655. M32 roundabout J3 (526)

Gatoloco (Kasoe), M32 roundabout, Bristol, November 2023
Gatoloco (Kasoe), M32 roundabout, Bristol, November 2023

What an absolute treat. Gatoloco, who is an occasional visitor to Bristol, has absolutely knocked it out of the park with this outstanding piece of writing. The letters spell KASO, he appears to have dropped the ‘E’, but maybe that was all he could fit into the space.

Gatoloco (Kasoe), M32 roundabout, Bristol, November 2023
Gatoloco (Kasoe), M32 roundabout, Bristol, November 2023

I think that Gatoloco might be my favourite writer outside the city of Bristol. He brings so many design elements into his work, without it looking busy or fussy. I love the stripes on the letter ‘A’, a theme he has adopted in other recent pieces (a quick squint at his Instagram account revealed). The piece can be roughly dated, by the shout-out to Gaza. Fine work from the visitor.