Tag: Graffiti

4471. Leonard Lane (33)

I was fortunate enough to meet several members of the Bristol Womxn Mural Collective yesterday at Upfest and what an extreme pleasure it was too. I have seen the results of their various paint jams dotted around the city, and it was so good at last to meet some of them.

This piece, by Tanith Gould, is from one of their recent paint jams in Leonard Lane, one of my favourite spots in Bristol.

Tanith Gould, Leonard Lane, Bristol, May 2022
Tanith Gould, Leonard Lane, Bristol, May 2022

Tanith Gould has a wonderful illustrative style in which she presents figures almost as studies. This is a beautifully thought out and designed quartered piece with two figures accompanied by legs appearing through holes. Certainly imaginative, but something you could easily imagine as a greetings card or small poster, something that hard-core street artists rarely achieve.

I am shocked to find that this is only the second post on Natural Adventures featuring Tanith Gould. I’ll have to do something about that.

4470. St Werburghs tunnel (294)

It is going to have to be a bit of a quick one this morning, because this weekend is Upfest, and I have to get myself off to the second day to see the completion of the board pieces in Greville Smyth Park. What a festival. The weather yesterday was gorgeous, and it was amazing to catch up with so many artists. I have enough material to keep this blog going for at least six months, which is going to be something of a challenge.

This Mad Hatter piece from Mr Klue is in his favourite spot, and what is really gratifying about it is that it looks like he has painted over a rather ordinary throw up that had been painted over his previous piece in this spot. What comes around goes around.

Mr Klue, St Werburghs, Bristol, May 2022
Mr Klue, St Werburghs, Bristol, May 2022

It is so good to see that Mr Klue is back on the streets painting his ethereal abstract work, and seems to have found his rhythm again after a long period away from painting walls. This particular character is one the Mr Klue paints often, and includes a ticket in the hat, this time with the number 23 in it, the significance of which I don’t know. All is well with Mr Klue.

4469. Cumberland Basin

When it comes to precision, there are few artists better than Flava136. In recent months, he has reinvented his work with a new look, ditching the monster character, but still uses the same style of blended straight lines and curves, solid fills and geometry. I would liken his work to Epok, although each has their own distinctive look.

Flava136, Cumberland Basin, Bristol, May 2022
Flava136, Cumberland Basin, Bristol, May 2022

Flava136, now pushing the NTS label, teases us with these abstract shapes and designs, in a well thought out colour palette. I am not sure what the letters spell out, and I will need to get better at interpreting his cryptic work. Suffice it to say though, Flava136 is without doubt one of the tidiest artists painting in Bristol, and always produces spectacular work. This is a beauty.

4468. Queen Street (1)

This magnificent collaboration between Paul Monsters and Tom Miller was painted a little while back, but I couldn’t work out where it was. I found it by accident when returning from a trip to Greenbank. Although it is a large piece, it is easy to miss if you are not looking out, and is pretty much invisible if driving in the opposite direction.

Paul Monsters and Tom Miller, Queen Street, Bristol, May 2022
Paul Monsters and Tom Miller, Queen Street, Bristol, May 2022

I’m glad that I did find it though, because it is a truly spectacular collaboration from a pair of artists who are unafraid of using a ton of colour in their work. The two styles, one geometric and the other surreal, are a perfect match because of the blending of colour palette. The elaborate geometric pattern is by Paul Monsters and is as complex as I have seen from him. The frenetic explosion of objects spilling out of a portrait is by Tom Miller, whose work I have been following closely and admiring for several years.

Paul Monsters and Tom Miller, Queen Street, Bristol, May 2022
Paul Monsters and Tom Miller, Queen Street, Bristol, May 2022

A closer look at Tom Miller’s piece gives us a small window into the busy mind of the artist, with at least three portraits, a car, a rubber duck and some crystals. Heaven only knows what it all means, but it matters not, it is the work of an enormously talented artist. This is as fine a collaboration as I have seen this year.

4467. Frome Side (13)

It would appear that Logoe has had another blitz in Bristol recently, hitting several walls over a very short period of time. These two pieces are from the Frome Side spot underneath the M32 between the two roundabouts. This is a place I don’t often visit, because it is too dangerous to go there with the dog, and I rarely photograph street art without him.

Logoe, Frome Side, Bristol, May 2022
Logoe, Frome Side, Bristol, May 2022

Both pieces follow Logoe’s modus operandi, which is to paint his thin script lettering on a colourful background and to decorate the whole thing with a horizontal array of oval spots of varying sizes. This is his thing and this is what he does. This red piece looks wonderful and is accompanied by the words: ‘Attitude legit cos I’m tearing up shit’ – which is a lyric from NWA’s Straight Outta Compton – something I’d have never found out without Google.

