5773. St Werburghs tunnel (399)

Raid, St Werburghs, Bristol, January 2023
Raid, St Werburghs, Bristol, January 2023

At around the time that this piece is published, my beloved Arsenal FC will be a few minutes into their first league match in a couple of weeks, against Crystal Palace, and I will be at the Emirates Stadium cheering them on. The result of the game could determine my mood for the next few days, so I am keeping my fingers very firmly crossed. Naturally, I have had to plan my day carefully, and I wrote this post last night, to provide continuity of publishing my daily two street/graffiti art posts at around 11.55 and 12.55 UK time.

Raid, St Werburghs, Bristol, January 2023
Raid, St Werburghs, Bristol, January 2023

Raid is another artist who has been regularly hitting the walls of Bristol throughout last year, constantly adjusting and refining his letters to great effect. This one in the tunnel is a little bit more like some of the first pieces I saw of his, back in March last year, with an ornate lower case ‘a’. There is a very nice colourful fill with a cosmic feel to it, and enough of a background to help the letters pop. Definitely time for a gallery, even though I have less than one year’s worth of photographs of Raid’s work. Watch this space.

Come on you Gunners!

5772. Brunel Way (252)

Jevoissoul, Brunel Way, Bristol, December 2023
Jevoissoul, Brunel Way, Bristol, December 2023

I am rather fond of Jevoissoul’s work. It doesn’t have the sharpness or precision of writers like Dibz or Smak, nor does it create extraordinary characters in the way that Sled One or 3Dom can, for example, but it has a charm and authenticity that underpins the vast spectrum of art and graffiti that we see in Bristol. On such solid foundations great things are built.

Jevoissoul, Brunel Way, Bristol, December 2023
Jevoissoul, Brunel Way, Bristol, December 2023

Jevoissoul has painted two of his characters with ‘Popeye’ smiles. The fills and shading is basic and effective, creating some contrast and depth in its simplest form. No Jevoissoul piece is complete without the word ‘slow’ in attendance, although I don’t know why he writes it, nor why it is pointed at the character on the left. One for the next conversation I have with the artist.

5771. Purdown (65)

Benjimagnetic, Purdown, Bristol, December 2023
Benjimagnetic, Purdown, Bristol, December 2023

I recognised the style, but couldn’t put a name to it when I first saw and photographed this classy piece up on Purdown. I had to do a google search when I got home and then the penny dropped that ‘Sentinel 793’ is the music moniker that is used by Benjimagnetic, so here is a piece using his graffiti writing skills to promote his music skills.

Benjimagnetic, Purdown, Bristol, December 2023
Benjimagnetic, Purdown, Bristol, December 2023

I guess this cross advertising worked to a degree as I have just been listening to some of his tracks, and although not really my cup of tea, they are nicely produced. The writing and the dancing character in particular, are, on reflection, easy to spot as Benjimagnetic pieces in retrospect. The blue and gold colours work really nicely together in this unusual piece.

5770. Hatherly Road

Carla James, Hatherly Road, Bristol, December 2023
Carla James, Hatherly Road, Bristol, December 2023

It has taken me an eternity to stop and photograph this stunning nature mural by Carla James, something that has been on my ‘to do’ list for a couple of years at least. I managed to walk up to the spot just before Christmas whilst seeking out some presents for my family. I have only seen Carla James’ work once before, and that was at Upfest 21. Curiously enough, one of the presents that I bought for my son was a beautiful fish print by another Upfest artist, Rosie McLay.

Carla James, Hatherly Road, Bristol, December 2023
Carla James, Hatherly Road, Bristol, December 2023

Carla James has created a beautiful vision in which there is a seamless transition from a tropical reef below to forest foliage and airborne creatures. There is a calmness and huge sense of the balance of nature in the piece, with some lovely illustrations of turtles, fish, plants and butterflies. The central hummingbird is the link between this piece and her outstanding Upfest mural. Carla James’ website is a treasure trove, and her biography explains the connection with tropical and exotic scenes. At last, one I can tick off my list.

Carla James, Exeter Road, Bristol, June 2021, Upfest 21
Carla James, Exeter Road, Bristol, June 2021, Upfest 21

5769. Cumberland Basin

Abbie Laura Smith, Cumberland Basin, Bristol, December 2023
Abbie Laura Smith, Cumberland Basin, Bristol, December 2023

Vigorously waving the banner for paste-ups in Bristol, pretty much single-handedly, is Abbey Laura Smith with her intriguing black and white portraits. Regular readers of Natural Adventures will know that I am an admirer of paste-ups or wheatpastes, and will drone on about how we just don’t see many in the city these days. This niche art form must not be confused with bill posters, which in my view are a plague, driven by the selfish interests of advertising for a product or a cause – they (in my very humble view) are not art in themselves despite being illustrated in most cases by graphic designers or artists, but are tomorrow’s litter, and today’s eyesore. Well we all have opinions, and that is mine, so there!

