5987. M32 roundabout (569)

Saor and Andy Council, M32 roundabout, Bristol, April 2024
Saor and Andy Council, M32 roundabout, Bristol, April 2024

Sometimes you see a piece, and it takes your breath away… this was one such piece. Absolutely everything about it is perfect, and it is, by some margin, my favourite piece of the year so far. In case it wasn’t obvious, it is a collaboration between Saor and Andy Council – not something I saw coming, but their styles very well together.

Saor and Andy Council, M32 roundabout, Bristol, April 2024
Saor and Andy Council, M32 roundabout, Bristol, April 2024

Starting with the buffed wall – If you’re going to do a serious statement piece it is always worth buffing the wall with an appropriate colour and the grey in this instance works well with the overall colour palette. The subtle soft pinks, maroons and greys are bought to life with some bright and vibrant greens, classy stuff indeed.

The writing is by Saor and is as ever so crisp and tight – no thick borders, only sharp edges. The character, a Vaughn Bode lizard, is by Andy Council and true to his composite style, is made up of pipes, vents and architecture, including the Clifton Suspension bridge all stitched together. This is a masterpiece collaboration by two brilliant artists.

5982. M32 roundabout J3 (568)

Bogat, M32 roundabout, Bristol, April 2024
Bogat, M32 roundabout, Bristol, April 2024

Bogat has been lying low for a while, so it was rather nice to stumble across this vibrant piece on one of the subway entrances on the north side of the M32 Roundabout. He says that he hopes to be a little more active this summer, which is great news.

Bogat, M32 roundabout, Bristol, April 2024
Bogat, M32 roundabout, Bristol, April 2024

The colour selection for this character piece is exceptional, and the green has an amazing glowing quality – the colours are what you might expect in a spooky disco or ghost train, if you know what I mean. Bogat has made great use of light and shade to accentuate features, something I have spoken a lot about in Zake’s character work. A more than decent piece and first of many to come this year I hope.

5967. M32 roundabout J3 (567)

Raid, M32 roundabout, Bristol, April 2024
Raid, M32 roundabout, Bristol, April 2024

It has been a genuine pleasure discovering a wide variety of Raid pieces over the last couple of years, and what I have noticed that as well as experimenting with his letter shapes, he has also been improving his fills immeasurably.

Raid, M32 roundabout, Bristol, April 2024
Raid, M32 roundabout, Bristol, April 2024

It would appear that Raid painted this one in the rain, and wasn’t overjoyed about it. Fortunately, it doesn’t appear to have affected the piece in the slightest. The fill is exquisite and imaginative, and it would appear that Raid has hit upon a winning formula. Everything about this piece is good, and the finishing is perfect, right down to the fine orange border. Bravo Raid!

5960. M32 roundabout J3 (566)

Stivs, M32 roundabout, Bristol, March 2024
Stivs, M32 roundabout, Bristol, March 2024

Profanity alert! It is a long held tradition for graffiti writing to be edgy, either in location, style or content, and sometimes writing profanities disguised or otherwise is part of that attitude, without which street and graffiti art would be nothing. Some of the earliest graffiti from Roman times was essentially cock and balls doodles in public spaces.

Stivs, M32 roundabout, Bristol, March 2024
Stivs, M32 roundabout, Bristol, March 2024

Stivs presents us with the word ‘FUCK’ styled with his exquisite calligraffiti writing that brings a bitter-sweet challenge. Great colours that smack you in the face and beautifully finished, this is graffiti art at its subversive best.

5956. M32 roundabout J3 (565)

Bloem, M32 roundabout, Bristol, March 2024
Bloem, M32 roundabout, Bristol, March 2024

There is so much to like about Bloem’s work at the moment, and more than that, she is a really lovely person and talented artist and jewellery craftswomen. Her pieces are becoming more confident with each trip out, and she is spreading her wings, improving all the time.

Bloem, M32 roundabout, Bristol, March 2024
Bloem, M32 roundabout, Bristol, March 2024

This piece on the roundabout contains a few themes that she specialises in, for example the hand with sharp nails and the old-style brick mobile phone, with keypad. Springing from the phone display is a tangled growth of flowers, complete with personalities. The whole piece is set on a glorious red backdrop softened with a few patterns. This is truly stunning work from Bloem.

