Another nice piece by Deamze on the M32 roundabout wall, on the St Pauls side, from back in July 2016. It is quite an unusual piece, rather stylised and reminiscent of stained glass.


Another nice piece by Deamze on the M32 roundabout wall, on the St Pauls side, from back in July 2016. It is quite an unusual piece, rather stylised and reminiscent of stained glass.


Another great artist to claim a wall in Rivington Street is My Dogs Sighs, and his piece is alongside other greats such as Fanakapan, Stinkfish and Thierry Noir. This is a piece typical of My Dog Sighs, composed of a pair of eyes, and on closer inspection a scene going on in the reflection of the eye itself.

This is a clever technique used by My Dog Sighs, and it is in the detail of the eye that the story lies. Difficult to make out, but the artist knows. It is always nice to stumble upon anything by My Dog Sighs.
Have you ever had that strange thing when you hear a word for the first time, maybe on the radio, or at work or something, and then, having never been aware of it in your life before, you keep hearing it again and again. One of those words for me was ‘segue’. It is funny how awareness works. And so it is with Andrew Burns Colwill for me. I didn’t know who he was only a little while ago when I posted about his goldfish. Now, as I go through my archives, I keep finding pieces by him, that I didn’t know were by him, and the best bit about that is that I can now post them here. ABC is very much front of mind for me at the moment.

This piece entitled ‘Health and Safety’ encapsulates our nation’s obsession with H&S and our equal counterbalance of mocking it. “Hold the handrail” they say at work when going up or down the stairs. Infuriating, but somehow endearing. The problem I have with H&S is that it is enforced, not because people care, but because people want to be seen to be caring. Being seen to be doing things is the biggest sham. Just do it…then you will be seen.

I seem to be on a bit of a soapbox. three glasses of wine and this is what happens. Back to ABC…I really like his work. There is something very serene about it, but in this piece there is something troubling too. Perhaps he is so moved by the H&S thing that he needed to express his feelings through his amazing art. I just rant. More to come in a while.
This is another beautiful bird creation by Aspire in Picton Lane, a little alleyway tucked away in Montpelier. I think these are house sparrows, which were so common when I was a youngster, but are something of a rarity these days.

I am full of admiration for the way that Aspire can just turn up to a wall and within a few hours transform it into something of beauty. His talent is as rare as the birds he paints.

I am filled with horror to learn that he has recently moved to London. Our loss is most certainly London’s gain. I wish him all the very best…the streets are lined with gold don’t you know.

I am sure that he will come back occasionally to his native Bristol, lest we forget (an unlikely scenario). Bon voyage.
This is another nice piece from wildstyle specialist Soker. It was in the Vector car park back in July, just before being overpainted during Upfest. The car park is a special place for Bristol street artists as it has five walls available in a gated space, so the works are rarely tagged. It also allows for gatherings and collaborations.

An interesting commentary piece at this year’s Upfest by MAS972, and artist based in Tel Aviv. I don’t know if it reflects his experiences in the UK, but we certainly are a nation awash with CCTV cameras.

Another visiting artist I know little about, but you can see more of his work at this London street art design website. think the text is a reference to the slogan from Candid Camera, which was ‘smile, you’re on TV’, if I remember correctly.
This energetic and rather curious looking tiger is by the artist Lewis Campbell who paints under the name of Lost Monkey. Lewis Campbell, who comes from London is an illustrator story board artist who turns his hand to street murals and larger canvasses from time to time.

This work has loads of energy and an element of menace about it, but also seems to have something of the child about it. The name ‘Lost Monkey’ is (according to his website) a symbol of the potential ideas and imaginings that fill an artist’s head – just bubbling under the radar of the subconscious. As he is a native Londoner, I’m not sure we’ll be seeing a lot of Lost Monkey in Bristol – maybe at Upfest 2017.

This interesting piece by Deamze was most likely sprayed at the same time as this awesome work by Voyder. They often work together, and the two pieces were close to one another on the same wall.

This Deamze piece is intricate and skillfully worked and has the trademark cartoon element woven into the work. The face reminds me of one of the characters from the Beezer comic, or was it Beano…it is the top lip that does it. The Bash Street kids?

Deamze continues to delight with his work dotted around the city, although only those with their eyes open will enjoy it.
This is the third piece I have posted on this blog by OHMS, and one photographed way back in May. I am still none the wiser though about the artist, or group of artists that produce these fine works. Each piece is usually accompanied by a reference to the Splab Gang, which I guess is a crew. I’m sure someone will tell me more about OHMS eventually, but for now we will all be in the dark.

The pieces always feature the letters OHMS and fabulously unique filling in of the letters. What is different here is that most graffiti artists fill in the letters with solid shading to provide depth and perspective. Not OHMS…these seem to be filled in with elaborate decorations that have a flatter look to them, but are beautifully designed. There is still something mysterious about these pieces, and this is a fine example.
A rather lovely simple piece on the front of Franco’s Takeaway on Rivington Street by the magnificent French street artist Thierry Noir. In this work, there are several of Thierry’s figures in bright colours looking as though they are in a queue for the takeaway shop. Intentional I’m sure.
