283. The Bearpit (21)

In Bristol, most of the political street art seems to be created by stencil specialists. I guess the technique lends itself to writing messages and combining them with famous, iconic or striking figures.

Dice 67, The Bearpit, Bristol, June 2016
Dice 67, The Bearpit, Bristol, June 2016

In this beautifully executed example by Dice 67, we see a homeless man holding up a banner, while behind him there is a group of Tory politicians, in what appears to be a police line up. The Prime Minister is accompanied by Gove, Hunt, Osborne and one other. The Tory manufactured mantra since the coalition has been ‘we’re all in it together’. Obviously it is not the case, as the wealthy continue to get wealthier and the poorest in our communities are dropping through the cracks.

Dice 67, The Bearpit, Bristol, June 2016
Dice 67, The Bearpit, Bristol, June 2016

Whether I agree or not with this piece is irrelevant in so much as it is a fantastic work and worthy of greater exposure. Dice 67 is a brilliant stencil artist, and I always love it when he visits Bristol and leaves something like this behind.

Dice 67, The Bearpit, Bristol, June 2016
Dice 67, The Bearpit, Bristol, June 2016

He signs off the piece with his usual spray cans. A great work.

269. Dean Lane skate park (9)

There are a great many talented artists out there, I mean really talented, that choose to paint on the walls of our streets from time to time. I guess these people must enjoy it, because the work is often so fleeting, and the footfall of appreciating viewers is small. What I am rather clumsily trying to say is that creating street art, because you can must be very fulfilling, and that is a good thing.

Lemak, Dean Lane skate park, Bristol, June 2016
Lemak, Dean Lane skate park, Bristol, June 2016

This incredible piece is by Lemak, and in my view is technically brilliant. However, it is tucked around the back of some skating ramps and will be seen by so few people before it is over-painted. I have my photograph, and I am very happy with that, but a part of me feels sad that all the effort that has gone into this remarkable stencil? work will be lost so soon.

Lemak, Dean Lane skate park, Bristol, June 2016
Lemak, Dean Lane skate park, Bristol, June 2016

I have been writing about street art long enough to know that the ephemeral nature of it is understood and accepted by all, but when confronted by a piece such as this I wish it weren’t so. Lemak was the artist who created this beautiful tribute to DJ Derek back in April 2016.

Lemak detail, Dean Lane skate park, Bristol, June 2016
Lemak detail, Dean Lane skate park, Bristol, June 2016

258. Sydenham Lane

I believe The Krah is only an occasional visitor to Bristol, so I was surprised and rather pleased to find this small stencil on a door in Sydenham Lane. I was not looking for any street art, but simply taking a short cut…or different route down into Stokes Croft. This was my reward.

The Krah, Sydenham Lane, Bristol, May 2016
The Krah, Sydenham Lane, Bristol, May 2016

I wrote a short post about a lovely piece The Krah did in Leonard Lane, which was rather different in technique to this delightful stencil. Sometimes these small pieces can be the most pleasing, and they sit very neatly on the vast spectrum of all that Bristol street art has to offer. As with so many stencils, there is a sinister side to this girl – the grenade and machine gun remind us that we live in a violent and crazy world.

236. Ashley Road (6)

Another splendid paste up by Copyright. I featured another of his posters last week from Dean Lane skate park, and as a pair they are quite brilliant. How much I would love to own them and have them hanging at home.

Copyright, Ashley Road, Bristol, May 2016
Copyright, Ashley Road, Bristol, May 2016

His work is technically superb and his subjects always beautiful. Better than that though is the location and framing of this wheatpaste. Copyright has put some thought into how it should look…a common trait with pasters. Since seeing these two wonderful works I have found two more sprayed walls by Copyright, so plenty to keep me busy. The backlog is ever growing.

232. North Street hoarding (3)

John D’oh is a very naughty political artist whose work I enjoy immensely, whether I agree with his assertions or not. Whenever I see his stuff I can’t help smiling at his cheeky nerve. I suspect it gets him into trouble occasionally, but I like the edge he brings to the Bristol street art scene. This time it is the turn of the Queen, a reference to the band of the same name and her position on Brexit as portrayed by some media outlets (in particular the Murdock News International Media group).

