I wouldn’t want you to think that I had forgotten all about Scrapy. It feels like a while since I last posted any of his work. This is a quick one by the artist in the pathway behind the Black Swan pub.
Scrapy, M32 Cycle path, Bristol, December 2025
I like the way that Scrapy has worked the piece into the space available on the wall, between the flat and lumpy texture. I have quite a lot of unpublished Scrapy pieces, and might have to do a bit of a mini-gallery to catch up.
After a couple of very busy days in London, and returning to Bristol late last night, we had a lie in thin morning, the likes of which we haven’t had for many years. What that means of course is that I have to write today’s posts in record time because we have a ton of pre-Christmas jobs to do today.
Seed, Peel Street Green, Bristol, December 2025
Seed is working really hard to make his mark on the graffiti writing scene. He has hooked up with Asre and Zinso, who will be able to guide him and teach him a few tricks along the way. I have met him only once, but his ambition and desire to improve were clear. This is a rather nice piece with large overlapping letters in a combination of greens. The lower part, I think has incorporated the artwork of the previous occupant of the spot, which fortunately is in complementary greens. Keep your eyes peeled for more from Seed.
More from Mage, this time his writing has a slightly softer feel to it. I have said before that the letters MAGE, in my view are a little unforgiving, although lots of straight lines and sharp edges. By incorporating a lower case ‘a’ and ‘e’ Mage has managed to smooth out some of the lines.
Mage, Cumberland Basin, Bristol, November 2025
The two tone pink letters are bordered with a brown drop shadow, and you will know my feelings about brown by now, so possibly another colour would have been my preference. Mage has been a busy boy this autumn.
Another amazing piece of detailed sketchy writing from Posh, this time as part of the Minto Birthday paint jam. Once again, I can see letter shapes here, but really struggle to be able to read them. I could assume that they might say Posh, but Who knows?
Posh, St Werburghs, Bristol, November 2025
There are some nice earthy colours in this piece, but it is the sketchy scribbles and details that mark this out as a Posh piece. Nice script shout-outs to Minto and Ticks. I expect to see more of these in the new year.
I managed to sneak another trip underneath the M32 recently and picked up a couple more pictures of work by Sketch, which I might have missed last time. I haven’t seen his work anywhere else in Bristol. We really need to get this boy out and about so that more people can admire his modernist work.
Sketch, Frome Side, Bristol, December 2025
The bright and vibrant piece owes a lot to the inspiring surrealist and cubist movements, with features being spread around the face in an abstract fashion. I love these creative pieces that combine spray-painting with art movements in a brave and exciting way. More please.
Wispa and Jody, Cumberland Basin, Bristol, November 2025
I was lucky enough to be present when this piece was being painted, but stupid enough not to say hello to one of the artists. I had been chatting for a while with Esme Lower who was painting next to this piece, and needed to get back home, so said a quick hello to Jody and unfortunately didn’t talk to the lady who was painting with him as I didn’t recognise her and had to dash. What an idiot – it wasn’t until I returned to the piece that I was realised I had been standing in the presence of the brilliant Wispa. Note to self – always say hello if you get a chance.
Wispa and Jody, Cumberland Basin, Bristol, November 2025
Jody and Wispa have painted this wonderful combination piece, with the letters W_SPA from Wispa and the masked character by Jody. I don’t know who the character is, but the metallic shine to the mask and helmet is superb. Wispa’s letters are, as ever, immaculate. Next time I’ll make sure I say hello.
More from the Minto birthday paint jam, this time from Noise, and what very classy piece of writing it is too. I think I can safely say that this is the best attended birthday paint jam I have seen in Bristol, with both walls of the tunnel occupied.
Noise, St Werburghs, Bristol, November 2025
Noise has used the tried and tested combination of gold (yellow) and red, and fancied up his letters a bit, and slimmed them down fractionally too. I like the ‘wire fence’ effect around the outside of the piece, not something I have seen before – most original.
Janey Mary Jean, Hillgrove Street, Bristol, November 2025
Hillgrove street is home to one of the most iconic pieces in Bristol, which I posted back in August 2015 and was my 18th street art post. Little did I think I would still be blogging about street art ten years later. I love it when I see the work of an artist new to me, and this shopfront piece by Janey Mary Jean is rather different and refreshing.
Janey Mary Jean, Hillgrove Street, Bristol, November 2025
The piece is very much in keeping with the shop, The Haunted Bookshop, and is the first of what is, I believe, intended to be a monthly commission to decorate this wall, presumably with a spooky theme. Janey Mary Jean is an artist and apprentice tattooist based in Bristol. She painted this piece with a combination of spray cans and brush work. The piece depicts a skeleton riding a turquoise horse from a castle, and why not? But it is the smaller piece to the left that really caught my eye, an owl person fitting the space perfectly. I’ll be looking out for more from Janey from now on.
There are a lot of contenders for surging artist of the year in Bristol, and what I mean by that is artists who have been about a while, but taken huge steps forward in 2025. Candidates would include, Zinso, Asre, Creamylines and of course, Posh.
Posh, 32 Spot, Bristol, December 2025
In the latter half of the year, Posh appears to have been concentrating on his graffiti writing. His style is difficult to pin down, but I would describe it as ‘busy abstract scribble’. It is obvious that there are some letters here, but far less obvious what those letters might be. Posh likes to work with darkish colours, and has used this blue/green combination a few times recently. This is a nice piece, tucked away in a corner of the M32 spot.
Mage has had a rather prolific year, more so than you might think from his occasional appearances on Natural Adventures. I will try to catch up on a few of his pieces, but might need to resort to a king of mini-gallery to catch up.
Mage, M32 Cycle path, Bristol, December 2025
This piece, behind the Black Swan, is a nicely considered piece and Mage has spent some time, it would seem, in finishing it nicely, where sometimes his works appear to be a little rushed. Mage has chosen some great colours, I love the contrasting greens. The letter fill has a smart ‘barcode’ appearance, but for me what makes the piece is the red dots and stars that set everything off perfectly. A banging piece.