7422. Stapleton Road

Rowdy, Stapleton Road, Bristol, January 2026
Rowdy, Stapleton Road, Bristol, January 2026

One of the central tenets of graffiti art is to protest against perceived and real injustices. Walls have been used for centuries to express support for, or dissatisfaction with, those in power, and this example from Rowdy perfectly demonstrates this.

Rowdy, Stapleton Road, Bristol, January 2026
Rowdy, Stapleton Road, Bristol, January 2026

The piece demands the freeing of the Filton 24. You might ask who they are, so I recruited ChatGPT to provide a summary as follows:

The Filton 24 are a group of pro-Palestinian activists, many linked to the direct-action group Palestine Action, arrested in connection with an action at the Elbit Systems UK site in Filton, Bristol in August 2024. Elbit Systems is an Israeli-owned defence company, and the protest was intended to disrupt what activists say is the company’s role in supplying military equipment used in Israel’s operations in Gaza. During the action, protesters breached the site’s perimeter using a modified vehicle and caused damage to property and equipment.

Initially, a small number of activists were arrested at the scene, with further arrests made later through coordinated police raids, bringing the total to 24. Police used counter-terrorism powers during the investigation and detention phase, although the protesters have not been charged with terrorism offences; instead, they face charges such as aggravated burglary, criminal damage, and violent disorder. All have been remanded in custody, many for unusually long periods before trial, which has sparked controversy and criticism from civil liberties groups. Supporters argue the prolonged pre-trial detention and use of terrorism-related powers represent an excessive response to protest activity, while authorities point to the seriousness and planning involved in the action.

Rowdy has added one of his fabulous cats, as if to add some humanity to the words, which on their own are not as potent. I love it that street art and graffiti is a way that voices can be heard, whether you agree with them or not. There is something authentic and visceral about it.

7402. Stapleton Road

Nice One, Stapleton Road, Bristol, January 2026
Nice One, Stapleton Road, Bristol, January 2026

Nice One is one of the most dynamic artists in Bristol, switching up his font writing with his portraits and landscapes. This hoarding, which he has kind of made his own, is currently hosting this magnificent winter scene, the sort of composition so rarely painted in Bristol or anywhere else for that matter.

Nice One, Stapleton Road, Bristol, January 2026
Nice One, Stapleton Road, Bristol, January 2026

The snow, the church, the bare trees and the milky sky offer a taste of a classic English winter landscape. The trees are particularly evocative of a cold winter’s day. The artist has included his letters Nice One in orange and only partially present, a trademark mechanism he uses. I am rather pleased that the colours of the sky in his piece are mirrored by the sky in the photograph, demonstrating the relevance and accuracy of his artwork. A winter wonderland.

7216. Stapleton Road.

Real143, Zase and Mysobastarts, Stapleton Road, Bristol, August 2025
Real143, Zase and Mysobastarts, Stapleton Road, Bristol, August 2025

It has been great to see a small burst of activity from Zase in recent weeks. Zase is arguably Bristol’s best anamorphic graffiti writer and here he has collaborated with friends, Real143 and Mysobastarts.

Real143 and Zase, Stapleton Road, Bristol, August 2025
Real143 and Zase, Stapleton Road, Bristol, August 2025

To the left Real143 and Zase have painted two extraordinary anamorphic pieces that are set on a red background, both with extraordinary detail and elements that deceive the eye into thinking the letters are popping from the wall. Both anamorphic, each in a different style.

Mysobastarts, Stapleton Road, Bristol, August 2025
Mysobastarts, Stapleton Road, Bristol, August 2025

To the right, Mysobastarts has written some flatter letters filled with three horizontal colour tones and decorated with magnificent splashes of red and blue colour, consistent with the other half of the collaboration. I am not certain what the letters spell, but it looks like ‘mic hag’. All in all, the whole collaboration is as tight as it is possible to be. Fabulous.

