1739. Upfest 2018 (50)

I always enjoy seeing the evolution of a piece of artwork, and Upfest affords the perfect opportunity to see artists at work and follow progress from cradle to grave. Of course this does depend on being in the right place at the right times, and I got lucky with this outstanding piece by Ant Carver.

Ant Carver, Upfest, Bristol, July 2018
Ant Carver, Upfest, Bristol, July 2018

The first stage of this work was to give the wall a splash of colour and texture…the first layer. A mask was then applied to create a draft of the eyes, nose and mouth in isolation from the rest of the work, a little bit like a stencil.

Ant Carver, Upfest, Bristol, July 2018
Ant Carver, Upfest, Bristol, July 2018

Once the draft of the eyes, nose and mouth had been added, Ant Carver got to work on the detail, using greyscale for these features. The skill of the piece is in blending all these layers to create a wonderful effect of the separateness and togetherness of greyscale and colour and the strength of detail in the features and vagueness with the rest of the face…very clever work.

Ant Carver, Upfest, Bristol, July 2018
Ant Carver, Upfest, Bristol, July 2018

I managed to get a couple of slightly poor pictures of his work at Upfest 2017, so it was nice to be able to get this series of slightly better pictures this time round. A memorable and unusual piece.

Ant Carver, Upfest, Bristol, July 2017
Ant Carver, Upfest, Bristol, July 2017

1738. Upfest 2018 (49)

There is one artist in Bristol whose work manages to attain higher levels each and every time I see it. It is of course Voyder who I have raved about many times in this blog before. At Upfest 2018 he really pulled out all the stops and painted this outstanding piece. Is there no end to his talent?

Voyder, Upfest, Bristol, July 2018
Voyder, Upfest, Bristol, July 2018

This new wall for Upfest was in my view an unquestionable success and gave some bigger ‘permanent’ space for artists who can go big. The cars in the picture above give you a feeling for how big these pieces are.

Voyder, Upfest, Bristol, July 2018
Voyder, Upfest, Bristol, July 2018

Voyder is probably best known for writing his name in a variety of styles, but always utterly recognisable as his work, which reminds me I must do a gallery of his work when I have a bit of spare time.

Voyder, Upfest, Bristol, July 2018
Voyder, Upfest, Bristol, July 2018

It is difficult to get across how good this piece is, both technically and in its clever subject material. I would take a long shot and guess that this is a self-portrait composed of three main elements: his faceless upper torso; a brown brush stroke of paint across his face; his familiar signature. This makes for at least three very different textures to the piece, each of which would be able to exist alone.

Voyder, Upfest, Bristol, July 2018
Voyder, Upfest, Bristol, July 2018

The hands are beautifully worked and full of expression – I have not seen much of this kind of work from Voyder before although I know he has painted portraits before. The brown brush stroke is something he has been playing with for the last couple of years and appears in many of his pieces these days. I am told that the fill in the Voyder signature is a backdrop to a design screen. To cap the whole thing off nicely we have one of his trademark neon lines running through his name. A heavenly piece from this master of Bristol street art.

1737. Upfest 2018 (48)

Unconscious bias is a curious beast, but it lurks in each of us in one form or another. One expression of it in me is the assumption that street artists are male unless they are not…if you see what I mean. I have made some terrible gender assumptions in the past with T-Rex, Skor85 to name just two, and so it was with Zabou. I have seen her work in London, but automatically thought she was a he. How glad I was to actually see Zabou at work during Upfest and to be able to write this post without falling in to the trap of gender assumption.

Zabou, Upfest, Bristol, July 2018
Zabou, Upfest, Bristol, July 2018

To their credit, the organisers of Upfest do not ask for the artist’s gender on the application forms for entry and so never quite know what the gender mix will be at the festival…this year it was about 35% female artists, which, in what we consider to be a male dominated arena, is very encouraging indeed.

Zabou, Upfest, Bristol, July 2018
Zabou, Upfest, Bristol, July 2018

This piece by Zabou, originally from France, but now operating out of London, is a stunning portrait beautifully executed, and it is really interesting to see from these pictures how the layers build up to give the final whole.

Zabou, Upfest, Bristol, July 2018
Zabou, Upfest, Bristol, July 2018

I love the little sprays of colour on the hand, fingers and face of the subject – it is these little details that bring works like this to life. I really love the portrait, and wish I had been able to find a little bit of time to speak to Zabou, but the festival is large and the days short. Maybe next time.

1732. Upfest 2018 (43)

The quality of Stencil work at this year’s Upfest was once again really high, and this beautiful piece from Neverender Design is just one of many examples of this. The portrait is a six layer stencil piece which looks rather tribal to me and is full of atmosphere and mystery and well as being technically excellent.

Neverender Design, Upfest, Bristol, July 2018
Neverender Design, Upfest, Bristol, July 2018

Neverender Design is a huge inspiration to any wannabe artists because he was inspired to start his own work at Upfest 2013 and he decided he would like to return to the festival as an artist rather than as a spectator. Well, here he is, and in my view he has absolutely smashed it. There’s hope for me yet.

