I don’t think I feature enough of Ryder’s work on Natural Adventures – there is no obvious reason for it, I guess the same could be said for any number of Bristol artists. I would think that for every piece that I post here there are probably two or three that never make it.
Ryder, St Werburghs, Bristol, January 2020
This particular offering is a simple chrome graffiti piece with trademark faces worked into the lettering. The chrome colour in the tunnel picks up all sorts of light bouncing around and it is difficult to believe the artist hasn’t used more than one colour. Altogether a nice one from one of Bristol’s best.
I have mentioned before that until relatively recently Turoe One has been a little off my radar, but that situation is being rectified. I am puzzled though, has my blind spot been because I simply didn’t see his work, or has he been much more active on the streets over the last six months or so? Either way, I am enjoying his work.
Turoe One, St Werburghs, Bristol, January 2020
This recent piece in the tunnel carries all the hallmarks of a confident and experienced artist at ease with his skills. Great letter shapes, colour selections and fills, and although not my favourite piece by Turoe One, it is an accomplished work.
Pre postscript- sometimes you can get things so wrong, and try to read more into a piece than is going on. Everything below is my own speculation and assumptions going into overdrive. The word is XODUS and not FOIS. It was painted opposite Kleiner Shames and Subtle hence the recognition. I’m not sure who XODUS is, but I feel a bit stoopid. Never mind, I don’t expect anyone will read this nonsense anyway…
Aah, the genius of two brilliant artists conjuring up this amazing and highly unusual piece. It would seem that a Kleiner Shames visited Bristol over the Christmas period and hooked up with his old mate Subtle. The pair both produced pieces in the St Werburghs tunnel, and obviously had a bit of time left over to turn out this stunner.
Kleiner Shames and Subtle, St Werburghs, Bristol, January 2020
Signed FoiSubtle, the collaboration presents with two distinct styles. My guess is that the letters FOIS are by Kleiner Shames, he always writes these letters but never quite like this, and the characters, a wolf holding a rabbit by the ears are by Subtle, in a bit of a departure from his writing. There is a message on the piece written backwards that says ‘one tin wonders’. I would think this refers to the two colours (plus black) that were used for the piece.
I cannot tell you how much I love this. It is quirky and retro, the characters look like early Disney creations. As I always say when Kleiner Shames comes to town, come back soon.
I have been posting pieces by Ments for a few years now, and I consider him to be one of the most creative writers in Bristol. I say this because most of his work has an organic feel to it, but seldom are his pieces even remotely similar.
Ments, St Werburghs, Bristol, January 2020
In this one, which was part of a collaborative paint with Sled One, Ments has gone with a mash up of angular spikey green shapes and metallic spheres. The overall effect is a bit peculiar and If I am honest this fusion needs a little bit more work. I can’t for the life of me see any writing resembling MENTS, but it is probably there somewhere. Great to see some early new year work from this fabulous artist.
Already Kool Hand has appeared in Natural Adventures twice in 2020. Perhaps he has had some time off, and what better way to fill time than with a bit of spray art? This was the left hand side of a collaborative paint with Daz Cat (already posted), but merits an entry of its own.
Kool Hand, St Werburghs, Bristol, January 2020
The piece brings together the two elements we often see from Kool Hand, some writing and a character. It is less often that we see both together. The cartoon style character is nicely drafted and simply filled. I’m not too sure what the Adidas bag is, but I think it might be a weed pouch that every young man in Bristol seems to carry over their shoulder these days.
This is just the kind of collaboration that I absolutely love, and that one of the artists is Kid Crayon makes it a whole lot better. The other artist, I am Ian (Ian Moore) is new to me, and I understand from his Instagram account hasn’t painted a wall for five or six years.
Kid Crayon, St Werburghs, Bristol, January 2020
The tunnel in St Werburghs has been a very busy venue for artists this autumn/winter, I suspect because we have had so much wet weather for such a long time.
On the left of the collaboration is a snoozing king by Kid Crayon, complete with orb and sceptre, and large bags of money.
I Am Ian, St Werburghs, Bristol, January 2020
While the king snoozes, a naughty goblin-like wannabe king is making off with some stolen cash and the crown, leaving behind a mischievous fart cloud in his wake. I rather like this character and if this is anything to go by, I can’t wait for I Am Ian to hit a few more walls this year. The whole thing is a witty story beautifully portrayed, and everything I look for in a piece of street art. I salute you KC and IM. Turn the letters around and you have a new crew name MICK!
Kid Crayon and I Am Ian, St Werburghs, Bristol, January 2020
Wow, I love it when Sled One just pitches up unannounced and then modestly produces his magic like he did in this most recent example in St Werburghs tunnel. The piece features an octopus (what is it about street art and octopi?) sporting a bucket hat and fondly embracing an umbrella, possibly a little too fondly.
Sled One, St Werburghs, Bristol, January 2020
There is a lot of perspective and movement in the piece, something that Sled One does so well, and he is a master at creating textures and depth with the use of shading. This is yet another crazy (in a good way) piece from the artist, and made all the more remarkable by the fact that he had a fractured wrist and ankle at the time of painting this, a week or so ago. Just brilliant.
This is Daz Cat’s first piece of 2020 and what a humdinger it is too. On his Instagram feed he talks about the new letter style, which I think works pretty well although I’m not sure it matches the style of the ‘lynx’ – it is almost as if this were a collaboration of two artists.
The lynx is rather special both in design and in colour selection and naturally carries the signature polygon on its forehead – a tell tale sign that this is a Daz Cat piece. All in all a great start to the decade from an artist I’ve yet to meet… it is only a matter of time.
I have a feeling that although Kleiner Shames now lives and works in London, he must have friends or family in Bristol who he visits from time to time, and when he does, he takes a little time out to paint, which is lucky for us really.
Kleiner Shames, St Werburghs, Bristol, December 2019
This piece is one of a couple that he painted over the Christmas break in the St Werburghs tunnel. Spelling out FOIS, this is typical of the wonderful designed style that Kleiner Shames uses. The colours and solid fills are trademarks that identify his work, but it is the hint of art influences from the 1920s that I love to see. He is an artist that will always be welcome in Bristol.
I’m not too sure where Panskaribas disappeared to for the second half of 2019, but I have a feeling it might have been Shanghai. As one of the most productive street artists in Bristol his weekly interventions were sorely missed, but he is back now and returning to the walls with great gusto.
Panskaribas, St Werburghs, Bristol, December 2019
In this piece Panskaribas has bookended some writing with his characteristic ‘Picassoesque’ doodled faces. The writing I think spells out RESEAU which is a word he uses to sign his works with and also uses for a loose crew of collaborators I think. Great to have him back on the scene.
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