7189. Dean Lane skate park (868)

Creamylines, Dean Lane, Bristol, September 2025
Creamylines, Dean Lane, Bristol, September 2025

It seems as though Creamylines has found a new lease of life, and although the last piece I posted by him was actually a repeat (thank you, Paul H for pointing this out), this is a spanking new piece in Dean Lane (one of several scattered around the city). This slab of concrete in the skate park lends itself really well to Creamylines’ bounded work (which makes me wonder whether he has ever painted up Purdown, it might suit him).

Creamylines, Dean Lane, Bristol, September 2025
Creamylines, Dean Lane, Bristol, September 2025

Instead of the more familiar portrait orientation, this is a landscape piece, that gives Creamylines more scope to broaden out his scene. Everything you’d want to see from this uplifting view is there. Water in the foreground, passing through to woodlands and fields and houses, all bathed in the light of a golden sun, with a couple of clouds and some birds. Calmness and joy.

7172. New Stadium Road (60)

Creamylines, New Stadium Road, Bristol, August 2025
Creamylines, New Stadium Road, Bristol, August 2025

I noticed that while I was away on holiday, Creamylines has been posting a few videos of him painting his work about the place. I hope that now I am back I will be able to find some of them.

Creamylines, New Stadium Road, Bristol, August 2025
Creamylines, New Stadium Road, Bristol, August 2025

As ever, his work intrigues, with such a unique style that is particularly well-suited to columns, like this one under the M32. In a bit of a departure from most of his pieces, Creamylines has included a seascape into his work, giving him the opportunity to introduce a fish into his ‘stained-glass’ world. Some interesting characters and figures look on.

7105. Brunel Way (330)

Creamylines, Brunel Way, Bristol, July 2025
Creamylines, Brunel Way, Bristol, July 2025

I was very happy to see that Creamylines dropped two pieces under Brunel Way recently, probably in the same session, one of which I posted a week or so ago, and this is the other, which was painted low to the ground on the end of a wooden skate ramp.

Creamylines, Brunel Way, Bristol, July 2025
Creamylines, Brunel Way, Bristol, July 2025

Once again, Creamylines has presented a colourful landscape view, with fields and hills leading up to a sky dotted with clouds and a large yellow sun. There are plenty of figures or sentinels throughout the piece, which is given a serene and natural look, courtesy of the birds in flight. A calming piece in a crazy world.

7089. Brunel Way (327)

Creamylines, Brunel Way, Bristol, July 2025
Creamylines, Brunel Way, Bristol, July 2025

There is something about Creamylines’ work that simply seems to tick all my boxes, and I always get a little endorphin rush when I find one of his pieces, especially as they are rather infrequent. His ‘stained-glass window’ style is unlike anything else in Bristol.

Creamylines, Brunel Way, Bristol, July 2025
Creamylines, Brunel Way, Bristol, July 2025

The column landscape piece contains all the things you’d expect to find in one of Creamylines’ works. A landscape of hills peppered with figures, faces and eyes, topped with breaking clouds and silhouettes of birds on a rising/setting sun. What is interesting is that the artwork is quite crude, but the outcome sophisticated. This is a wonderful and uplifting piece from Creamylines.

6842. BB Gallery (6)

Creamylines, BB Gallery, Bristol, March 2025
Creamylines, BB Gallery, Bristol, March 2025

I don’t often trek along to the Bristol to Bath cycle path gallery, maybe only twice a year, but recently was rewarded for a visit with this magnificent piece by Creamylines. It is no secret that I am a big fan of the artist and love his ‘stained-glass’ landscapes.

Creamylines, BB Gallery, Bristol, March 2025
Creamylines, BB Gallery, Bristol, March 2025

This work is wider than most of his pieces and there is a lot more going on, with many little figures, eyes and birds to find. In addition, he has included a green character grinning in the top right. Of course, the central focus is on the sun and sky at the top end of the landscape. There is something tranquil about the piece. Bravo.

6797. Greenway Bush Lane (6)

Pekoe, Greenway Bush Lane, Bristol, February 2025
Pekoe, Greenway Bush Lane, Bristol, February 2025

Pekoe is a firm favourite on Natural Adventures, and this piece, which was painted alongside RBF crew friends Desi and Pura formed the centrepiece of the triptych. I know that Pekoe has an interest in stained-glass windows, and this piece perfectly reflects that interest.

