Graffiti – Page 323 – Natural adventures

4461. Upfest 2022 (3)

This year, Upfest is in two parts. The first part, which has been running for about three weeks now, has been to paint as many of the feature semi-permanent walls as possible before the festival weekend (May 28-29). The second part will be the remaining 350 or so artists painting on boards ‘live’ at various venues. This piece from My Dog Sighs falls into the former category.

My Dog Sighs, Upfest 22, Bristol, May 2022

There are positives and negatives to this new approach (change is never easy). On the upside, there will be plenty of completed new works for visitors to enjoy, without the eyesore of scaffolding on the other hand, that wonderful interaction with some of the greatest artists on the circuit is lost. It can feel a little bit like ‘rent an artist’, without the opportunity to watch them at work. On balance I can see that it makes sense, and as a resident of Bristol I have been able to meet a lot of artists over the last week or two.

Unfortunately I missed My Dog Sighs this time, which is a pity. I think he was in and out very quickly. Such are the demands on some of the bigger names during festival season. This piece is one of his pigeon pieces, similar to the one he painted for the Cheltenham festival last year. The characters and colours are magnificent, and his work so totally on point. It might have been nice to see another one of his eyes for this festival, but I might just be being picky.

Pigeons are something of a favourite theme for street artists, and I guess that perhaps there is something unconscious going on, in that these artists being on the streets probably see a great many of these urban birds. A fine addition to the Upfest 22 collection.

4460. Upfest 2022 (2)

It is easy to forget what a special time Upfest is in the Bristol calendar, especially for south Bristolians in the Bedminster area, where the festival is centred. The lucky residents of this area are blessed with some of the very best street artists and muralists visiting to decorate their walls and bring a sense of pride to the community.

Sian Storey, Upfest 22, Bristol, May 2022

This gorgeous hummingbird piece is by Sian Storey and a fitting follow-up to her beautiful piece from last year’s 70×70 wall. The highly colourful and dynamic mural features two hummingbirds in flight surrounded by flowers and petals with a gold patterned motif in the centre.

There is a great amount of detail in this busy piece, creating a sense of movement and frenetic activity. This is a very special wall that has hosted several significant artists in previous festivals, and Sian Storey has done it proud. The piece is slightly off the beaten track, on Westbourne Grove (which happens to be a Google Maps black hole).

4459. Upfest 2022 (1)

Upfest 2022 has begun, and the format has changed a little this year. The ‘permanent’ walls have been buffed and prepped for painting in the three weeks preceding the festival weekend, so that when people arrive for the festival, there will be a stunning array of new work completed for them to enjoy. It is possible that some H&S measures might have helped with that decision too. What it means is that for people like me, there has been ample time to capture works in progress and chat with artists from all over the UK, Europe and the world.

Willl Cross, Upfest 22, Bristol, May 2022

This artist, however, didn’t need to travel far at all, as he lives in the same road as his artwork. Willl Cross (yes, three ‘L’s) is a fine artist (oil paintings) from Bristol whose work is truly stunning, and you can see some of it on his Instagram feed, which I strongly recommend you take a look at. This was his first effort at ‘street art’ and judging from the outcome, I sincerely hope it isn’t his last.

I believe the woman in the portrait is wearing Bulgarian traditional costume, and Will Cross worked hard to recreate the intricate patterns in the blouse and apron. The whole composition is full of atmosphere and depth, and brings a little bit of Eastern Europe directly into the heart of Bedminster.

There is so much to love about this painting. It is the work of a very talented young man who deserves recognition, and with this prominent spot is likely to get it during the Festival weekend. What a great way to introduce this year’s Upfest festival, which ill be taking place on 28 and 29 May (this coming weekend).

4458. M32 roundabout J3 (410)

We have discovered lately that Smut is not a one-trick pony, far from it, and his last few pieces have demonstrated that he has great versatility and has managed to be consistently tidy with his writing (sounds a bit like a school report – perhaps I should have been a teacher).

This piece on the M32 roundabout is a long way from his curvy, thin script writing that we have become accustomed to seeing from Smut. I don’t know how he does it, but Smut has the cleanest, sharpest lines imaginable and really knows how to turn out a supremely classy piece. The letter shapes are good, the colour selections fantastic and the shading/details of the green and yellow brilliant. This is an excellent, high-quality piece from Smut.

4457. M32 Spot (140)

You will know by now, that I consider John D’oh to be a fabulous stencil artist whose astute observations and commentaries record a snapshot of life in Britain, often observed through a political lens. While John D’oh speaks for many, particularly in Bristol, someone took exception to this piece and buffed all but Johnson’s face and scrawled ‘Support Boris Johnson’ next to it… there is still much work to do. If there are Johnson supporters in the poorer districts of Bristol, then there are still some messages that simply aren’t landing.