5952. M32 roundabout J3 (564)

 

Klashwhensober, M32 roundabout, Bristol, March 2024
Klashwhensober, M32 roundabout, Bristol, March 2024

There is a lot of truth and honesty about Klashwhensober’s work. Sometimes his work can be a little scruffy and rushed, and sometimes it can be glorious, clean tidy and creative. This piece falls into the latter category, and s a general observation, his trajectory is upward and he is producing quite a lot of classy pieces at the moment.

Klashwhensober, M32 roundabout, Bristol, March 2024
Klashwhensober, M32 roundabout, Bristol, March 2024

The black letters on a blue background, spelling SOBER, are nicely done and complemented with a fine blue drop-shadow and tidy accents and starbursts. The inclusion of a character in the middle of the piece definitely improves the overall look and balances out the piece well. Great work from a still-productive Klashwhensober.

5941. M32 roundabout J3 (563)

Hypo, M32 roundabout, Bristol, March 2024
Hypo, M32 roundabout, Bristol, March 2024

I think that Hypo and his friends are particularly partial to this spot on the M32 roundabout, and I say that because many of his pieces have been painted here. This one was painted alongside Hemper and Turoe, two legends of the Bristol graffiti writing scene.

Hypo, M32 roundabout, Bristol, March 2024
Hypo, M32 roundabout, Bristol, March 2024

Hypo hasn’t gone for the symmetry that we often see with his letters, or at least, not as obviously. There are some great colours in the vibrant piece, and some classic drips and spots by way of decoration. I am not fully convinced by the 3D drop shadow, which looks a little conflicted in one or two places. Overall though this is yet another cracker from Hypo.

5924. M32 roundabout J3 (562)

Elvs and Rusk, M32 roundabout, Bristol, March 2024
Elvs and Rusk, M32 roundabout, Bristol, March 2024

This is a wonderful collaboration from two brilliant artists, Elvs and Rusk. I’m not sure I have seen these two painting together since Upfest 22, so this came as a very nice surprise indeed. Elvs has had quite a quiet year painting in Bristol and I would like to think (hope) that this piece signals a few more visits for 2024. Elvs’ writing is so incredibly unique and recognisable – I don’t think that I know of anyone that writes large block letters etched out with thin black lines in this way. Fine writing.

Elvs and Rusk, M32 roundabout, Bristol, March 2024
Elvs and Rusk, M32 roundabout, Bristol, March 2024

I would say that Rusk is better known for his writing or writing/character combination pieces, so this ghetto blaster hip-hop character is something of a rarity. The old-school style character has all the hallmarks of street art/hip hop culture and Rusk carries it off brilliantly. A rather nice silhouette of an urban skyline polished the collaboration off nicely. Great collaboration.

5917. M32 roundabout J3 (561)

Sub and Bloem, M32 roundabout, Bristol, March 2024
Sub and Bloem, M32 roundabout, Bristol, March 2024

It took me a little while to work out, but should have been obvious from the start that Sub and Bloem usually paint together, and this collaborative space on the roundabout was adjacent to another that they were painting as I photographed this one. It is great to see two young artists out there pushing boundaries and practicing their skills.

Sub and Bloem, M32 roundabout, Bristol, March 2024
Sub and Bloem, M32 roundabout, Bristol, March 2024

To the left, Sub has painted another of his distinctive pieces with very large letters, lifted with a thick drop shadow and accompanied by some wispy smoke, in the Mr Klue style. On the right, Bloem has painted a hand, as she likes to do, holding a pair of her trademark cherry devils (with smiley faces). Although the two pieces are discrete, they share a cloudy background, and there is a suggestion that the hand emanates from Sub’s ‘B’. Always good to find their work.

5900. M32 roundabout J3 (560)

Turoe, M32 roundasbout, Bristol, March 2024
Turoe, M32 roundasbout, Bristol, March 2024

We don’t get to see Turoe’s work all that often these days, so when a new piece does appear it is always worth celebrating. This beauty was painted with his friends Hemper and Hypo on the M32 roundabout at the beginning of the month.

Turoe, M32 roundasbout, Bristol, March 2024
Turoe, M32 roundasbout, Bristol, March 2024

Turoe has painted his letters in old school style, filled with subtle colours and patches, but it is the drop shadow that makes the piece. The very deep shadow extends to the floor in a soft pink with black borders, and is very nicely executed. Shadows like this are quite unusual, but very effective, and I am a little surprised we don’t see it more often. A nice reminder of the exceptional talent of Truro.