4923. St Werburghs tunnel (334)

Evey, St Werburghs, Bristol, December 2022
Evey, St Werburghs, Bristol, December 2022

I sincerely hope that we will be treated to a whole load more EVEN pieces by Evey this year, as I think she is one of the most improved artists during 2022. The more she paints the better she will get, and we are already seeing signs of more adventure in her work.

Evey, St Werburghs, Bristol, December 2022
Evey, St Werburghs, Bristol, December 2022

This is a lovely piece from a recent RBF paint jam (there were two in quick succession) which has been finished very tidily. The five horizontal fills work nicely, and the borders and highlights are neat and tidy, bar a few yellow drips, which are rather nice. All in all a very pleasing piece of graffiti writing from Evey.

4885. Upfest 2022 (60)

Bnie, Vozie, Pekoe and Evey, Upfest 22, Bristol, May 2022
Bnie, Vozie, Pekoe and Evey, Upfest 22, Bristol, May 2022

This collaboration is an absolute belter from the RBF crew and brings together the talents of Bnie, Vozie, Pekoe and Evey in one magnificent board.

Bnie, Vozie, Pekoe and Evey, Upfest 22, Bristol, May 2022
Bnie, Vozie, Pekoe and Evey, Upfest 22, Bristol, May 2022

It was great to watch the crew paint this piece on a gorgeous day in late May, which felt like a genuinely joyous celebration of art and music in a totally Bristol context.

Bnie and Vozie, Upfest 22, Bristol, May 2022
Bnie and Vozie, Upfest 22, Bristol, May 2022

The colour scheme adopted was sustained across the whole collaborative piece and combines the colours pink and blue that seem to have been a bit of a thing this year. On the left, Bnie and Vozie spoilt us with two superb examples of great graffiti writing.

Pekoe, Upfest 22, Bristol, May 2022
Pekoe, Upfest 22, Bristol, May 2022

The centrepiece of the collaboration was this magnificent portrait piece by Pekoe and arguably her finest piece of the year, although the bar she set herself was pretty high.

Evey, and Bnie?, Upfest 22, Bristol, May 2022
Evey, and Bnie?, Upfest 22, Bristol, May 2022

On the right, Evey rounded the piece off with a huge shout-out to themselves with an RBF which I think might have been painted by Bnie at a guess. Some beautiful work from a beautiful group of people.

4825. St Werburghs tunnel (320)

Evey, St Werburghs, Bristol, November 2022
Evey, St Werburghs, Bristol, November 2022

Ooh, Ahh! This is a stunner from Evey, painted during Bnie’s birthday paint jam, described by Paul H as the paint jam that keeps on delivering, and he is right. I would suggest that this might be Evey’s most ambitious piece to date, and she has carried it off with style and competence.

Evey, St Werburghs, Bristol, November 2022
Evey, St Werburghs, Bristol, November 2022

This is an ambitious piece with lovely large letters spelling EVEN, and within the letters a picture of people hanging out under a stretch of arches, in front of a setting sun. A story within a story, if you like. The letters are rounded off with a colourful 3D drop shadow. Big respect to Evey for this one.

4712. Spake Evans Park (56)

Evey, Sparke Evans Park, Bristol, August 2022
Evey, Sparke Evans Park, Bristol, August 2022

Evey has been out and about much more this summer, or at least that is how it feels, and with each outing her work is improving. Her letters are large and obvious, spelling out EVEN, with a focus on the variation of fills.

Evey, Sparke Evans Park, Bristol, August 2022
Evey, Sparke Evans Park, Bristol, August 2022

This one was painted as part of a collaborative wall and is notable for its horizontal fills of at least six colours. There is something not quite consistent with the drop-shadow on the stars, but that is a small detail, all in all this is a bright, fun piece from Evey.

4703. Cumberland Basin

Evey, Cumberland Basin, Bristol, September 2022
Evey, Cumberland Basin, Bristol, September 2022

It is quite by accident, but wholly appropriate, that I should follow up a piece by Bnie with a piece by Evey. The two artists are part of the RBF crew and often paint alongside one another.

Evey, Cumberland Basin, Bristol, September 2022
Evey, Cumberland Basin, Bristol, September 2022

I consider this to be Evey’s best piece that I have seen so far. The green palette set on the red background works exceptionally well and makes it difficult not to notice the piece. Large bold letters, filled with a clever array of greens and a thick black 3D border combine well. There are some nice sharp lines, in particular at the base of the first ‘E’ and the white highlight is subtle, but helps to lift the letters. Upwards and onwards… it is great to watch on at the improvement as it happens.

