2592. Upfest 2018 (163)

I had a horrible panic that I hadn’t taken a picture of this magnificent abstract piece by Paris in its final form, but on thorough inspection of my Upfest archive I found this one. I know it isn’t perfect, but it is virtually impossible to get pictures of this wall without cars parked in front of it. This wall has since been overpainted by Kin Dose and his Summer Editions piece.

Paris, Upfest, Bristol, July 2019
Paris, Upfest, Bristol, July 2019

I did however manage to get plenty of shots of the work in progress and had a nice chat with Paris on the Friday before the crowds gathered. This work is so rich in depth and colour and has something of a cosmic feel to it. The style is quite unique and probably the only other artist I know who does similar cosmic-scapes is Cheba, but they tend to be much more dark space pieces.

Paris, Upfest, Bristol, July 2019
Paris, Upfest, Bristol, July 2019

Because Paris finished the piece quite early, it was one of the few scaffolded walls to be revealed actually during the festival (from recollection). Great to see this lovely and refreshingly different piece by Paris

1835. Prince Street

Mystery solved. Regular readers will know that I am really quite uncomfortable with posting pieces if I don’t know who created them. Occasionally I post them anyway because I don’t think I’ll ever find out who did them. In this case, I have held on in with the firm conviction that I would find the artist. And I have.

John D'oh, Princes Street, Bristol, October 2018
John D’oh, Princes Street, Bristol, October 2018

I recently bought John D’oh’s excellent book ‘Street Art and Graffiti‘ and there on pages 40 and 41 is this wonderful stencil piece. These photographs were taken this October, but I have some much older ones somewhere in my archive. The original installation had a little red word ‘why’ to the left of the piece and it was placed on 16 November 2015 as a tribute to those who lost their lives in the Paris terror attacks of 13 November that same month.

There is a little shelf beneath the piece which had little battery operated flickering candle lights to give the piece a shrine appearance. Beautifully conceived and executed. This is a poignant and touching piece from a great Bristol artist who puts a lot of thought, time, energy, passion and effort in to his work.

I was thrilled to find out it was by John D’oh. Good things come to those who wait (and buy books).

Leaving Paris

 

America first

the rest of the world suffers;

Mr Trump-Magoo.

 

by Scooj

734. Dean Lane skate park (42)

This collaboration was in Dean Lane for quite a while before eventually being painted over by Inkie. I have held back on writing about it, because I wasn’t at all familiar with its creators. Of course, good things come to those who wait, and I eventually tracked down the artists thanks to the miracles of the Interweb.

Paris, Haka and Mustard Tiger, Dean Lane, Bristol, January 2017
Paris, Haka and Mustard Tiger, Dean Lane, Bristol, January 2017

The collaboration is by Paris, Haka and Mustard Tiger, who must have been passing through, as they aren’t local Bristol artists. It is a curious piece and quite different from much of the stuff we see around here. Even the colours used are quite unusual.

Paris, Haka and Mustard Tiger, Dean Lane, Bristol, January 2017
Paris, Haka and Mustard Tiger, Dean Lane, Bristol, January 2017

The left third is by Paris, the middle section by Haka and the right hand side, a rather psychedelic piece, is by Mustard Tiger. I rather like each of the individual pieces in isolation, but I am not sure the collaboration works as a whole. It might just be a familiarity thing, but I don’t really see the thread between the pieces (colours, story, style)…I might be missing something. There is also a small tribute to CK One.

Paris, Haka and Mustard Tiger, Dean Lane, Bristol, January 2017
Paris, Haka and Mustard Tiger, Dean Lane, Bristol, January 2017

One minute

 

I weep at my desk

as we stay silent; somehow

it seems not enough.

 

by Scooj

Paris

 

The darkness is now

upon us, we are afraid

but our hearts are true.

 

by Scooj

Paris

Men stealing kisses

from passing acquaintances;

boulevard cafés.

 

by Scooj

Haiku 18

 

An establishment

entitled ‘Dirty Dick’, ain’t

my idea of fun.

 

by Scooj

Haiku 17

 

Regimented stacks

pay homage to Sacré-Coeur

from Paris roof tops.

 

by Scooj