Logoe, Frome Side, Bristol, May 2022
Logoe, Frome Side, Bristol, May 2022

The second piece following the same formula although with chunkier writing and a duller mustard background is a tribute to the late Meatloaf, which is a rather nice gesture. The two pieces are about 20 yards apart, and I am guessing were painted in the same session. More to come from this latest whistle-stop tour by Logoe.

4466. North Street

Timing can be crucial when photographing street art, and shutters in particular need to be down to be photographed properly or indeed at all. Parking also presents a problem (if not on foot) with some specific spots, and this shutter piece by Taboo on North Street has evaded me for far too long, but a week or son ago the stars aligned, and I was able to grab a couple of snaps.

Taboo, North Street, Bristol, May 2022
Taboo, North Street, Bristol, May 2022

Taboo has such an interesting style, that I have a feeling might be called anti-graff, although it is only a term I have recently become aware of, and I might have got that wrong. However, using his writing and character combination, Taboo has smashed this shutter, with great design, colour and a spectacular Minnie Mouse.

Taboo, North Street, Bristol, May 2022
Taboo, North Street, Bristol, May 2022

There is a lot to like here, made all the more admirable for being on a shutter, which are notoriously difficult to paint. Captured and catalogued at last.

4465. Cumberland Basin

I was lucky enough to be visiting Cumberland Basin on a dog walk at the same time as Roo and SkyHigh were painting next to one another on the long wall by the corner. I stopped for a chat and discovered that regrettably they weren’t going to be painting at Upfest this year, due to a clash of diary commitments – they will be missed. However, on this particular visit, they left three rather nice pieces between them for us to enjoy. This is a small giraffe piece from Roo.

Roo, Cumberland Basin, Bristol, May 2022
Roo, Cumberland Basin, Bristol, May 2022

There is something about the simplicity of Roo’s animal characters that makes them both cute and very easy on the eye. The fills are nice and solid and the lines crisp and sharp. Roo has also injected some humour into this piece with the suggestion that the giraffe’s head is above the clouds on account of its height.

Roo, Cumberland Basin, Bristol, May 2022
Roo, Cumberland Basin, Bristol, May 2022

There is a subtle difference between the two pictures in the body of the text here, that demonstrate the importance of properly finishing a piece with lines and details. You can see also how quickly a piece can get tagged (naughty boy Asre). It is always a pleasure to welcome Roo to Bristol.

4464. M32 Cycle path (176)

It seems that barely a week goes by without seeing another artist new to the Bristol scene. These artists might be visiting the city, newly moved here, or starting to paint walls for the first time. All are welcome, even if it makes my job of keeping on top of it all even more difficult. This rather refreshing piece was recently painted by Sprat, and I have to say I really rather like it (and not just because of my marine biology background!).

Sprat, M32 Cycle path, Bristol, May 2022
Sprat, M32 Cycle path, Bristol, May 2022

Sprat, making his debut on Natural Adventures, has painted a rather interesting crocodile/fish thing chasing after a sprat with legs. What is happening here, you might wonder, and I am not sure that I can be of much help with that. The pink backdrop works well with the greeny blue colours of the crocofish. The whole thing is really well painted, with great proportions and anatomical details. A very welcome start for Sprat.

4463. Upfest 2022 (5)

This fabulous piece on one of my favourite Upfest walls is a great way to round off the first five pieces from Upfest 2022. As you can imagine, there will be hundreds of pieces to post by the time the festival ends, so please bear with me as I try to write about them in batches, alongside all the other wonderful street art that we are blessed to see in Bristol. This is by an artist I haven’t heard of before, Derm, and features what looks like a Vaughn Bode Lizard, an Iconic character in the world of street art.

Derm, Upfest 22, Bristol, May 2022
Derm, Upfest 22, Bristol, May 2022

The lizard in this piece is riding what looks like a half-track motor cycle, complete with flat tyres. A classic cartoon-style piece of urban culture street art that really stands out on this wall. One of the great pleasures of Upfest is being exposed to the talents of new artists from around the country, Europe and the world. A great piece of work.

4462. Upfest 2022 (4)

I was hoping that there would be some Ukraine pieces at this year’s Upfest, and Karl Read has delivered handsomely with this fabulous stencil piece featuring Volodymir Zelensky. The concept is simple and powerful, as the president of Ukraine reveals his true identity as Superman. I am reminded, each time I see President Zelensky of the Shakespearean quote from Twelfth Night that “Some are born great, some achieve greatness and some have greatness thrust upon them”. The middle one of these might apply in this instance.

Karl Read, Upfest 22, Bristol, May 2022
Karl Read, Upfest 22, Bristol, May 2022

Karl Read, an Upfest veteran, has cleverly worked on the colour scheme for the piece, with Zelensky painted in black and white and his Superman outfit blasting out in Ukraine’s blue and yellow colours. An additional nice touch is the little lapel badge worn by the president. This is a great contemporary commentary piece, deserving of this high profile wall in Bedminster.