6506. M32 Spot (196)

Creamylines, M32 Spot, Bristol, October 2024
Creamylines, M32 Spot, Bristol, October 2024

I am baffled that I have posted fewer than 200 pieces from the M32 Spot – it feels like an awful lot more than that. I am very much an admirer of Creamylines’ work, and simply don’t see enough of it. His original pieces always remind me of stained-glass windows in the use of colour and the segmentation of different elements as if separated by leading.

Creamylines, M32 Spot, Bristol, October 2024
Creamylines, M32 Spot, Bristol, October 2024

In this column landscape/seascape/riverscape piece, Creamylines offers a bright and optimistic view of people and nature beneath a bright sun and patchy clouds. There is lots of detail, and naturally I am drawn to the fish in the middle section. There is so much to enjoy in this uplifting piece. I definitely would like to see much more from Creamylines.

6276. New Stadium Road (56)

Conrico, New Stadium Road, Bristol, July 2024
Conrico, New Stadium Road, Bristol, July 2024

Conrico has been so productively lately with commissions, painting walls and the Cheltenham Paint Festival. It is lucky really that he is so passionate about what he does and that he really enjoys it. He is currently going full tilt on his Japanese influenced pieces, including this lovely landscape/writing combo.

Conrico, New Stadium Road, Bristol, July 2024
Conrico, New Stadium Road, Bristol, July 2024

Conrico has a great story behind his moniker, which is essentially a school corruption of his name which has stuck, a bit like Scooj which I use as my pseudonym. The letters CONRICO are dominant in this piece and are influenced by the katakana alphabet, and float over a stunning landscape of a snow-clad volcano (Fuji?) and cherry blossoms in the foreground. A wonderful piece.

6269. Greenbank (131)

Whos, Greenbank, Bristol, July 2024
Whos, Greenbank, Bristol, July 2024

Note to self… take better photographs. This piece is something of an outlier. It is by an artist called Whos, who is known for his anti-style writing, so when I first saw this it didn’t register that it might be by him. It was only after talking to Conrico at the Cheltenham Paint Festival who confirmed that it was indeed by Whos and that Conrico, while painting to the left of this piece, encouraged Whos to push the boundaries.

Whos, Greenbank, Bristol, July 2024
Whos, Greenbank, Bristol, July 2024

This urban landscape, making up the letters WHOS, is really imaginative, and coming from an artist more used to the free from of anti-style graffiti writing, is a great effort. The dark industrial colours lend themselves very well to the piece and help to create a special atmosphere, which would not have been achieved with bright pinks and yellows etc. I really hope that Whos is encouraged by this foray into a world of opportunities is just the beginning… we’ll have to wait and see.

6249. Purdown (75)

Conrico, Purdown, Bristol, July 2024
Conrico, Purdown, Bristol, July 2024

One of the great pleasures of my trip to Cheltenham two weekends ago for the Cheltenham Paint Festival was catching up with Conrico while he was painting a wide piece spanning a bridge. We chatted for quite a while, and I came away with the impression of a really decent man who so utterly enjoys his craft. We talked about all sorts of things like where his name comes from and what his connection with Japan is and so on. Fascinating stuff.

Conrico, Purdown, Bristol, July 2024
Conrico, Purdown, Bristol, July 2024

This is a gorgeous Japanese scene with a pathway leading up to a small building and a lantern lighting the way. There are ghostly figures sitting on the roof of the structure and nearby, giving the whole thing quite a spiritual feel. Maybe the figures are ancestors. As with much of his work, Conrico has constructed a story and illustrated it beautiful, bringing a tiny little bit of Japan to Bristol.

6155. Upfest 2024 (34)

Fesa, Upfest 24, West Street, Bristol, May 2024
Fesa, Upfest 24, West Street, Bristol, May 2024

It looks like Fesa got lucky and managed to paint in two different spots for Upfest this year. I have already posted his Dalmatian dog at the Redpoint Climbing Centre, and this is a four (8) panelled landscape piece that is absolutely wonderful.

Fesa, Upfest 24, West Street, Bristol, May 2024
Fesa, Upfest 24, West Street, Bristol, May 2024

Once again I am reminded of Cezanne-like landscapes of a continental European type, that conjures up a feeling of warmth and vacations. The piece used the window frames really well, reversing our viewpoint, and rather than looking into the building, we are looking out towards this landscape. The gull on the windowsill adds another layer of perspective. I am very drawn to Fesa’s work, and the calmness it gives off – I do hope he returns to Bristol sometime.

