Tag: St Werburghs

2646. St Werburghs tunnel (124)

Another orange piece in the orange setting of St Werburghs tunnel, this time from ‘Mr consistency’ Rusk. As I would expect from the artist this is a beautifully worked and tight piece that probably disguises the effort put in, as I know that Rusk is something of a perfectionist.

Rusk, St Werburghs, Bristol, December 2019
Rusk, St Werburghs, Bristol, December 2019

I particularly like the way the wavy fill in the bottom half of the letters is continuous despite the breaks, demonstrating some great ‘cutting in’ technique. In recent weeks Rusk seems to have favoured the tunnel – perhaps something to do with the dismal wet weather we have been having.

2640. St Werburghs tunnel (122)

Right in the middle of St Werburghs tunnel, you can tell from the very orange lighting, is this rather nice piece from Mr Sleven. I’m not sure if it is disguised writing or simply a design. I’d like to think it says Sleven, but I don’t quite see it. Hot off the Press – Mr Sleven posted an Instagram design of this piece this morning… it is a skull.

Mr Sleven, St Werburghs, Bristol, December 2019
Mr Sleven, St Werburghs, Bristol, December 2019

I don’t see too much of his work around the place these days. In fact I think the last one I saw was ages ago in Moon Street. It was a great piece that remained for a considerable time. I doubt this one will be afforded the same courtesy. I think the long run of wet weather makes the tunnel a much more attractive venue for graffiti artists at the moment and turnover is high.

Mr Sleven, Moon Street, Bristol, March 2019
Mr Sleven, Moon Street, Bristol, March 2019

2638. St Werburghs tunnel (121)

Mr Klue doesn’t seem to be hitting the walls as often as he used to, so finding one of his pieces these days is all the more pleasurable. This one, at the Farm end of St Werburghs tunnel (a favoured spot for Mr Klue) appeared a couple of weeks ago.

Mr Klue, St Werburghs, Bristol, December 2019
Mr Klue, St Werburghs, Bristol, December 2019

As always there is a whimsical and mysterious look to the piece. The whispy abstract form often spells out KLUE, but I must say I am baffled by this one. Maybe it says nothing at all. Always great to see his work, however infrequently.

2636. St Werburghs tunnel (120)

Having only recently started posting pieces by Slakarts on Natural Adventures, it seems that more of his work is emerging, both on the streets recently and from my rummages in my archives.

Slakarts, St Werburghs, Bristol, December 2019
Slakarts, St Werburghs, Bristol, December 2019

This is a magnificent piece in St Werburghs tunnel, full of character and humour, and something of a departure from his usual stylised faces that can be a bit on the sombre side. This is a simply executed cartoon style piece that really stands out. It is a pity that it is so yellow/gold, because those colours seem to get exggerated by the orange lighting in the tunnel. More fun pieces please!

2633. St Werburghs tunnel (119)

Another interesting piece from Lobe, who really seems to have picked up the pace during the second half of 2019. Her stylised portraits are becoming more dynamic and expressive, but the same basic ingredients of strong lines and bold colours remains.

Lobe, St Werburghs, Bristol, December 2019
Lobe, St Werburghs, Bristol, December 2019

I am really struggling with the light quality in St Werburghs tunnel at the moment with most of my images lokig rather washed out and yellow. This washed out look is somewhat exacerbated when artists paint in yellow colours, because there is little I can do by way of adjusting the colours to make them more representative of what they actually look like. What I am really saying is sorry about the poor colour quality of these images.

2624. St Werburghs tunnel (118)

As you can probably guess from the last post, I have been having a bit of a rummage around in my archive of 2019. Regrettably there are so many great pieces that haven’t made it into Natural Adventures, many of them because at the time of taking the photograph the artist was unknown to me and I try not to post too many ‘unknown’ pieces.

Conrico, St Werburghs, Bristol, February 2019
Conrico, St Werburghs, Bristol, February 2019

From back in February 2019 this might be one of the earliest works I have from Conrico but it is a really cracking piece of writing, beautifully designed in a cartoon style and nicely set in a coastal scene with the sea, a beach and palm trees – it is details like these that mark it out as a Conrico piece. Nice to see a reference to ‘the Monday Club’ a loose crew that is now well established in Bristol.

2618. St Werburghs tunnel (116)

Within a matter of days of Fiva painting his blockbuster piece in St Werburghs tunnel, Zake gave us this fabulous piece contained within the F. Fiva’s large letters were just too good to resist, and his invitation to ‘paint over me’ was readily taken up by Zake.

Zake, St Werburghs, Bristol, November 2019
Zake, St Werburghs, Bristol, November 2019

I am really taken with this curious piece by Zake which reminds me a lot of the incredible work in Winser McCay’s ‘Little Nemo’ cartoon strips. There is something a little creepy and fascinating about this moon character, an I’d like to see more like this.

2614. St Werburghs tunnel (115)

No matter how hard I try, I cannot do this blockbuster by Fiva any justice at all. Stretching abut 30ft into the tunnel and with letters at least 6ft high this is a huge piece, and unlike many blockbusters that are painted with rollers and rough edges, there is real class about the form of the letters and their presentation.

Fiva, St Werburghs, Bristol, November 2019
Fiva, St Werburghs, Bristol, November 2019

St Werburghs tunnel has been a rich hunting ground for Fiva’s work lately, but this is the loudest piece yet. He gives you a clue about his intentions with the words ‘Go Big’ at the left hand side of the piece. Aside from being awesome, this piece also serves a purpose, which is to help move on from the contraversial painting over of a BUZZ tribute on this wall earlier on in the autumn. His status will give credibility to using this whole length of wall for new works for all artists.

 

 

2609. St Werburghs tunnel (114)

Another visit to Bristol from Elvs and this time bringing several wonderful shades of pink. I think that this was painted as part of a collaborative section of wall in St Werburghs tunnel, but I’m not sure ay all who painted the rather fun Pink Panther on the left.

Elvs, St Werburghs, Bristol, November 2019
Elvs, St Werburghs, Bristol, November 2019

Elvs has such a unique style which if you look at analytically is based on a solid block of letters and a 3D edge (in black) upon which fine line detail has been added and of course a masterful horizontally graded fill. Seems straightforward, but I’m sure it has taken years to perfect. A really classy piece of writig.

2601. St Werburghs tunnel (113)

Here we have another really decent piece by Rusk in the St Werburghs tunnel. If I am honest, I wish he’d paint somewhere else, because the photographs of anything in the tunnel just don’t convey the true natutre of the works. Whether it is deliberate or not I don’t know, but Rusk has put little shiny highlightson his letters that loook like they are reflecting from the tunnel light above. It works nicely.

Rusk, St Werburghs, Bristol, November 2019
Rusk, St Werburghs, Bristol, November 2019

As always, Rusk has worked diligently on this piece, and the design works well without becoming too clever or over complicated. The piece was obviously painted during a collaborative session with the artist to the left (65ERS), because they have shared a red outline and a midway horizontal line that spans both works. Always a pleasure to find Rusk’s work.