Pekoe, Greenway Bush Lane, Bristol, February 2025
Pekoe, Greenway Bush Lane, Bristol, February 2025

I love Pekoe’s tagline, which appears in most of her work these days ‘hot girls hate fascists’ because it really belittles those whose attitudes are shaped by nasty figures such as Andrew Tate, Trump and the like, who prey on the disillusionment of young men and steer them towards a far right solution to all their problems and whose attitudes undo all the progressive policies that have made the world a much fairer place in my lifetime.

This is a lovely piece that showcases Pekoes versatility, and I wonder if we are going to see any more of these stained-glass style pieces in the future.

Creamylines

A gallery of unique (stained-glass look) scenes from one of my favourite Bristol artists, Creamylines.

Instagram: @creamylines

All photographs by Scooj

Creamylines, M32 Cycle path, Bristol, January 2025
Creamylines, M32 Cycle path, Bristol, January 2025
Creamylines, M32 Spot, Bristol, October 2024
Creamylines, M32 Spot, Bristol, October 2024
Creamylines, Cumberland Basin, Bristol, March 2024
Creamylines, Cumberland Basin, Bristol, March 2024
Creamylines, Brunel Way, Bristol, February 2024
Creamylines, Brunel Way, Bristol, February 2024
Creamylines, Leonard Lane, Bristol, November 2023
Creamylines, Leonard Lane, Bristol, November 2023
Creamylines, M32 Spot, Bristol, July 2023
Creamylines, M32 Spot, Bristol, July 2023
Creamylines, BB Gallery, Bristol, December 2022
Creamylines, BB Gallery, Bristol, December 2022
Creamylines, Brunel Way, Bristol, November 2022
Creamylines, Brunel Way, Bristol, November 2022
Creamylines, M32 Spot, Bristol, September 2022
Creamylines, M32 Spot, Bristol, September 2022
Creamylines, M32 Spot, Bristol, September 2022
Creamylines, M32 Spot, Bristol, September 2022

5853. Brunel Way (257)

Creamylines, Brunel Way, Bristol, February 2024
Creamylines, Brunel Way, Bristol, February 2024

From the first time I saw his work, I have always liked the originality shown by Creamylines, and finding this piece on one of the columns under Brunel Way recently was a special surprise. There is a basic formula to many of Creamylines’ pieces that includes a sun with rays sitting over a landscape scene divided up by black lines.

Creamylines, Brunel Way, Bristol, February 2024
Creamylines, Brunel Way, Bristol, February 2024

I am always reminded of stained-glass windows when I see these pieces, for obvious reasons, and there is a calm, tranquil quality to the work – you can almost hear the cries of seagulls in the air. Another aspect of this piece is the suggested faces that emerge through the piece, adding another layer of interest. A great column piece from Creamylines.

5427. M32 Spot (169)

Creamylines, M32 Spot, Bristol, July 2023
Creamylines, M32 Spot, Bristol, July 2023


I thought that Creamylines might have been a bit of a flash in the pan when his pieces tailed off last year, so it was hugely exciting to find this piece recently under the M32. His work lends itself particularly well to columns, although it would probably work equally well in a landscape format.

Creamylines, M32 Spot, Bristol, July 2023
Creamylines, M32 Spot, Bristol, July 2023

I like to think of his work as being similar to stained glass, with each element being surrounded by a solid line, like lead around glass. The way the colours work together would also not look out of place in a window with light shining through. As with much of his work, the sun is prominent with rays emanating out across a scene strewn with little characters and eyes. Great stuff from Creamylines.

4140. Cumberland Basin

Underneath the flyover complex in Cumberland Basin, in a spot favoured by the artist, is this magnificent recent piece by Acer. The stylised work depicts the Clifton Suspension Bridge that would be visible from this spot were it not for all the concrete.

Acer One, Cumberland Basin, Bristol, December 2021
Acer One, Cumberland Basin, Bristol, December 2021

Acer has many strings to his bow, and this geometric piece has a stained-glass window appearance. It is beautifully designed and very calming in a less than calming environment. Superb work in a spot that he has painted before.

AcerOne, Cumberland Basin, Bristol, August 2019
AcerOne, Cumberland Basin, Bristol, August 2019