John D'oh, M32 Spot, Bristol, May 2022 — John D’oh, M32 Spot, Bristol, May 2022

I really am so sick and tired of the worst Prime Minister we have ever had. He depresses me, because I am embarrassed and ashamed to think that people from other countries might believe Johnson to be representative of the UK’s views and aspirations. He is not. He is like Trump, bolstered by the far right of the Conservative party, pushing only their views and dressing it up as ‘what people want is…’. I loathe him and everything he stands for.

John D’oh writes “Fuel poverty… I can assure the British people that having burned £50 notes in front of homeless people I can relate and understand their suffering and see the pain in their eyes – Boris”, referencing some historical despicable behaviours of this odious man.

Keep up the great work, John D’oh, our nation needs reminding just how low Johnson will stoop to retain power.

4455. M32 Spot (139)

Last October I wrote my first post about a piece by Typo on the pages of Natural Adventures, fully meaning to post his artwork reasonably regularly. My bad… I have only just got round to posting some more, and to make up for it, here are three of his column pieces for the price of one.

I have only seen Typo’s work on these square column under the M32 and nowhere else. He has a unique and colourful style, and one that seems to use the spray can more as a brush than a fill or solid line tool, with the result that his pieces look like elaborate sketches. This first one seems to be of a character wearing a wizard hat with green hair, an a hidden caption ‘Rain’. What it all means, I simply don’t know.

The second piece in this selection appears to be a flying toadstool, accompanied with a very colourful signature at the bottom. Typo’s work seems to be well thought out and telling a story of sorts. His artwork is developing, and he appears to be using these columns as a place to practice his craft.

The third piece in this collection is quite different. A figure with a sword slung over his shoulder painted before a red sun is accompanied with some Japanese writing and ‘#bemoremelling’ and ‘see you space cowboy’. All rather cryptic and mysterious, but intriguing and compelling too. Typo is creating a style and range all of his own, and is quite unlike anything else in Bristol. Lots more to come from this enigmatic artist.

4454. Leonard Lane (32)

Erviti has done it again by landing a beautiful piece of artwork on the streets of Bristol. This stunner was painted as part of a Bristol Womxn Mural Collective paint jam in the old alleyway of Leonard Lane.

The portrait of a woman wearing a hooded cloak is so unusual, and a real breath of fresh air on the streets of Bristol. The collective as a whole add another dimension to the street art scene, with studio artists going feral with their creative designs and different techniques. The end result adds to the huge diversity of art on the city’s streets. Erviti is leading the way with this welcome addition.

4453. St Werburghs tunnel (293)

You can rely on Mr Draws to come up with something light and cheerful, and this recent piece at the far end of the tunnel does just the trick. In this piece he has diverged from his usual DRAWS letters and written, in thin lettering, Kunst, which in German means arts.

Mr Draws, St Werburghs, Bristol, May 2022

Mr Draws had flirted with the idea of living in Germany a few years back, but it all fell through. Germany’s loss was Bristol’s gain, but this might be harking back to a desire to go there still. The letters are characteristically colourful and the whole thing very tidily painted. This blog would not be what it is without the likes of Mr Draws.

4452. Picton Lane (14)

Kosc appears to have made himself very much at home in Picton Lane and the surrounding area in Montpelier. If you visit Bristol and want to see some sensational street art, then you could do a lot worse than head down to Picton Lane for a quick gander. This piece is from a little while ago, but I photographed it along with two others on a recent visit.

The whole thing reminds me of a Canadian Mountie, which may or may not be the intention. Knowing Kosc, there is probably a whole story behind this piece, but I don’t know what that might be. Kosc is experimenting with distortion, a common theme for street artists, and carries it off with some style.

The portrait is the O in the letters K SC to make KOSC. The whole thing is painted on a garage door (one for a future Thursday doors methinks) which is not the easiest of surfaces, but the artist has done well to make it work. There was a van parked in front of the piece when I visited, but fortunately the driver was sitting in it and very kindly moved out of the way for me to take pictures, we then struck up a conversation about the artwork – it is nice how things like that happen.

4451. M32 Spot (138)

DFC1848 doesn’t really need much of an introduction on these pages, but it has been a little while since he last painted in Bristol. This rather cute column piece is a reversion to his ‘go to’ character that he has been nurturing for a few years now. However, DFC 1848 has been developing and improving so much, with each new piece and I would recommend a quick look at his Instagram account to get a sense of what I mean.

The cheeky character is very nicely done with string solid fills, clean lines and a rather nice twinkle on his tooth. It is obvious that DFC1848 is very comfortable and confident with his work. Great to see.

	Sheree on 7622. North Street
	paulh121 on Oblivious
	paulh121 on 7620. M32 roundabout J3 (…
	hitandrun1964 on What is she?
	hitandrun1964 on 7620. M32 roundabout J3 (…

	Sheree on 7622. North Street
	paulh121 on Oblivious
	paulh121 on 7620. M32 roundabout J3 (…
	hitandrun1964 on What is she?
	hitandrun1964 on 7620. M32 roundabout J3 (…

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this: