Tag: Stencil

799. Upfest 2016 (130)

Recently, I have posted quite a few pieces from the magnificent Georgie (artist), including a wonderful Michael Caine portrait in The Bearpit. However, when I took these pictures back in July 2016, I don’t think I really knew too much about her.

Georgie, Upfest, Bristol, July 2017
Georgie, Upfest, Bristol, July 2017

This is a fabulous stencil, impactful and eye-grabbing. The contrast of the grayscale stencil and the bright and colourful background work really effectively for the subject matter of the piece. I am too lazy to find out what it is called, but it seems many of her works have an obvious name. I like this very much.

786. The Bearpit (69)

A nicely done stencil in one of the Bearpit subways by Georgie. It has lasted there for a while having been spared by taggers who these days generally don’t wait more than a day before tagging things in The Bearpit.

Georgie, The Bearpit, Bristol, April 2017
Georgie, The Bearpit, Bristol, April 2017

The piece is titled ‘There’s no budget but it will be great exposure’  and is a stencil piece that I think is a wheatpaste. Certainly Georgie pasted this piece up in Shoreditch last year, and it would appear that the whole poster here is the same. Kinky, and fun this is nice work from Georgie.

784. Gloucester Street, Weston-super-Mare

Last Summer, on a day trip with my family to Weston-super-Mare, I managed to wander off and grab a few moments to get some street art ‘therapy’. I got to see several pieces by JPS, My Dog Sighs and Dan Kitchener amongst others, but this image of a child on the back of a tortoise holding a stick with a slice of pizza stayed with me.

 

Fawn Artist, Gloucester Street, Weston super Mare, August 2016
Fawn Artist, Gloucester Street, Weston super Mare, August 2016

I didn’t know the artist, and I think I have said many times on this blog that I don’t like posting images unless I know who the artist is, although sometimes I break my own rule. In this instance it was the artist herself who broke cover via her Instagram account. It is by Fawn, a local artist and friend of JPS, who helped her with the piece. It is a lovely, playful stencil and just perfect for the location.

770. The Bearpit (66)

Street art and graffiti can often tell a story about the ever-evolving scene. The original piece by Angus, which is one of his favourite stencil concepts was sprayed as part of the paint jam in the Bearpit over Easter.

Angus, The Bearpit, Bristol, April 2017
Angus, The Bearpit, Bristol, April 2017

Angus had completed the work by the time I got down there, but it was still in pristine condition. Now, I understand that taggers really have very little time for stencil art, and don’t take long to spoil it, or ‘add’ to it with their own scrawlings and witticisms. By the time I went back the next day there were already quite a few tags on the piece.

Angus with extras from Dice 67, The Bearpit, Bristol, April 2017
Angus with extras from Dice 67, The Bearpit, Bristol, April 2017

How brilliant then, that Dice 67 went the extra mile and augmented the piece with a fabulous stencil of his daughter spraying the words ‘I must not write on the walls’. How brilliant is that – a living piece that takes a pop at taggers, but in a really clever way, and sets the piece off beautifully. Evolution.

Angus with extras from Dice 67, The Bearpit, Bristol, April 2017
Angus with extras from Dice 67, The Bearpit, Bristol, April 2017

761. Upfest 2016 (118)

It was great to meet Dice 67 at Upfest, as we had communicated by Instagram before the festival, and I had arranged to say hello. His piece for Upfest was more of a collection of stencils pulled together into one place, and they are all really good.

Dice67, Upfest, Bristol, July 2016
Dice67, Upfest, Bristol, July 2016

In the first image, Dice 67 is touching up some of the breaks in the outline from the stencil with a pen.

Dice67, Upfest, Bristol, July 2016
Dice67, Upfest, Bristol, July 2016

I love the ideas that he has brought to this eclectic gallery – a Victorian lady spraying, and a girl roller-skating, sporting a SSOSVA t-shirt.

 

Dice67, Upfest, Bristol, July 2016
Dice67, Upfest, Bristol, July 2016

One of the things that Dice encouraged visitors to do was stick up a signature or small stencil on his wall. There are many artists who took him up on his offer. I also made my debut tag…in the picture below – can you see it?

Dice67, Upfest, Bristol, July 2016
Dice67, Upfest, Bristol, July 2016

My first effort, and it could do with a bit of work, but not too bad. This was a really fun piece by Dice 67, getting into the spirit of the whole festival.

