Hardly a day goes by when I don’t stop to take a quick look at this familiar and wonderful piece. It is a constant when all around it is in continual flux.
Alex Lucas, Stokes Croft, Bristol, December 2015
‘Dandy Lion’ is a private commission, presumably for the householder, and has commanded great respect from the tagging community over the years; it remains unscathed.
Alex Lucas, Stokes Croft, Bristol, December 2015
Both the lion and the mouse are delightful. You can see the care and preparation that went into the work on the Lucas Antics website.
On the practice wall outside the People’s Republic of Stokes Croft, is a very different piece by Mr Sle7en from the one featured a couple of days ago.
Mr Sle7en, Jamaica Street, Bristol, January 2016
This time a humorous piece, somewhat critical of middle-class activists and people, well…a bit like me I suppose. Ouch! It is very funny, and I love the bourbon biscuit. Lots of nice Bristol references, and some more Buzz tributes just to the right of the picture.
It is Easter Sunday today. I wish you a happy day. This is a recent piece by the extremely prolific Tom Miller. It can be found on the south tunnel end wall of the Bearpit, which is the exact site of another of his recent works featured here.
Tom Miller, The Bearpit, Bristol, March 2016
His ‘imaginite’ concept is in full flow here, combining hard reality with soft imagination. I find his works counselling, and am always excited when I discover a new piece such as this one.
Tom Miller, The Bearpit, Bristol, March 2016
Probably more accustomed to a gallery wall, it looks like Miller really enjoys creating his street pieces.
Slap bang next to the Tom Miller piece posted on 13 March 2016, is a striking collaboration by two Bristol street artists not yet featured on my blog, Mr. Sle7en and Klue.
Mr Sle7en and Klue, Stokes Croft, Bristol, March 2016
I have seen works by both of them, but only recently worked out who they are. The top part, a rather typical three-eyed character is by Sle7en (Luke Sleven), who describes himself as a ‘freelance artist, illustrator, painter, muralist, aerosol alchemist, and all round artisan’. The lower part is by Klue (Klue Wone), an artist, illustrator and designer, whose wall pieces are very distinctive, with colourful angular swirls mingling to form beautiful freestyle designs.
Tom Miller, Mr Sle7en and Klue, Stokes Croft, Bristol, March 2016
Well, as I said yesterday, I have a large backlog of street art to upload at the moment, but what a sweet pleasure it is for me. Here is another wonderfully colourful piece by the amazing Kid Crayon.
Kid Crayon, Moon Street, Bristol, March 2016
Another spray job, demonstrating his versatility between techniques…many of his works are wheatpastes. I appreciate that his works are not everyone’s cup of tea, but me they have a hint of the surreal about them, blended with Picasso and Gauguin…but let’s refocus for a moment, this is street art and Kid Crayon is, in my view, a master.
Kid Crayon, Moon Street, Bristol, March 2016
I am expecting a new wheatpaste from him soon, so keep your eyes peeled.
Tuesday this week was a bit of a red letter day. I managed to see some wonderful new works walking in to work via Stokes Croft and The Bearpit. It has been very frustrating, because I have been in training since then, and not been able to post anything, so I have a bit of a backlog.
Aspire, The Bearpit, Bristol, March 2016 – Yellow-headed Blackbird
This is yet another very recent bird by Aspire, and there are more to come. Although Aspire calls this bird a saffron headed marsh squawker (his joke?) it is actually a yellow-headed blackbird, found in Mexico and central North America.
Gregos is a world renowned French street artist who makes plaster casts of his face, Paints them and then sticks them to walls. He visited Bristol in 2015 during Upfest, and this is one of his pieces. He has made more than 1000 of these face casts, mostly in Paris – I know of only two in Bristol.
Gregos, North Street, Bristol, January 2016
Cosmic Traveller, a Bristol street art blogger, wrote a great piece about Gregos in January this year. It is well worth a read.
Gregos, North Street, Bristol, January 2016
I can’t help really liking this original idea, and of course it’ll make my next trip to Paris just that bit more interesting.
Anyone who wanders around the streets of Bristol, particularly in the Montpelier area, cannot fail to have seen works by the wonderful Alex Lucas. They are everywhere, and together with her designs, they have become somewhat synonymous with the identity of Bristol itself. I posted this back in November 2105.
Alex Lucas, Picton Street, Bristol, March 2106
Nearly all of her work that I have seen includes portrayals of animals, often in anthropomorphic poses. Unlike most of the street artists I feature, Lucas is very much on the legitimate/commission-based side of brightening up our streets, and although some might perceive this as lacking in edge, Bristol would be greatly diminished without her outstanding pieces.
Alex Lucas, Picton Street, Bristol, March 2106
I only clocked this one walking home last week with some friends. I think it must be reasonably new. I should think Picton Takeaway are thrilled. Alex lives opposite in a house decorated in her own style, deserving of a post in its own right.
The quote from Oscar Wilde is perfect. Oh yes, and there is another Fox!
I surprise myself that this is the first post from Jamaica Street…it won’t be the last. I spotted this tiny wheatpaste a few weeks ago. It is by the fabulous 23 Magpies from Gloucester, and is so different from most of the street art I see. I love her work, and featured a piece from Dean Lane back in September 2015.
23 Magpies, Jamaica Street, Bristol, March 2016
23 Magpies currently has an exhibition of her work in Gloucester Guildhall. I think it unlikely that I shall be able to go, but I will keep an eye out for more of her works in Bristol.
23 Magpies, Jamaica Street, Bristol, March 2016
This flying squirrel is certainly one of the more unusual pieces I have seen.
This hoarding, on the corner of Ashley Road and Picton Street is a favourite of mine; the pieces here never last long, but they command attention due to the great location. The first time I ever saw one of Tom Miller’s works was here. Regrettably I didn’t photograph it and then it was gone. Right now the hoarding belongs to Aspire.
Aspire, Ashley Road, Bristol, March 2016
This piece appeared earlier this week, and in my view, is one of Aspire’s best so far. I am not sure what species the bird is, but it doesn’t look like a British one.
Aspire, Ashley Road, Bristol, March 2016
With the improving weather, the turnover of street art is on the up, and I really look forward to Monday mornings to see what has changed.