6341. Greenbank (133)

Le Imposter Design, Greenbank, Bristol, August 2024
Le Imposter Design, Greenbank, Bristol, August 2024

This is exactly the type of discovery I love to make, and highlights why I do what I do. The Bristol to Bath cycle path is a very busy thoroughfare for cyclists and walkers alike. The vast majority of footfall (or wheel-fall) passing the long hoarding alongside the Chocolate Factory development, will miss this little gem, and some of the larger gems here too, being more focussed on getting from A to B. Observers of the world, however’, will stop and enjoy treats like this one from another first-timer on Natural Adventures, Le Imposter Design.

Le Imposter Design, Greenbank, Bristol, August 2024
Le Imposter Design, Greenbank, Bristol, August 2024

This modest design is dwarfed by the larger pieces of graffiti writing and street art surrounding it, and is easily overlooked, being at about knee to waist height. The art piece sets out a wonderful view out of a window and onto the street. There are lots of little details to enjoy, the plant and pot, coffee with a heart shape in the froth, some paperwork, and even a stall and awning on a building across the street. Wonderful calming stuff in a frenetic spot. A big welcome to Le Imposter Design, I hope to see more of her work before too long.

6337. Greenbank (132)

Grimes, Greenbank, Bristol, August 2024
Grimes, Greenbank, Bristol, August 2024

Grimes has been smashing it all summer with his colourful and energetic pieces, and this one on the long hoarding at Greenbank simply adds another to his expanding portfolio. Sadly, we’re now entering the last days of the Raj with this particular spot, as the development of the site is nearing completion. It will be a sad day when the hoarding comes down, but illustrative of the temporary nature of street/graffiti art.

Grimes, Greenbank, Bristol, August 2024
Grimes, Greenbank, Bristol, August 2024

The letters in ‘fruits of the forest’ colours spell out GRIME, and as ever have an incredible sense of movement about them. There is something rather lyrical about Grimes’ writing, if that makes any sense at all, like visual poetry. Another great piece from Grimes, and surely about time for a gallery?

6269. Greenbank (131)

Whos, Greenbank, Bristol, July 2024
Whos, Greenbank, Bristol, July 2024

Note to self… take better photographs. This piece is something of an outlier. It is by an artist called Whos, who is known for his anti-style writing, so when I first saw this it didn’t register that it might be by him. It was only after talking to Conrico at the Cheltenham Paint Festival who confirmed that it was indeed by Whos and that Conrico, while painting to the left of this piece, encouraged Whos to push the boundaries.

Whos, Greenbank, Bristol, July 2024
Whos, Greenbank, Bristol, July 2024

This urban landscape, making up the letters WHOS, is really imaginative, and coming from an artist more used to the free from of anti-style graffiti writing, is a great effort. The dark industrial colours lend themselves very well to the piece and help to create a special atmosphere, which would not have been achieved with bright pinks and yellows etc. I really hope that Whos is encouraged by this foray into a world of opportunities is just the beginning… we’ll have to wait and see.

6252. Greenbank (130)

Minto, Greenbank, Bristol, July 2024
Minto, Greenbank, Bristol, July 2024

I have mentioned a couple of times in posts recently that Minto has been pretty busy lately, and this is another in a string of graffiti writing pieces. The writing and overall piece is a little more coherent than some of the ‘deconstructed’ pieces of late.

Minto, Greenbank, Bristol, July 2024
Minto, Greenbank, Bristol, July 2024

There is lots of colour and movement in this piece, in which the letters MINTO are picked out in pinks and oranges. The piece is a good one for a nice sunny day, for sure. I particularly like the two traces of stars on the sides of the letter ‘M’. good stuff from Minto.

6241. Greenbank (129)

Haka, Greenbank, Bristol, July 2024
Haka, Greenbank, Bristol, July 2024

Just when I think that Haka has gone all quiet, he pops up with another piece, and so it was with this one on the long hoarding at Greenbank. The piece is a rather nice writing character combination, where the letters HAKA occupy most of the body space, behind which is a rather cheerful-looking stegosaurus.

Haka, Greenbank, Bristol, July 2024
Haka, Greenbank, Bristol, July 2024

I have tried to find out who the dinosaur is, as most of Haka’s characters tend to be from children’s picture books, but there are an awful lot of them and my Google search was fruitless. The whole thing is a really nicely composed conflation of graffiti writing and children’s illustration. Charming really.