Fesa, Redpoint Climbing Centre, Upfest 24, Bristol, May 2024
Fesa, Redpoint Climbing Centre, Upfest 24, Bristol, May 2024

5887. Cumberland Basin

Creamylines, Cumberland Basin, Bristol, March 2024
Creamylines, Cumberland Basin, Bristol, March 2024

There is something about the unique nature of Creamylines’ work that I find very engaging, and I am always pleased to find new work by him. This is the second column piece that I have found recently in the area, and it looks as if the artist had a mini-blitz.

Creamylines, Cumberland Basin, Bristol, March 2024
Creamylines, Cumberland Basin, Bristol, March 2024

Creamylines has used the background colour of the column to great effect, creating a prefect backdrop to his ‘sunlit uplands’ landscape style. All the elements of his landscape work are there, the sun and clouds, a patchwork of colour and a river running through the whole piece. Of course, he has character eyes dotted around the place too. This is a really interesting style and quite unlike anything else we see in the city.

5860. M32 roundabout J3 (557)

 

Kosc, M32 roundabout, Bristol, February 2024
Kosc, M32 roundabout, Bristol, February 2024

Oh my! This is Kosc at his very best, and even by his high standards, he has excelled himself. It is obvious that Kosc works very hard to develop his skills and looks to improve from piece to piece, stretching his repertoire and pushing boundaries. When you strive and work hard, you get your returns and this feels like a landmark piece to me.

Kosc, M32 roundabout, Bristol, February 2024
Kosc, M32 roundabout, Bristol, February 2024

From the background I would guess that this is an oriental scene and portrait, featuring a beautiful woman with flowers in her hair. The greyscale portrait has a softness of touch about it, accentuated by the solid chunky letters either side. I am not too sure why the ‘C’ melts away, but there must be a reason behind it.

Kosc, M32 roundabout, Bristol, February 2024
Kosc, M32 roundabout, Bristol, February 2024

To me, what absolutely makes the piece perfect, is the stunning landscape setting featuring mountains and trees and old buildings, painted in subtle shades of blue. Whether it is deliberate or not, the spilt paint on the ground draws the piece out towards the viewer and adds to the overall impression.  Brilliant work from an artist at the top of his game.

5686. Leonard Lane (44)

Creamy Lines, Leonard Lane, Bristol November 2023
Creamy Lines, Leonard Lane, Bristol November 2023

The second of three pieces painted recently by Creamylines in Leonard Lane is, of course, a fabulous landscape with sun rays and clouds. The space that he has chosen to paint is quite small, and so the black lines feel a little more dominant than when he paints larger walls.

Creamy Lines, Leonard Lane, Bristol November 2023
Creamy Lines, Leonard Lane, Bristol November 2023

Although his work is quite formulaic, no two pieces are identical, and there is some comfort in knowing what you are going to get from Creamylines. It might be interesting to see him tackle a couple of different ideas – perhaps painting in landscape format or painting a different kind of landscape… urban, desert, forest for example. I remain a big fan of his highly original work.

This England

Mendip National Nature Reserve, view of Somerset, October 2023
Mendip National Nature Reserve, view of Somerset, October 2023

.

Vast autumn storm clouds

dragging moisture from the sea

wet and waterlogged

.

by Scooj

4935. Picton Lane (15)

Conrico, Picton Lane, Bristol, December 2022
Conrico, Picton Lane, Bristol, December 2022

I love a good mural every now and again, and I was pleasantly surprised by this lovely piece by Conrico hidden away in Picton Lane. I haven’t visited the lane in quite a while, so am not sure when this was painted, but I hadn’t been aware of it on social media at all.

Conrico, Picton Lane, Bristol, December 2022
Conrico, Picton Lane, Bristol, December 2022

Taking up the whole side wall of a building, the tranquil; piece depicts a railway passing through a small settlement and disappearing into the purple mountains in the distance. The artwork has a naïve style with a little bit of flexibility on perspectives and so on.

Conrico, Picton Lane, Bristol, December 2022
Conrico, Picton Lane, Bristol, December 2022

Overall, the mural is a ray of sunshine, breathing life into a wall that would otherwise be rather dull. Conrico has been busy with commissions this year, which can only be a good thing for him and for us.