TMay Rex

 

Stubborn, obstinate,

uncompromising, severe,

arrogant old fool.

 

by Scooj

751. Upfest 2016 (113)

A really colourful collaboration by Bristol artists, DNT, Akarat and Sheva. It is great that as well as visiting artists from all over the world, space is made for some of the local street/graffiti artists who keep Bristolians happy year-round.

DNT, Akarat and Sheva, Upfest, Bristol, July 2016

DNT, Akarat and Sheva, Upfest, Bristol, July 2016

In this large piece, the stencils at each end are by Akarat, the writing and little angel at the bottom right hand side by DNT and the rest I assume is by Sheva. Sheva is a Bristol artist I have not posted about before, and although I am familiar with the name, I am not familiar with his work.

DNT, Akarat and Sheva, Upfest, Bristol, July 2016
DNT, Akarat and Sheva, Upfest, Bristol, July 2016

The whole thing, I think is entitled ‘War Baby’ but I am not too sure what the narrative, if there is one, is.

DNT, Akarat, Upfest, Bristol, July 2016
DNT, Akarat, Upfest, Bristol, July 2016

This was definitely one of the brightest and most vibrant pieces of last year’s festival.

Akarat, Upfest, Bristol, July 2016
Akarat, Upfest, Bristol, July 2016

747. The Bearpit (63)

As far as I can make out, it was Georgie (artist) who organised The Bearpit ‘paint jam’ on 8 April, and I managed to catch up with her for a few minutes while she was starting work on this fabulous ‘citizen of nowhere’ piece. She told me that she was negotiating with Bristol City Council to try and create some ‘legal walls’ where street artists could create their works without constantly having to keep an eye out for the authorities. Georgie suggested that legal walls would also encourage new artists to try their hand and see what they could do, without fear of arrest. My view is that this would be a good thing, but I will always have a soft spot for the edgy illegal stuff…it all starts there.

Georgie, The Bearpit, Bristol, April 2017
Georgie, The Bearpit, Bristol, April 2017

This is a brilliant stencil piece containing part of a Theresa May quote “if you believe you’re a citizen of the world, you’re a citizen of nowhere”. I think this piece demonstrates clearly what utter nonsense the Prime Minister comes out with. Ghastly, ghastly May.

Georgie, The Bearpit, Bristol, April 2017
Georgie, The Bearpit, Bristol, April 2017

I enjoyed meeting Georgie, she seems to be a real mover and shaker in the street art scene in Bristol, well organised, galvanised and talented. I love this piece (I can’t believe that less than 24 hours after completion it was tagged) which contrasts in style with her recent freestyle Michael Caine piece. All good.

728. The Bearpit (60)

I think I saw my first piece by Dice 67 in almost this exact spot in the north tunnel of The Bearpit a couple of years back. His stencil work is really first class and his subject matter always intriguing.

Dice 67, The Bearpit, Bristol, March 2017
Dice 67, The Bearpit, Bristol, March 2017

I believe the girl featured in this piece is his daughter, who often appears in his works. I love his stencil work, the layers all come together so seamlessly. The attitude of this piece is fantastic. I hope he comes back to Upfest this year, he will be most welcome.

Dice 67, The Bearpit, Bristol, March 2017
Dice 67, The Bearpit, Bristol, March 2017

712. The Bearpit (55)

It is funny how you can miss things. This is a piece in The Bearpit by Laic217 that he did a little while back, but which I hadn’t seen because it is on a different approach than the one I normally use.

Laic217, The Bearpit, Bristol, March 2017
Laic217, The Bearpit, Bristol, March 2017

It is an interesting piece because it is overtly critical of stencil art. It is quite unusual to see this kind of commentary about artists by artists, but obviously it is something Laic 217 feels strongly about. On his Instagram feed he says he hates stencil graffiti, and when pressed says that in his opinion it is cheating and being lazy. Only free hand for Laic217. It is not a sentiment I necessarily agree with.

Laic217, The Bearpit, Bristol, March 2017
Laic217, The Bearpit, Bristol, March 2017

The piece itself is a bit surreal and menacing…I guess that is the intention. Laic217 does like the use of skulls in his pieces and has a dark side to many of his pieces. It is possible that he is trying to be humorous in this piece, but I don’t think it quite makes the mark. Nonetheless, I like the artwork from this very busy artist.