John D'oh, North Street, Bristol, May 2016
John D’oh, North Street, Bristol, May 2016

Not only is the content of his work noteworthy, but his execution using stencils and his profusion of work is impressive. I have a large backlog of his work, much of which is politically no longer contemporary, but nonetheless an indicator of political issues in 2010s Bristol.

225. Stokes Croft, Snug Bar (1)

I am often left wondering how street artists manage to do pieces which can only be accessed from a roof. Do they have permission? Do they jump up a ladder? Do they find some other way to get up? I guess it depends. Anyhow, this appeared a month of two back (I think) above a bar in Stokes Croft.

Akarat and Hoax, Stokes Croft, Bristol, March 2016
Akarat and Hoax, Stokes Croft, Bristol, March 2016

The piece is by Akarat and Hoax. I think that the birds on the left are by Akarat and the stencil is by Hoax. This is a tribute piece to Buzz, and you will see all the little Buzz words all around the piece.

Akarat and Hoax, Stokes Croft, Bristol, March 2016
Akarat and Hoax, Stokes Croft, Bristol, March 2016

I think I can also see a bit of a Mr Klue mural to the left. This is strange as it can’t really be seen from the road, but I suppose a wall is a wall. As we have come to expect from Akarat and Hoax, this piece is full of symbolism, but what it means…?

224. Dean Lane skate park (2)

Dean Lane skate park is situated between Dean Lane and the Eastern end of North Street, and is a major draw for street and graffiti artists. The skaters quite like it too. Just on the way out of the park I noticed this poster, which I kind of walked past without really registering it, and then went back to it, thinking it was rather unusual. It is in fact a pasteup piece by Copyright an artist who has graced the streets of Bristol previously, notably during Upfest. His website is here.

Copyright, Dean Lane skate park, Bristol, April 2016
Copyright, Dean Lane skate park, Bristol, April 2016

Since taking this picture at the end of April, I have since found another poster in North Bristol, equally striking.

This is beautiful. A simple stencil and a lovely portrait. His style is very recognisable…I say that now that I know who he is and have done some searches on his work. I really like this work and rather wish I could peel it off the wall and take it home. I think his works for sale are a little outside my price bracket.

214. Stokes Croft, Slix (3)

This is a picture from Last December, but I believe the stencil is still there and untagged. It would need a ladder to replace it, and taggers cant be bothered with that, although wheelie bins often do the job. This I believe to be a Hoax piece, it has all the hallmarks, a ‘street’ figure with trainers and an obscured face.

Hoax? Stokes Croft, Bristol, December 2015
Hoax? Stokes Croft, Bristol, December 2015

If it is not hoax, I’m not sure who it is by. As with his other pieces, it is curious, and I am sure there is an interesting, but unfathomable, backstory. I think I need to get some interviews under my belt.

205. The Bearpit (14)

In the South East tunnel of the Bearpit you may this wonderful and very typical work by Angus (although nothing lasts very long there). It is a fun piece featuring Meg Griffin from the Family Guy, a TV cartoon I don’t watch so can’t explain any more about the work. Over the last few years Angus has burst onto the Bristol graffiti scene, and being a local street artist, he has had many great influences all around him.

Angus, The Bearpit, Bristol, April 2016
Angus, The Bearpit, Bristol, April 2016

If you want to know more about Angus, there is a lovely interview with him on the Best of Bristol website, which I thoroughly recommend reading. I rather hope to bump into him at some time, because he seems like a really decent bloke. I like the familiarity and crispness of his work.

Angus is also a member of The Secret Society of Super Villain Artists (SSOSVA) – you will see more artists from this group in future posts.

204. Cheltenham Road, Metropolis hoardings

These hoardings rarely have decent works sprayed on them because they get painted off almost immediately…it may be that the owners of the site don’t want the hoardings to become a practice wall. The result is that the hoardings are heavily tagged instead. In among the useless tagging, there was this gem however – an anonymous tribute to DJ Derek. As is is a stencil, I would expect to see it popping up around the place. Simple and touching.

Anonymous stencil, DJ Derek, Cheltenham Road, Bristol, April 2016
Anonymous stencil, DJ Derek, Cheltenham Road, Bristol, April 2016

DJ Derek’s funeral took place last week, and there has been no more news about the circumstances of his death. I do not believe they were in any way suspicious.