I get a real buzz every time I see a piece by Merny. I don’t know why I like his art so much, but I think it is probably a combination of the deliberate naive style combined with humour and originality that really appeals to me. One can become blazé about the high quality writing we see every day in Bristol, but it is impossible to walk past a Merny piece and think that it looks like any other piece of art. It doesn’t.
Merny, Greenbank, Bristol, July 2021
This is a piece of our times and a commentary on the COVID-testing culture that we live in. There is a sadness and a sense of threat in the piece softened by the style and bright colours. Of course, the little labels make an appearance and add so much to this observational work. A very nice piece from Merny.
It would seem that since joining PWA, Nightwayss has been painting more frequently and seems to be enjoying his collaborations. This wonderful piece is in the middle of a Face 1st, Nightwayss and Soap triptych, and incorporates the recently devised PWA wobbly line border.
Nightwayss, Greenbank, Bristol, June 2021
Nightwayss’ pieces are well known for featuring monkeys and apes and in this piece he doesn’t disappoint. A ghoulish giant ape is consuming a train (I think), and behind is a fabulously written ‘NIGHT’. With all the dots in the background, there is a feel of comic book print about the piece, and the theme adds to that feel. A great piece.
Trying to keep up with the sheer amount of new pieces in Bristol is as challenging as it has ever been. As a direct result, there is more of a chance that pieces will be tagged, spoiled or even over-painted by the time I get to them. This for a street art hunter is not a great state of affairs, but one I think I am going to have to accept, because there is absolutely no let-up aim Bristol and no end of new entrants into the scene.
Merny (Morny), GreenBank, Bristol, May 2021
This fabulous witty piece from Merny (who I call Morny) is a little bit contrived but nonetheless great fun. An orange and lemon side by side are making corny word play jokes with each other, but it is the sophisticated and studied naive style that I particularly like. Pity about the corruption graffiti, but that is the world we inhabit.
Set on the backdrop of a dramatic and moody sky is this lovely piece of graffiti writing from Bnie was painted a few weeks back during an RBF paint-in. Bnie is a writer whose work I really admire, it has a freshness and simplicity that works for me. That is not to say it is simple, far from it, more that it comes across cleanly and is easy to enjoy.
Bnie, Greenbank, Bristol, April 2021
The colour combinations in the letters contrast nicely with the patterned 3D shadows, and the ‘tie-dye’ effect of purples and whites is quite magnificent – more of that please! There is only one thing that I’m not too fond of, and that is the chocolate brown decoration on the perimeter – it is not my favourite street art colour. All in all another blinder.
I knew all about this wonderful new collaboration from Rosalita’s Instagram feed, and because I recently (and at last) found the Greenbank wall, I rushed down to take some photographs. It was well worth the trip.
Rosalita, Greenbank, Bristol, April 2021
The collaboration is from Rosalita and Antikki and they certainly decided to go big with this one. There is so much to love here. Rosalita’s clown face behind layers of theatrical make up that disguise the emotional disposition of the subject, as is so often the case with Rosalita’s work there is something sad or uncertain about the portrait. The hair, oh my goodness the hair. Antikki has done an extraordinary job of weaving her dancing figures into the hair, which if you don’t look properly you might miss. The whole portrait is set on a starry and atmospheric background. This is a masterclass in collaborative working where the two styles and cleverly fused into the one piece.
Rosalita, Greenbank, Bristol, April 2021
Like many other people, I am so enjoying Rosalita’s strong presence on our streets, which has blossomed over the last six months or so and it is great to see Antikki joining her. I would love to see more collaborations from these two.
I knew that this piece by Rosalita existed, I just wasn’t quite sure where and when I finally discovered it on the Greenbank wall it was looking a little bit worse for wear. There is definitely a dark and tragic side to a lot of Rosalita’s work and this is something of a deathly portrait set on a backdrop of flowers.
Rosalita, Greenbank, Bristol, March 2021
I don’t often cut-and-paste quotes into Natural Adventures, but Rosalita’s explanation of this piece on her Instagram feed gives us an insight into this portrait:
“🌺From my rotting body flowers will grow🌺 Emptying cans with a mishmash of colours. Dreamt I visited my mother last night, in our old home, as if she had never departed. There was comfort in feeling her presence again. Buddhist believe in meditating on death and impermanence as the only certainty in life 🌱 The intention is that when we embrace the reality of death we are freed of its fear and are able to live our lives fully with an open heart 💓 It is shamanic work throughout all cultures. Themes of death are a form of meditation in my practice, the impermanence of murals is guaranteed and comes with the territory of graffiti/street art culture. In its own way is a reminder of how fragile life is, and through acceptance we can kiss the joy as it passes our way ☠️ nuff love !”
The piece is very similar to another one she painted at around the same time and which I posted here back in January 2021. Fabulous work, and I love the flowers.
Greenbank is the most wonderful temporary graffiti/street art spot. It is a very long hoarding, perhaps 100m, which separates the Bristol to Bath cycle track from a large new development. I guess the hoarding will be here for a few more months and then this great art asset will disappear and we’ll all have to look for somewhere else. This is the way.
Pekoe, Greenbank, Bristol, April 2021
Pekoe has been on fire over the last year and she is turning out some truly magnificent pieces. This ‘kill the bill’ portrait is in magnificent purple and yellows (which I recollect from school are opposite colours) and with her white beanie, it really hits the mark. This is beautifully finished and it looks like she took her time to add in some details in the face and hair. Another triumph from the very busy Pekoe.
Another new artists for Natural Adventures in 2021 is Zed in the Clouds. Zed has been busy in recent months painting his small character pieces in most of the popular Bristol graff spots, and this one is on the long hoarding alongside the development at Greenbank.
Zed in the Clouds, Greenbank, Bristol, March 2021
Zed in the Clouds (a great name by the way) creates these expertly finished little cap-wearing characters that tend to blend well with all that is around them. Take a close look though, and you will see that this isn’t simple character tagging, there is a lot of skill and care that has gone into the fills and his lines are crisp and even. Lots more to come from this relative newcomer in Bristol.
I realise that although I have photographed quite a lot of pieces by Bnie over the years I haven’t posted all that many on Natural Adventures. In fact that could be said of a great many artists. There are only a handful of artists that I will post everything I have, and they are, in no particular order; Laic217, Inkie, Kid Crayon, Sled One and 3Dom… in fact there are others, but I just can’t remember them right now. I suppose that this places a kind of ranking in my own mind, but I don’t think that is necessarily the case.
Bnie, Greenbank, Bristol, March 2021
This is a super piece of writing from Bnie with a really nice colour selection and 3D shadow shading. I like the way she has incorporated a little smile into the letter ‘B’ which is like a mash-up between Ryder and DFC1848. The way the colour shading works and the white accents work well together to give the whole piece a bit of a 3D lift. Note to self – post more Bnie work.
I don’t mind admitting that it took me a long time to find this hoarding. Variously known as the cycle path or Greenbank or the Bristol to Bath cycle path, I was just too proud to ask anyone where it was and in the end found it using Google Maps – where would we be without such miracles of the modern world? This hoarding on the periphery of a huge development is about 100m long, and it has recently become an important, albeit temporary, graffiti spot.
Face 1st, Greenbank, Bristol, March 2021
It was nice to be greeted with this firm favourite of mine, Face 1st along with so many other familiar artists… my archive for March overfloweth! This is a standard Face 1st design with a pretty girl’s face and hair constructed with the letters FACE. I like the addition of the gold earring and the little blue and pink accents by the eye. Lots more from this wall to come.