7108. M32 Cycle path (293)

Tera, M32 Cycle path, Bristol, June 2025
Tera, M32 Cycle path, Bristol, June 2025

I have continued to dig out Tera pieces that I failed to post at the time they were painted, so this one from June is a little out of sequence, but demonstrates really well his development, which has been so rapid.

Tera, M32 Cycle path, Bristol, June 2025
Tera, M32 Cycle path, Bristol, June 2025

I’m not quite sure what the overall message here is, but when I see skeletons and gold coins, I think about avarice and comeuppance. A message that I am always mindful of, and one that reinforces my dislike of selfish billionaires, is that ‘you can’t take it with you’. This piece says that to me. It is a well-painted piece that, in part, reflects his accelerated progress, and highlights some of the areas he can sharpen up on, which, in fairness, he has been doing since painting this a couple of months back.

7029. M32 Cycle path (292)

Face 1st, M32 Cycle path, Bristol, June 2025
Face 1st, M32 Cycle path, Bristol, June 2025

I don’t think there will ever be a time when I am not happy to see a piece by Face 1st. Of course, since he moved away from Bristol, that sense of joy is heightened, because his pieces appear less frequently and have become a little bit of a rarity.

Face 1st, M32 Cycle path, Bristol, June 2025
Face 1st, M32 Cycle path, Bristol, June 2025

This is a classic laughing girl with big hair piece from Face 1st. The big hair spells out FACE, in script-like letters, with a very deep drop shadow. The blue tones with the white face work well, and although not the tidiest piece I have seen from the artist it is nonetheless distinctive and very, very Bristol.

7024. M32 Cycle path (291)

Conrico, M32 Cycle path, Bristol, June 2025
Conrico, M32 Cycle path, Bristol, June 2025

Conrico always brings something slightly different to the party. His brush-stroke style contrasts with much of the ‘solid fill’ or ‘blended’ style that most street artists work with.

Conrico, M32 Cycle path, Bristol, June 2025
Conrico, M32 Cycle path, Bristol, June 2025

In this interesting piece, which appears to be telling a story, a woman, smoking, is holding a burning piece of paper. At the base of the piece, a newspaper headline read “Bristol City Plagued by Grad…”. This must be a story that I missed, but it looks like Conrico has tried to capture it. I am none the wiser, but it is a great piece of commentary art.

7001. M32 Cycle path (290)

Oust, M32 Cycle path, Bristol, June 2025
Oust, M32 Cycle path, Bristol, June 2025

Oust is a graffiti writer who is probably a little under-represented on Natural Adventures, which might reflect the fact that he doesn’t paint all that frequently, and it is possible that I miss the odd piece altogether. He seems to have been in a rich vein of form recently though, and this is one of at least three pieces I have found recently.

Oust, M32 Cycle path, Bristol, June 2025
Oust, M32 Cycle path, Bristol, June 2025

This birthday tribute piece for Sled One is absolutely outstanding in my view. Oust has used great colours, orange and green always work well together, and his classic style is full of great fills, depth and movement. Although the piece is busy, it isn’t cluttered. This is a classy piece of graffiti writing from Oust.

6918. M32 Cycle path (289)

Werm, M32 Cycle path, Bristol, April 2025
Werm, M32 Cycle path, Bristol, April 2025

Now, regular readers will know that brown is my least favourite colour when it comes to graffiti writing, and it is a path I am unlikely to deviate from or be persuaded otherwise, so the selection of brown aside… this is a really nice tight piece by Werm.

Werm, M32 Cycle path, Bristol, April 2025
Werm, M32 Cycle path, Bristol, April 2025

I rather like this letter style, which while keeping up the symmetry theme that Werm enjoys so much, also has something of a feel of Marvel or DC Comics about it, as if it should say ‘blam’ or ‘whack’ or something like that. Definitely a fun piece, well presented. Pity about the colour.

