5904. Southampton Row, London

Dan Kitchener, Southampton Row, London, March 2024
Dan Kitchener, Southampton Row, London, March 2024

Serendipity is real – some things are just meant to be. I recently ran a workshop in Holborn, London and had engineered enough time, after the event, to walk from Holborn to Bedford Square where I lived with my parents for a few years when I was home from University. I simply wanted to see the old place and feel that nostalgia for a time when I was in my prime. To get there, I did a spot of psychogeography, knowing roughly where I was heading, but taking a random route to get there. My reward was to stumble across this Dan Kitchener extravaganza on the NYX Hotel in Southampton Row. I had no idea of its existence.

Dan Kitchener, Southampton Row, London, March 2024
Dan Kitchener, Southampton Row, London, March 2024

I imagine that Dan Kitchener charged a hefty sum for this extraordinary commission incorporating a collection of pieces. The first section features one of his incredible rainy urban Tokyo scenes full of nocturnal buzz and bustle – a scene that he has perfected over many years.

Dan Kitchener, Southampton Row, London, March 2024
Dan Kitchener, Southampton Row, London, March 2024

Adjacent to this is a beautiful portrait, stunningly painted, of a woman wearing a see-through plastic coat and pink neon glasses, straight out of the dystopian world of Blade Runner. Indescribably brilliant.

Dan Kitchener, Southampton Row, London, March 2024
Dan Kitchener, Southampton Row, London, March 2024

Next up, opposite the entrance to the hotel, is this concrete column painted with an outstanding ‘wet window’ effect piece. This is such a clever technique that leaves you wondering, how on earth does he do this?

Dan Kitchener, Southampton Row, London, March 2024
Dan Kitchener, Southampton Row, London, March 2024

Finally, and on a huge elevation, Dan Kitchener has painted a piece which extends from the top of the hotel to the ground, a total of eleven floors I think – a truly world-class piece.

Dan Kitchener, Southampton Row, London, March 2024
Dan Kitchener, Southampton Row, London, March 2024

The top section of the mural features some stylised views of the city, while the bottom is a busy wet London scene, complete with red buses and black cabs – perfect for a tourist audience. Rarely does one get to see such a collection of artwork, and yet here it is in the centre of London – I wonder how many people simply walk past it without so much as a glance – more fool they. A perfect end to a great day in London.

5903. M32 Cycle path (256)

Evey, M32 Cycle path, Bristol, March 2024
Evey, M32 Cycle path, Bristol, March 2024

What a wonderfully playful and cheeky piece by Evey alongside the M32. This is the second time I have seen her use this device of replacing the ‘V’ in EVEN with a saucy bottom, and I have to say I rather like it. If anything, I would say that the Bristol street art scene is quite earnest (and sometimes up its own backside), so it is great to see a bit of seaside postcard humour being injected from time to time.

Evey, M32 Cycle path, Bristol, March 2024
Evey, M32 Cycle path, Bristol, March 2024

The letters are nicely presented in what looks a bit like a neon display sign – one could almost imagine this piece hanging over the door of a seedy nightclub in a red-light district. It is refreshing and imaginative, and yet another great piece in a string of excellent work from thee prolific Evey.

Evey, Greenbank, Bristol, January 2024
Evey, Greenbank, Bristol, January 2024

5902. Greenbank (112)

Rozalita, Greenbank, Bristol, March 2024
Rozalita, Greenbank, Bristol, March 2024

Rozalita returns! This is exceptional news. After a long lay-off, in part down to travelling, during which time I wondered whether she might abandon her street art altogether, she has returned in style, with several pieces in short succession. This is how to announce your return. In another name change (from Rosalita to Rozalita (Rhozi) to Rozilitaa) she has hit the ground running with a bolder presence, and a sense of confidence that hasn’t always been obvious from her work.

Rozalita, Greenbank, Bristol, March 2024
Rozalita, Greenbank, Bristol, March 2024

This portrait piece, I believe of Frida Kahlo, is bursting with passion, where the determination and status of the subject, looking skywards, is beautifully presented. The white border accentuates the pose and creates an aura that is augmented by the burst of energy of flowers and decoration in the background. Without the border, the piece could be at risk of being busy, but its presence is masterful. This is brilliant in my view, and what a way to make a comeback. I bloody love this piece!

5901. Brunel Way (263)

Roo, Brunel Way, Bristol, March 2024
Roo, Brunel Way, Bristol, March 2024

This is the last of the pieces by Roo from a recent visit she and SkyHigh made to Bristol earlier in the month. The beautiful scene features a happy bumblebee over Bristol, with the Clifton Suspension bridge in the background. I managed to take the photograph, on a gorgeous day (what are these?) in a way that incorporated the real Clifton Suspension bridge behind the Environment Agency structure.

Roo’s style, as I have mentioned before is always cheerful, whatever the subject, and a welcome antidote to all the challenges and troubles of everyday life. No matter how crap you might be feeling, finding one of her pieces is guaranteed to cheer you up and offer a different perspective on things. We all need this reminder and what better way to deliver it than through the medium of street art. Thank you Roo.