1715. Upfest 2018 (40)

This is an outstanding large mural by Sicilian duo Rosk and Loste and one of the finest of the larger pieces at this year’s festival. Unfortunately I am unable to tell you anything more about the artists, because I can’t find anything about them on the Interweb.

Rosk and Lost, Upfest, Bristol, July 2018
Rosk and Loste, Upfest, Bristol, July 2018

This massive wall is slightly set apart from the main concentration of Upfest artwork, and probably receives fewer visitors during the festival weekend which is highly unfortunate, because this piece is really impressive.

Rosk and Lost, Upfest, Bristol, July 2018
Rosk and Loste, Upfest, Bristol, July 2018

I didn’t actually get to see it until a few weeks after Upfest, because it is in a part of town I rarely visit and I had to wait until I was passing by to get these pictures. The photorealistic style is so impressive as is the scale. Worth the journey.

1708. Upfest 2018 (33)

This is a magnificent new wall for Upfest 2018, just off East Street and pretty much perfect for large ‘permanent’ pieces by some well known artists. First up is this magnificent portrait by Koeone.

Koeone, Upfest, Bristol, July 2018
Koeone, Upfest, Bristol, July 2018

I am not sure I have come across the artist before, which is a bit of a surprise because he lives and works in North Devon, not a million miles from Bristol. This is typical of his work which features greyscale photorealistic portraits of women with pink and blue lettering and icons on the top of the head.

Koeone, Upfest, Bristol, July 2018
Koeone, Upfest, Bristol, July 2018

The final product is really classy and all the better coming from a self-taught artist. Koeone shares this wall with Nol, Hull Graffiti, and Voyder amongst others. Real high quality stuff. Definitely worth a visit.

Koeone, Upfest, Bristol, July 2018
Koeone, Upfest, Bristol, July 2018

Nice drips!

 

 

 

1690. Upfest 2018 (30)

A stalwart of Upfest and the Bristol street art scene is the wonderful Georgie (Artist). This year’s piece is a stunning portrait of a child, and something rather different from her smiley face stencil work of last year.

Georgie, Upfest, Bristol, July 2018
Georgie, Upfest, Bristol, July 2018

Georgie has an incredible range of styles and techniques that she uses to decorate the city and is a most gifted artist who not only executes her pieces well, but also has a wonderfully creative mind. Her pieces rarely disappoint.

Georgie, Upfest, Bristol, July 2018
Georgie, Upfest, Bristol, July 2018

It is a funny thing, but I missed a lot of artists this year. I think it might be because the weather was so ‘stop and start’ that artists tried to get as much done when the sun was out, and then ran for cover or went home when the rain came. Or…maybe they just saw me coming!

1663. Upfest 2018 (14)

I think this is the one, my favourite piece of Upfest 2018. The reason this works so well for me is that I have long admired this wall for all its textures and character and have photographed it before when it had no graffiti at all (I have searched through my pictures, but can’t find the ones I have taken here in the past, which is really annoying).

Kowse, Upfest, Bristol, July 2018
Kowse, Upfest, Bristol, July 2018

The artist, Kowse One, is not even mentioned in the Upfest programme, and this certainly isn’t an official wall, but he did work on a fabulous collaboration with Braga Last One ( to come). I think he comes from Marseille, but beyond that I know little of him.

The piece itself is perfect in every way. The use of the rendered part of the wall and its juxtaposition with the bare brickwork, the colours used contrasting so well with the surrounding, the accomplished portrait work and the lettering on the face reflecting some of the tags nearby make this an enchanting and exciting piece. There is some real edge and brilliant improvisation. I love it, I love it.

1625. M32 Spot (24)

This is not the first piece I have seen by this artist, who I assume is Zake, not Cake or Eake, but it is the first I am posting about them…watch this space for more soon. I know nothing of the artist although I have tried to find out on the Interweb, so will have to confine my writing to what I see, rather than what I know.

Zake, M32 Spot, Bristol, July 2018
Zake, M32 Spot, Bristol, July 2018

A cartoonish portrait or character, with so much charm and personality. It is a piece that is wonderfully crafted and in a particular style with a lot of focus around the eyes. The touches in purple to give a shadow are perfect, and I love a piece that has a discrete shadow underneath (something that Sepr does a lot). I love and rate this small column piece by Zake.

1623. St Werburghs tunnel (33)

I think I am in love with Tasha Bee’s work…there I’ve said it. I don’t know what it is about her style that presses all of my buttons, but there is something. Maybe it is the slightly 60s look and feel, maybe it is the colour palettes she uses, maybe it is the simplicity of expressions on her subjects or maybe it is that she does awesome collaborations with Face 1st. It is probably all of these and more.

Tasha Bee, St Werburghs, Bristol, July 2018
Tasha Bee, St Werburghs, Bristol, July 2018

This was one of two pieces I recently photographed in St Werburghs tunnel, lucky me, and each of them is equally good. The only dowenside is their location in the tunnel – the lighting is always so tricky. I think I might have got away with it this time…just.