7147. Stapleton Road

Tera and Kid Crayon (credit: Kid Crayon), Stapleton Road, Bristol, August 2025
Tera and Kid Crayon (credit: Kid Crayon), Stapleton Road, Bristol, August 2025

I am going to break with tradition in this post and contravene my primary rule, that all photographs are taken by me. This is a rare occurrence and it has been necessitated by the fact that I visited this collaboration from Kid Crayon and Tera less than 24 hours after it had been painted, but I was met by a rather disappointing and talentless tag stating that Jesus loves me. While that may or may not be true, it rather scuppered my photo opportunity. Fortunately, Kid Crayon took some of his own pictures, and I have used them for this post. Exceptional circumstances.

Tera and Kid Crayon, Stapleton Road, Bristol, August 2025
Tera and Kid Crayon, Stapleton Road, Bristol, August 2025

This pair have been smashing it all summer long, but I think somebody has it in for them, because few of their collaborations have lasted more than a few days. The two outstanding portraits are painted in the dia de los Muertos tradition, although there are a couple of months before we get to that celebration.

Tera and Kid Crayon (credit: Kid Crayon), Stapleton Road, Bristol, August 2025
Tera and Kid Crayon (credit: Kid Crayon), Stapleton Road, Bristol, August 2025

On the left, Tera, who I might remind you only started painting walls this summer, has painted a face that reminds me of the band Kiss in it’s makeup styling. He has created some superb depth in the contours of the face with clever reflections of the candles in the lips and cheeks. Utterly brilliant work.

Kid Crayon (credit: Kid Crayon), Stapleton Road, Bristol, August 2025
Kid Crayon (credit: Kid Crayon), Stapleton Road, Bristol, August 2025

Kid Crayon, who has been mentoring Tera (and let’s face it has done a great job of that), has gone for a more traditional styling in the facemask makeup, with some nice flowers (mirrored in the hair) and black patterning. Lots of wrinkles in the neck and black nails on the ends of the woman’s fingers poised while she takes a drag on ger cigarette. Kid Crayon offers a slightly different take on candles, but both are superb. One of my favourite collaborations of the year so far.

7049. Stapleton Road

Mage and Piewaste, Stapleton Road, Bristol, June 2025
Mage and Piewaste, Stapleton Road, Bristol, June 2025

This is one of those stacked collaborations that have to be taken as a pair, because separating them might look a little bit awkward. I am not 100% sure that it was painted as a collaboration or whether both artists painted their pieces separately, but you can see that Piewaste’s piece overlaps Mage’s piece above it, and was therefore completed second.

Mage and Piewaste, Stapleton Road, Bristol, June 2025
Mage and Piewaste, Stapleton Road, Bristol, June 2025

Mage has presented a regular set of letters, but with a creative fill that includes a dashed line pattern reversed out. It is great to see an artist reinventing himself in the way he has with a completely new set of letters, although I have to say I preferred his old letters.

Piewaste, who has written WASTE in letters that are close to anamorphic, creating a strong sense of depth and three dimensions, also includes his trademark eyes looking out from the writing like a cartoon forest at night (kind of thing). Nice to see these two pieces together like this.

7036. Stapleton Road

Conrico, Stapleton Road, Bristol, June 2025
Conrico, Stapleton Road, Bristol, June 2025

There is so much more to this piece than first meets the eye. For a start, Conrico could have simply written his name on the wall, but no, he has treated us to an entire landscape into which his name fits.

Conrico, Stapleton Road, Bristol, June 2025
Conrico, Stapleton Road, Bristol, June 2025

The landscape looks like something out of The Lord of the Rings, Mount Doomesque. The meeting of the water and the sky in a dramatic fiery battle provides the perfect setting for the lime green 3D letters. The whole composition is balanced and exciting, and the whole is greater than the sum of the parts. Great work from Conrico.

