This puffy-faced character piece is by Zake, painted in celebration of Kool Hand’s birthday, although officially his birthday was a month earlier. It seems almost impossible to exaggerate the features in a Zake piece, but he has managed to do it here, with the result that it is all a little but disturbing, the cheeks in particular.
Zake, St Werburghs, Bristol, October 2025
As I have explained many times when writing about Zake’s work, he creates so much depth in his work by playing very skilfully with light and shade, using up lighting and down lighting to cast shadows and to emphasise features. Clever work from a quiet and unassuming artist.
Mr Klue can confuse me from time to time; his abstract pieces all have such a strong ‘brand’ feel to them, and he loves to paint the same spots in St Werburghs tunnel, that I can sometimes forget whether I have photographed or written about particular pieces. I could have sworn that I had photographed this piece some time ago, but it appears not.
Mr Klue, St Werburghs, Bristol, October 2025
I spoke to somebody in the tunnel a little while back, and they were most complimentary about Mr Klue’s work, and especially about the tone and lightness of touch of his paint. I agreed, and then pointed out that you could make out the letters KLUE if you looked carefully. He thanked me and went on his way. There is indeed a lightness of touch in this piece and a couple of decent scrolls to boot. Always good work from Mr Klue.
Nips and Redeye, St Werburghs, Bristol, October 2025
Although I have posted many pieces by Nips, I think that this is a first on Natural Adventures from Redeye, in spite of having dozens of his pieces in my archive. I perhaps ought to put that right. I believe that the artists might be partners, although they might simply be painting buddies. Redeye, on the right here, tends to write variants of the letters of his name and in this instance has written Ryde – not to be confused in any way with Ryder. His letters here are filled with a concoction of red, yellow and white in lovely patterns and formations, bound by a strong black line.
Nips, St Werburghs, Bristol, October 2025
Nips presents her letters with growing confidence, and this piece is beautifully presented in all aspects. Her strength is in her variety of fills and here she brings together a superb blend of warm and comforting oranges and purples, including some subtle reversed out spots. The drop shadow and white border to enough to define the letters and the little white highlight lines add significant depth. A fine piece from Nips.
It has been a while since I last saw a scary clown piece, so this one from Tera is most welcome. It was painted as part of a belated birthday paint jam in the tunnel for Kool Hand, and served as a tasty precursor to Halloween. Tera’s meteoric rise as a street artist of great talent continues at pace.
Tera, St Werburghs, Bristol, October 2025
This scary clown character is superbly presented within a colourful decoration, I want to say scroll, but it is more like a designed plate with interlocking parts. The clown itself is really demonic, and falls very squarely into Tera’s preference for all things satanic. Peeping over the top of the piece is another of the artist’s previous nightmarish creations, see below:
Scrapyardspec, St Werburghs, Bristol, October 2025
In the main, Scrapyardspec tends to paint his work in ‘cheeky’ spots that others might avoid, or simply not consider worth painting. His adaptable character lends itself very well to filling spaces in landscape or portrait orientation, again something that graffiti writers for example often struggle with.
Scrapyardspec, St Werburghs, Bristol, October 2025
This piece is at the entrance of the tunnel and makes use of a textured wall that has plenty of plant growth spilling over it. Scrapyardspec’s goofy character, reverts to its more basic form – no limbs or hair here – and reminds us of his iconic and unique design. I have lots more pieces by the artist and might have to do mini gallery at some point just to catch up.
As if I didn’t have enough complimentary words for Hypo in my last post of his work, I guess I’ll be heaping on some more here, simply because his efforts at the moment are at such a high level. Hypo also seems to be at the heart of the Bristol street art scene currently, and last weekend was heavily involved in a 50th birthday celebration paint jam here in the tunnel for Minto.
Hypo, St Werburghs, Bristol, October 2025
This piece, in wonderful flame colours, mirrors some of his other recent pieces, including the letter shapes and the decorative spheres. There is so much to like about this piece as his constant development continues.
It is always a rather pleasant surprise to find a Donz piece in town because he tends to enjoy painting in his ‘manor’ of L Dub (Lawrence Weston), to the north of the city. Something you can predict quite safely is that anything by Donz is going to be colourful and bright.
Donz, St Werburghs, Bristol, October 2025
First up, the white wall works really well with his colourful design, which could get lost without it. His letters DONZ are beautifully framed within a consistent solid black border and some fine black highlights and details. The pastel colours are nicely distributed as fills throughout. All in all, a great piece from Donz.
Bags and Biers, St Werburghs, Bristol, October 2025
This is a great collaboration from time-honoured members of the No Frills crew, Bags and Biers (WD40). Bags has been out an about a fair bit this year, but Biers is rediscovering his mojo (I hope), having had a period of poor motivation with respect to painting walls.
Bags, St Werburghs, Bristol, October 2025
To the left, the familiar BAGS letters are filled in the two-colour way that he appears to like doing, and he includes some colour coordinated spots for decoration. The tear drops surrounding the piece add movement, looking like cartoon perspiration, if that makes any sense at all. The white highlights add just that little bit of depth to lift the letters.
Biers, St Werburghs, Bristol, October 2025
At last Biers has painted a combination piece, something that is a bit of a trademark of his, and he includes the iconic comic character Inspector Gadget, although in this piece he calls him ‘Inspect Her Gadgets’ whilst examining a sex toy. The letters spell out WD40 and are really nicely presented. If you are wondering why I call him Biers, it is because that is what he was writing when I first encountered him. Below is the first of his pieces I ever posted.
With this piece by Asre in the tunnel, he reverts to what he had been painting before he took a protracted break. These cheeky faces were his signature pieces, and frequented a host of North Bristol spots.
Asre, St Werburghs, Bristol, October 2025
Since his return, Asre has been concentrating on his writing and spread his wings to more spots in the city, so it was great to find this ‘traditional’ piece in the tunnel. He has kept the piece simple, with only three colours, and used nice solid lines throughout. Great stuff from Asre.
Mr Crawls and Mote have been at it again with these tunnel-end pieces on each side of the archway. The pigeon by Mr Crawls is his latest character favourite, and is getting better with each rendition.
Mote, St Werburghs, Bristol, August 2025
On the other side, Mote has painted this unusual moustachioed character. I haven’t seen too many people portrait pieces by Mote, and it is interesting to see how his style comes through. Looking forward to seeing more of these sophisticated pieces from him.