6900. M32 Cycle path (288)

Mind 49, M32 Cycle path, Bristol, April 2025
Mind 49, M32 Cycle path, Bristol, April 2025

For me, this post represents a lesson in always taking pictures of pieces when you can, even when the light conditions are bad, or there are obstacles in the way, because the next time you return to get pictures, the piece might have gone, as was the case with this beauty by Mind 49.

Mind 49, M32 Cycle path, Bristol, April 2025
Mind 49, M32 Cycle path, Bristol, April 2025

The shadow cast across the top half of this incredible portrait piece, doesn’t ruin it as much as I thought it would. The quality of the composition and the artwork shine through. Mind 49 skilfully works in a cartoon graffiti face on the daisy hat, combining two very different styles into the one piece. This is a truly outstanding piece that deserved to be seen for longer.

6858. M32 Cycle path (287)

Lis, M32 Cycle path, Bristol, April 2025

It will not have escaped regular readers’ attention that I am thoroughly enjoying the development of Lis (Le Imposter Design). Her work is increasing in both volume and scope, and she is broadening her horizon from the ‘safe space’ of mushrooms and toadstools.

Lis, M32 Cycle path, Bristol, April 2025

I didn’t really notice this piece the first time I walked past it, and it was only on returning along the path a few minutes later that I stopped and registered it was by Lis. It is a rather nice monster character piece, looking like a teddy bear that is having a ‘bad hair’ day. Lots of fun, and experimenting with something new. Such has been her prolific painting, I will soon be able to publish a gallery of her work, which should give an indication of her rapid transition to spray paints. Keep it up, Lis.

6792. M32 Cycle path (285)

Hemper, M32 Cycle path, Bristol, February 2025
Hemper, M32 Cycle path, Bristol, February 2025

Hemper’s odyssey continues with this rather nice chrome piece alongside the M32 motorway. He seems to be omnipresent at the moment and is stretching his creativity to the maximum.

Hemper, M32 Cycle path, Bristol, February 2025
Hemper, M32 Cycle path, Bristol, February 2025

This piece is perhaps a little bit more conventional for Hemper, in so much as it is not too different from pieces he has been producing in the past. What makes it special is that as chrome pieces go (which are often a little rushed or crude) this is one of the best examples you will find. The writing, spelling HEMS is relatively low-key, but decorated to a higher standard than most chromies, and the finishing, borders etc, is completely on-point. More to come soon from a man on a mission.

6772. M32 Cycle path (284)

Hemper, M32 Cycle path, Bristol, February 2025
Hemper, M32 Cycle path, Bristol, February 2025

Here we have yet another creative piece coming off the Hemper production line, which has gone into overdrive of late. If the cheeky worm piece didn’t spell out Hems, I’m not sure that I would ever have been able to trace it back to him. It is so different to his writing work.

Hemper, M32 Cycle path, Bristol, February 2025
Hemper, M32 Cycle path, Bristol, February 2025

This alley is always pretty grotty, with a fair amount of fly-tipping that goes on here, as you can see from the pictures. At least we can rely on street artists brightening up the walls at the very least. Hemper has worked hard, not only to create a cheery worm spelling out Hems, but also provides a clean and happy background to round the piece off nicely. It is fast becoming impossible what Hemper might dream up next, and I am very much enjoying the ride.

6741. M32 Cycle path (283)

Piewaste, M32 Cycle path, Bristol, January 2025
Piewaste, M32 Cycle path, Bristol, January 2025

Very occasionally we are lucky enough to find pieces by Piewaste. His work tends to blend in with its surroundings, and it can be quite easy to pass on by without noticing it – unless you are like me, and wired to sniff out such pieces wherever they might be.

Piewaste, M32 Cycle path, Bristol, January 2025
Piewaste, M32 Cycle path, Bristol, January 2025

Piewaste has written three thin-edged letters (WSE) interspersed with two pink-filled letters (AT) to spell out WASTE, but all elements of this writing kind of disappear unless you are concentrating. The three green-bordered letters are filled with an incredible scene, as if you are looking through letter-shaped windows. This is a brilliant piece that is so modestly presented. This is why I like to keep my eyes open and really study what is around me.