4435. Dean Lane skate park (491)

What a lovely thing to find on the long wall in Dean Lane skate park. Fresh, clean and definitely a collaboration to bring a smile to your face. The RBF crew have been particularly busy of late in various spots around the city, but you don’t often see their work in Dean Lane.

Evey, Dean Lane, Bristol, April 2022
Evey, Dean Lane, Bristol, April 2022

It looks to me like Evey has been having some coaching from Bnie with her 3D shadow, as I’ve never seen her paint these patterns before. This is what I love about street art; all the artists seem to be continuously developing and improving their work, moving from idea to idea and pushing themselves. The fills in her letters are rather fun too, and the colours definitely complement each other.

Bnie, Dean Lane, Bristol, April 2022
Bnie, Dean Lane, Bristol, April 2022

The other half of the collaborative wall is by Bnie in which she has absolutely smashed it in my opinion. The piece has everything you would expect from Bnie but elevated to the next level. This might even be her finest piece yet. The letter fills are beautifully blended and the white highlights lift them out a bit. The 3D fill is to die for, with a clever and rather unique patterning, which is a sure trademark of hers. The double border is nice and neat and provides the distinction between the letters and background. I love this piece, and I am enjoying these recent RBF collaborations.

Evey and Bnie, Dean Lane, Bristol, April 2022
Evey and Bnie, Dean Lane, Bristol, April 2022

4414. Greenbank (41)

Evey has been rather busy this spring with her friends from the RBF crew, and it is always such a pleasure to see her work. Evey has a rather simple style, that is always full of colour and seems always to have a happy disposition, bringing smiles to faces.

Evey, Greenbank, Bristol, April 2022
Evey, Greenbank, Bristol, April 2022

I don’t quite know why Evey spells out ‘Even’ with here letters, and it is quite unusual to have repeated letters in a tag (unless they are together, like an ‘OO’ for example). In this piece, Evey has draped her colourful letters with icing and some hundreds and thousands, giving them a celebratory feel.

4210. Cumberland Basin

Paint jams can be difficult for me to cover, because there will always be several artists to write about and I am left with a bit of a dilemma; do I cover all the artists in one post or do a post for each artist at risk of leaving someone out? On this RBF collaborative wall I opted for the latter, but happily with this lovely piece by Evey I have managed to post all the pieces from the paint jam.

Evey, Cumberland Basin, Bristol, January 2022
Evey, Cumberland Basin, Bristol, January 2022

The thing I love most about Evey’s work is the uncomplicated optimism it conveys. The colours, style and hearts in this piece ooze goodness in a difficult world, and we would do well to be reminded that there are a great many things in life to be grateful for. I think that this piece is one of my favourites from Evey, it is nicely done and the fills smooth and confident.

3766. M32 roundabout J3 (330)

I think that Eman is the artist I have seen the most of in recent weeks, I think that the times and days and locations that we visit somehow coincide. This time I was lucky enough to catch him painting his first portrait piece in collaboration with Evey, although she had not yet arrived when I took this WIP shot.

Eman, M32 roundabout, Bristol, June 2021
Eman, M32 roundabout, Bristol, June 2021

Obviously any blue female portrait will be compared in some way to the most reproduced Chinese Girl portrait by Vladimir Trechikoff and this isn’t too far away from that. It is great to see Eman trying new things, he seems to have an appetite for pushing himself hard and with great results.

Evey and Eman, M32 roundabout, Bristol, June 2021
Evey and Eman, M32 roundabout, Bristol, June 2021

Evey, who turned up after I had gone, has added some orange flowers and her letters EVEN to the right of the piece and reminds us that ‘all black lives still matter’ keeping the BLM movement in the agenda. This is a rather lovely collaboration, and quite unusual in its structure. Great to see.

3598. M32 roundabout J3 (301)

I haven’t posted many pieces by Evey, mainly because I haven’t actually seen all that many. She tends to paint with other Resting Bitch Face (RBF) crew members, including Pekoe and Bnie, which was the case on this wall.

Evey, M32 roudabout, Bristol, March 2021
Evey, M32 roudabout, Bristol, March 2021

What I particularly like about Evey’s work is its simplicity and femininity (without being girly, if that makes sense). Her letters are nice and organic, but it is her fills, which are so often full of happiness, that show off her creativity. Although her work is still developing, there is something about it that I find incredibly attractive.