Abbie Laura Smith, Cumberland Basin, Bristol, December 2023
Abbie Laura Smith, Cumberland Basin, Bristol, December 2023

Wheatpasting is as much about the siting of the piece as the art itself, and Abbie Laura Smith has done a great job in thinking about the placement of this portrait on a utility box in Cumberland Basin. The artwork itself is a clean and crisp line drawing of a pretty lady, with some nice ‘graffiti drips’ at the base. I hope that Abbie’s efforts encourage a revival of this lost art in Bristol.

5768. Dean Lane skate park (677)

As the leaves die and fall on the hedge that skirts the railings between the skate park and the swimming pool wall in Dean Lane, it becomes easier to see what has been painted on the wall behind, although once revealed, it is difficult to know how long the pieces have been there. I like to think I am reasonably on the ball with this kind of thing, but I really don’t know how old this piece by Trafficity is.

Trafficity, Dean Lane, Bristol, December 2023
Trafficity, Dean Lane, Bristol, December 2023

Trafficity is a rolling constant in the Bristol street art scene. Painting the same ZIOM letters in the same way, with only the colour palette and some small details to distinguish between pieces. I particularly like the colours he has used in this piece, especially as they blend well with the few dangly leaves from the hedge. Always consistent, always classy.

5767. Picton Lane (17)

Kosc, Picton Lane, Bristol, December 2023
Kosc, Picton Lane, Bristol, December 2023

These pictures were taken in the dark (the miracle of modern phone technology!) and probably don’t fully capture the magnificent colours of this graffiti writing/character piece by Kosc in Picton Lane. The piece was painted alongside a Mind 49 frog which recently featured on Natural Adventures.

Kosc, Picton Lane, Bristol, December 2023
Kosc, Picton Lane, Bristol, December 2023

The chrome letters are interrupted by a cigarette?-smoking skull appearing in the place of the O of KOSC. As you’d expect, the whole piece is beautifully constructed and executed in one of Kosc’s favourite spots. A classy piece.

5766. Dean Lane skate park (676)

Klashwhensober, Dean Lane, Bristol, December 2023
Klashwhensober, Dean Lane, Bristol, December 2023

I wasn’t too sure whether to include this Klashwhensober Christmas piece, mainly on the grounds that I find it a little disturbing. I have noticed recently that several pieces have taken a slightly darker turn. The SOBER letters are still bright and vibrant, but the characters are a little on the weird side.

Klashwhensober, Dean Lane, Bristol, December 2023
Klashwhensober, Dean Lane, Bristol, December 2023

In this Christmas piece, I think I would run a mile if I saw this Santa by the fireplace. He looks like he might have had a few too many brandies, and his hand gesture is hardly in the Christmas spirit of things. The letters are good with great colours – I’m just not too sure about the character.

5765. Jubilee Street (8)

Mr Crawls and Mote, Jubilee Street, Bristol, December 2023
Mr Crawls and Mote, Jubilee Street, Bristol, December 2023

Haha, this is another fabulous collaboration piece from Mr Crawls and Mote whose painting partnership is bearing fruit, and I might venture to suggest that the whole is greater than the sum of the parts. The piece is painted on the hoarding down by Jubilee Street, which a few years back was a favourite place for artists like Deamze and Soker, until developers started demolishing the hell out of the area – now we are left with hoardings instead.

Mr Crawls and Mote, Jubilee Street, Bristol, December 2023
Mr Crawls and Mote, Jubilee Street, Bristol, December 2023

The different but complementary styles of the two artists and similar subjects and portrait orientations lend themselves to something quite special. On the left Mr Crawls has painted a gull (or is it an eagle?) with horns and on the right Mote has created a wonderful monster bird. Both characters have outsize beaks, but quite different personas. More to come from these two, which is great news.

5764. M32 Cycle path (248)

Rudini Doodini, M32 Cycle path, Bristol, January 2024
Rudini Doodini, M32 Cycle path, Bristol, January 2024

I haven’t posted nearly enough work by Rudini Doodini over the years, mainly because he hasn’t painted very often. He used to paint small characters under the name of Morph, some of which I posted a few years back. This is one of the larger pieces I have seen which was painted alongside Wxttsart and Mind 49.

Rudini Doodini, M32 Cycle path, Bristol, January 2024
Rudini Doodini, M32 Cycle path, Bristol, January 2024

The letters WHO are interspersed with three stylised characters looking like they mean business. There are some great colours in the piece and the composition works very nicely. I hope that this early New Year piece signifies more activity from Rudini Doodini in 2024.