Tag: St Werburghs

3188. St Werburghs tunnel (188)

No signature, but who needs a signature when your work screams out Fiva? It feels like an eternity since Fiva hit any walls, but this is quite some comeback. I don’t need to tell you what it spells, but I am probably as curious as you are as to why he decided upon the word Puffin.

Fiva, St Werburghs, Bristol, September 2020
Fiva, St Werburghs, Bristol, September 2020

The piece is dedicated to Josie and perhaps the word puffin means something to her. The writing is big and bold, but I can assure you that just because it looks simple does not mean it is simple to do. For a start there are all those straight lines and the correct spacing between letters etc. There is an extremely nice touch with the grey shadows to the left and bottom of each letter. A magnificent piece. I tried to emulate one of his letters last year, with a rather disappointing result… very difficult to do.

Scooj, H in the style of Fiva, Bristol, June 2019
Scooj, H in the style of Fiva, Bristol, June 2019

3171. St Werburghs tunnel (187)

As if to prove me wrong, here is yet another Mr Draws piece, and a rather nice little one at that. Since stating a little while ago that he wasn’t getting out much, I am now finding pieces all over the place. I was also fortunate enough to catch up with him at the Cheltenham Paint Festival last weekend, and noted that he too has grown a rather nice corona beard.

Mr Draws, St Werburghs, Bristol, August 2020
Mr Draws, St Werburghs, Bristol, August 2020

The piece in St Werburghs tunnel Is deceiving because of the lights in the tunnel. It is actually chrome but the reflected light makes it look very gold on the right hand side. Some nice simple drops and blobs just lift the piece a little. Modest and fun.

3166. St Werburghs tunnel (186)

A few days ago I commented that Mr Draws has been fairly slow out of the blocks since lock down restrictions eased, but I can safely say that he has now got back up to speed and he has returned to a steady pattern of spraying walls. I actually stopped for a chat with him yesterday at the Cheltenham Paint Festival and he was in good shape and is also sporting a very nice corona beard.

Mr Draws, St Werburghs, Bristol, July 2020
Mr Draws, St Werburghs, Bristol, July 2020

This piece plays into his current favour for horizontal Colour regimes in his pieces. I like the way he has gone for solid lines, no fusion of colours, and that some of the stripes are a bit wobbly. The white accents add a nice touch and create that 3D effect we’re always looking for. More pieces to come from Mr Draws.

3165. St Werburghs tunnel (185)

I am enjoying these full-length pieces from Daz Cat that he seems to be working on at the moment, it gives the characters so much more personality and offers scope for the artist to develop that personality.

DazCat, St Werburghs, Bristol, August 2020
DazCat, St Werburghs, Bristol, August 2020

This is rather a fun piece at the farm end of St Werburghs tunnel that shows a cat reading a right-wing newspaper, and suggests that readers of such papers are mugs. I would love to get all political about this, but it is a Monday morning and I am a little tired, so you can all rest easy. I love the way Daz Cat has painted the clothes on this character. A really nice piece.

3157. St Werburghs tunnel (184)

I said that I would be posting more from CD.TC and I am true to my word. This is a recent piece from the farm end of St Werburghs tunnel. I can’t be sure how prolific the artist normally is, but during the latter part of this summer he has certainly managed to get out and paint walls a few times.

CD.TC, St Werburghs, Bristol, August 2020
CD.TC, St Werburghs, Bristol, August 2020

This is a rather fun blue character in a kind of cartoon style. I am not sure what it represents, if anything, but the white streak of smoke/condensation from his hand to form a cloud seems to be symbolic of something. Nice tidy, clean lines and some great decorative fills make this a worthy addition to the free gallery of art in the tunnel. Still more to come from the artist.

3154. St Werburghs tunnel (183)

Ooh, I am really enjoying the work of Pl8o at the moment. The letters he uses lend themselves very well to graffiti writing and provide a lot of scope to do great things, like Boogie for example. There are some letters And numbers that just seem to work well together.

Pl8o, St Werburghs, Bristol, August 2020
Pl8o, St Werburghs, Bristol, August 2020

This one was at the farm end of the tunnel and in daylight that makes it so much easier to photograph. All the elements of this piece come together. The gold letters and grey shadow, the stars and spots and white letter stars. This piece is so very easy on the eye.

3146. St Werburghs tunnel (182)

His is only the third piece I have posted by Benjimagnetic although I have quite a few of his older pieces in my archive. His style is quite unique and more about outlines than solid fills. The sketchy appearance makes it difficult to decipher the letters, but they are there somewhere. It definitely starts with a B.

Benjimagnetic, St Werburghs, Bristol, August 2020
Benjimagnetic, St Werburghs, Bristol, August 2020

The colours in this piece are nicely thought out and the splashes of light blue and orange add some interest. In a funny way, this style is a bit like an angular version of the abstract writing we see from Mr Klue – there is a wispish, ghostly quality to it. Watch this space for more from Benjimagnetic.

3143. St Werburghs tunnel (181)

I have a feeling that this is the third piece I have posted by Whos and I am rather enjoying what I see. This unconventional writing style feels very ‘New Bristol School’ if there is such a thing, along with Taboo and Alos. I am full of admiration for this piece, because any kind of spraying on a heavily textured wall is not going to be easy.

Whos, St Werburghs, Bristol, August 2020
Whos, St Werburghs, Bristol, August 2020

The piece is located at the entrance to St Werburghs tunnel, and I expect it to stay there for a while due to the nature of the wall. The letters are large and bold with a clever shaded ridge down the middle giving a nice 3D effect. The silver/white and green colours work well together. Altogether a nice piece of writing the likes of which I expect to see more of.

3138. St Werburghs tunnel (180)

I mentioned in my last Mr Klue post that the artist tends to paint in spates with periods of absence interspersed with three or four sessions in quick succession and then all quiet again.

Mr Klue, St Werburghs, Bristol, August 2020
Mr Klue, St Werburghs, Bristol, August 2020

This is a modest little piece from a week or so ago near the entrance of St Werburghs tunnel. Set on a pink background, the abstract writing swirls about in a semi-solid state, which Mr Klue does so well. Usually his pieces spell out KLUE, but I am not too certain about this one.

3136. St Werburghs tunnel (179)

I feel like I have been a little starved of pieces from Nightwayss, and I think the last one I posted was his large and stunning tribute to the NHS at the M32 roundabout. This is an altogether much smaller and intimate piece.

Nightwayss, St Werburghs, Bristol, August 2020
Nightwayss, St Werburghs, Bristol, August 2020

Nightwayss’ signature element is his little monkeys that appear in practically all of his works and he doesn’t disappoinnt with this one. His little monkey is dancing on top of a halo which sits atop the G in NIGHT. The letter style is tending towards cartoon and beautifully presented. This is a small, modest and fun piece from Nightwayss that made me smile when I saw it.