5900. M32 roundabout J3 (560)

Turoe, M32 roundasbout, Bristol, March 2024
Turoe, M32 roundasbout, Bristol, March 2024

We don’t get to see Turoe’s work all that often these days, so when a new piece does appear it is always worth celebrating. This beauty was painted with his friends Hemper and Hypo on the M32 roundabout at the beginning of the month.

Turoe, M32 roundasbout, Bristol, March 2024
Turoe, M32 roundasbout, Bristol, March 2024

Turoe has painted his letters in old school style, filled with subtle colours and patches, but it is the drop shadow that makes the piece. The very deep shadow extends to the floor in a soft pink with black borders, and is very nicely executed. Shadows like this are quite unusual, but very effective, and I am a little surprised we don’t see it more often. A nice reminder of the exceptional talent of Truro.

5899. St Werburghs tunnel (414)

Jest Soubriquet, St Werburghs, Bristol, February 2024
Jest Soubriquet, St Werburghs, Bristol, February 2024

I am not sure whether this wonderful portrait piece by Jest Soubriquet was painted as part of Ryder’s RAW paint jam, or was simply painted at the same time (update – it was painted as part of the paint jam). Either way, it brightened up my day, because it is always a bit of a thrill to see new or visiting artists enjoying their passion in Bristol.

Jest Soubriquet, St Werburghs, Bristol, February 2024
Jest Soubriquet, St Werburghs, Bristol, February 2024

By the look of it Jest dropped a couple of pieces in Bristol while visiting, but I have struggled to find out where he is based. The portrait piece in the tunnel is beautifully painted and unusual in its incorporation of striking colours, which, whilst disruptive, somehow manage to carve out the features and depth in the face. Very clever stuff. It would be nice to think that Jest will return to Bristol and decorate a few more walls for us.

5898. Elton Street (28)

Used Pencil, Elton Street, Bristol, February 2024
UsedPencil, Elton Street, Bristol, February 2024

The ‘gallery’ in Elton Street, on the side of the Lost Horizons Arts Centre, is always worth a look. There are five or six framed boards raised above the street (ladders required for the artists), curated by the Arts Centre, and which are rarely, if ever, tagged or overpainted. This board, on the end of the building has been painted by Used Pencil, a Bristol artist whose work I have only once seen before at Upfest 2022.

Used Pencil, Elton Street, Bristol, February 2024
UsedPencil, Elton Street, Bristol, February 2024

This piece is painted with a combination of spray paint and brushes, which helps to give it that texture and detail, and you can find a video of its creation on Used Pencil’s Instagram feed. It is a piece that is easy on the eye and has a kind of mystical feel to it. Although the style is recognisable from his Upfest piece, the subject matter is quite different.

Usedpencil, Upfest 22, Bristol, May 2022
Usedpencil, Upfest 22, Bristol, May 2022

5897. M32 roundabout J3 (599)

Slakarts, M32 roundabout, Bristol February 2024
Slakarts, M32 roundabout, Bristol February 2024

I think it’s safe to say he’s back. Slakarts has been knocking out a few pieces lately, perhaps making up for lost time over the last couple of years, during which he has been reasonably quiet. With this quick one, he is maintaining his ‘mega-tag’ presence, reminding us that he is out and about.

Slakarts, M32 roundabout, Bristol February 2024
Slakarts, M32 roundabout, Bristol February 2024

Slakarts hasn’t buffed the wall for this piece, and ordinarily that might lead to it being a little bit lost, but his colour selection and precise spray can work are strong enough to help it stand out over the mess. More to come from the resurgent Slakarts soon.

5896. Greenbank (111)

Werm, Greenbank, Bristol, February 2024
Werm, Greenbank, Bristol, February 2024

Over the last few months Werm has calmed his pieces a little, from the highly complex and technically brilliant pieces into something slightly easier on the eye, and this piece, for me, represents a mature approach from an artist who doesn’t need to impress any more, but rather, can concentrate on creating a thing of beauty.

Werm, Greenbank, Bristol, February 2024
Werm, Greenbank, Bristol, February 2024

The colour palette for this piece seems to work really well, and Werm has blended the fill colours expertly. The orange border and accompaniments augment the writing perfectly, the test of which is to imagine the piece without that splash of colour, rendering it greatly diminished. I like and welcome this new direction from Werm, and greatly admire this piece.

5895. St Werburghs tunnel (413)

Inkie, St Werburghs, Bristol, February 2024
Inkie, St Werburghs, Bristol, February 2024

With this piece in St Werburghs tunnel, Inkie demonstrates his versatility, and shows that he can paint way outside his ‘house’ style that is so familiar to folk in Bristol. This piece was painted during the incredibly well attended February paint jam organised by Ryder.

Inkie, St Werburghs, Bristol, February 2024
Inkie, St Werburghs, Bristol, February 2024

Inkie has painted something of a tribute to Galaxian, a computer game from 1979 that could be found in pretty much every pub or arcade in the early 1980s usually alongside Asteroids. The INKIE letters have been painted in the Galaxian brand style, and he has included rows of spaceships in formation. This is a wonderfully painted piece of ’80s nostalgia, which would have resonated with most of the other artists who participated in the paint jam.