6220. Greenbank (128)

Daz Cat, Greenbank, Bristol, July 2024
Daz Cat, Greenbank, Bristol, July 2024

It feels like Daz Cat is pushing all sorts of boundaries at the moment and painting with a freedom in both style and content that is a pleasure to witness. There is a lot going on in this free-flowing story-telling piece in Greenbank.

Daz Cat, Greenbank, Bristol, July 2024
Daz Cat, Greenbank, Bristol, July 2024

I can see a lady surrounded by purple/lilac cats, but the intriguing part of this piece is the two ‘robot’ arms that rather randomly seem to have landed in amongst them and are smoking from the arm sockets. There is a story which is skilfully illustrated, but it is a story belonging very much to the artist – as viewers we can only concoct our own stories. Great work from Daz Cat.

6212. Greenbank (127)

Conrico, Greenbank, Bristol, July 2024
Conrico, Greenbank, Bristol, July 2024

Conrico has been super-busy lately both painting on the street, and in his studio. He has a fabulous imagination, and much of his art is influenced by the culture of the Far East, in particular Japan. I don’t know what the connection is, but it adds an exotic flavour to many of his pieces.

Conrico, Greenbank, Bristol, July 2024
Conrico, Greenbank, Bristol, July 2024

This is quite an unusual portrait piece, that in contrast to what I have said in the previous paragraph, appears to be of a Central/South American person wearing face paint and with feathers in their hair. Once again, Conrico’s unique can-work gives the impression that the piece has been painted with brushes, and doesn’t have that ‘clinical tight finish that so much street art tends to have. More still to come from Conrico.

6206. Greenbank (126)

Omie, Greenbank, Bristol, July 2024
Omie, Greenbank, Bristol, July 2024

In Bristol, there are dozens, literally, of writers bubbling under the surface. Many of these are not as well known as some of the more established graffiti writers, but every once in a while one of them breaks cover and rises up a level or two. This often coincides (unsurprisingly) with their appearance on Natural Adventures. Omie is one of those artists whose work I have noticed and admire.

Omie, Greenbank, Bristol, July 2024
Omie, Greenbank, Bristol, July 2024

The refreshing thing about Omie’s work is that every piece is completely different from the last in style and composition, which keeps things very interesting. These heavy block letters spelling out OMIE in dark grey-green tones are given extra weight by a chunky 3D drop-shadow. Some orange decoration around the outside provides plenty of contrast to help the piece stand out. Nice work from Omie.

6198. Greenbank (125)

Zeks, Greenbank, Bristol, July 2024
Zeks, Greenbank, Bristol, July 2024

There is no doubt about it, I am really enjoying the fresh look of Zeks’ pieces combined with the fact that he is painting in Bristol a little more often these days, and long may that last. This is a straightforward piece of graffiti writing, with clearly defined letters and simple design – incorporating a little symmetry with the ‘Z’ and ‘S’.

Zeks, Greenbank, Bristol, July 2024
Zeks, Greenbank, Bristol, July 2024

I can’t put my finger on it, but there is something quite unique about Zeks’ writing. There is a modesty and uncomplicatedness, an authenticity, which really attracts me. Simple solid fills are accompanied by a striped pattern filling the letter gaps. A couple of arrows and some rings accessorise the letters a little, but none of it would work very well without the cream background. This is a great composition.

6159. Greenbank (124)

Esme Lower, Greenbank, Bristol, May 2024
Esme Lower, Greenbank, Bristol, May 2024

I think that we are approaching the last few months of this wonderful spot with its long hoarding, because the housing development is nearing completion, and when finished the boards will come down and the graffiti spot will become a thing of the past. That is part of my motivation to capture these spots and the art, because it is all so ephemeral. I was lucky enough to meet Esme Lower while she was painting this piece, and she said at the time that she was looking forward to doing more artwork on the streets, because she really enjoys it.

Esme Lower, Greenbank, Bristol, May 2024
Esme Lower, Greenbank, Bristol, May 2024

I love this representation of a fight or scrap, because it is representative of so many conflict situations, and painted in a humorous style. It reminds me of the fights that Asterix and Obelix would have with the Romans in the comic book series. There is plenty of action and movement in this fun piece, and I will definitely be keeping my eyes peeled for more from Esme Lower.