6915. Stapleton Road

Nice One, Stapleton Road, Bristol, April 2025
Nice One, Stapleton Road, Bristol, April 2025

In terms of content, Nice One is one of the most dynamic artists in Bristol, he has created characters, landscapes, animals and here he offers up a dust cart, I mean… who’d have thought it?

Nice One, Stapleton Road, Bristol, April 2025
Nice One, Stapleton Road, Bristol, April 2025

The piece reminds me very much of Merny’s trucks and cars, in so much as the style is quite naive, with some interesting wheels for example. I love this piece, it is just so unusual, but demonstrates Nice One’s love for art and creativity in his inimitable style. I also love it that he kind of ‘owns’ this hoarding, like it is his private gallery.

6782. Stapleton Road

Nice One, Stapleton Road, Bristol, February 2025
Nice One, Stapleton Road, Bristol, February 2025

Nice One has been my favourite discovery of 2024. His unique brand of combination pieces incorporating his beautiful font writing and colourful sketches of characters or scenes has been both refreshing and intriguing in equal measure. I genuinely look forward to finding his work and have that satisfied glow when it happens.

Nice One, Stapleton Road, Bristol, February 2025
Nice One, Stapleton Road, Bristol, February 2025

This piece was painted over another of his, in fact, you can just see the remnants of the word NICE below it, and it is a very respectful way of keeping things fresh. The letters are a little bolder than in some of his pieces and remain impactful. His bear is painted as if it were a sketch in a sketchbook, this style of spray-painting is in stark contrast to the solid fill, black border approach that we see so much of. The bear looks pretty fearsome, and looks better and better the further away you stand from the piece. Lovely work from Nice One.

Nice One, Stapleton Road, Bristol, January 2025
Nice One, Stapleton Road, Bristol, January 2025

6671. Stapleton Road

Jevoissoul and Omie, Stapleton Road, Bristol, January 2025
Jevoissoul and Omie, Stapleton Road, Bristol, January 2025

The new hoarding at the very top end of Stapleton Road has been colonised pretty quickly, and I can see it becoming a popular spot over the coming months. Omie and Jevoissoul have teamed up to paint one section of the virgin hoarding, and started off with a rather fetching pink background.

Jevoissoul, Stapleton Road, Bristol, January 2025
Jevoissoul, Stapleton Road, Bristol, January 2025

Jevoissoul is fast becoming one of the most active street artists in Bristol, with his stylised character faces and ‘SLOW’ writing appearing pretty much all over the city. Hardly a day passes without stumbling on another new piece. Since I first became aware of his work, his pieces have become much tighter, with strong, tidy black lines and solid fills. This is a good example of his improvement.

Omie, Stapleton Road, Bristol, January 2025
Omie, Stapleton Road, Bristol, January 2025

Having met Omie over the Christmas break, it is so nice now to visualise the face and person behind the great writing. What I particularly like about Omie’s work is that every piece is utterly unique and different from anything else I have seen by him before. His creativity is admirable. I like the colours and the brush-stroke effect he has achieved with this piece. I wonder how long this collaboration will remain before others get to test out this new spot.

6669. Stapleton Road

Nice One, Stapleton Road, Bristol, January 2025
Nice One, Stapleton Road, Bristol, January 2025

I love the way that street and graffiti artists are so quick to find new hoardings, a job, in fairness, made much easier when they are adjacent to an existing known spot. So it is with these hoardings near the M32 Spot. Nice One has painted another of his stunning landscape pieces on this virgin board and it looks fantastic.

Nice One, Stapleton Road, Bristol, January 2025
Nice One, Stapleton Road, Bristol, January 2025

The winter scene features a rural landscape with bare trees and a church tower, all covered in snow. It is a pretty scene and one that is rarely seen in street art. Nice one is an interesting character who combines a subversive edge with a fine art and design style, and he is producing some of the best artwork in Bristol at the moment (in my opinion). A wonderful piece.