6954. Dean Lane skate park (836)

Mr Draws, Dean Lane, Bristol, May 2025
Mr Draws, Dean Lane, Bristol, May 2025

Although the style and composition are familiar from Mr Draws in this piece in Dean Lane, the words are rather refreshing and different. Italian, the language of love, is just so good to listen to, and who can say the phrase ‘Bella Ciao’ or more commonly ‘Ciao Bella’ without doing so in a charming Italian accent?

Mr Draws, Dean Lane, Bristol, May 2025
Mr Draws, Dean Lane, Bristol, May 2025

The colour scheme is a curious one, especially as the top horizontal slice matches the background dark tone. Typically unpretentious and unfussy, this is a a nice piece from Mr Draws that occupies this long space rather well.

6953. Cheltenham Road

Hazard, Cheltenham Road, Bristol, May 2025
Hazard, Cheltenham Road, Bristol, May 2025

The Prince of Wales is my local pub, although broadly speaking I don’t go to the pub very often these days. For as long as I can remember, there has always been a mural on the pub, which changes every few years. This most recent incarnation is by the wonderful Hazard.

Hazard, Cheltenham Road, Bristol, May 2025
Hazard, Cheltenham Road, Bristol, May 2025

Hazard, Harriet Wood, used to live in Bristol and has featured on the pages of Natural Adventures many times. She has been elevated to superstar status, which is totally deserved, and paints a lot of commissions around the country. This piece is a wonderful nature scene – utterly uplifting in the bustle of the Cheltenham Road.

Hazard, Cheltenham Road, Bristol, May 2025
Hazard, Cheltenham Road, Bristol, May 2025

Floral scenes are a speciality in Hazard’s repertoire, but the eye is immediately drawn to the outstanding hummingbird in the centre of the mural. This is a truly stunning piece, showcasing Hazard’s awesome talent. Oh, and by the way, there is a secret beer patio round the back.

6952. Stokes Croft

Mauro Goblin, Stokes Croft, Bristol, May 2025
Mauro Goblin, Stokes Croft, Bristol, May 2025

I’m beginning to regret ever having said that, unlike other street art hubs in the country, Bristol is rather light on paste ups. Ever since I first made that comment, I seem to have found wheatpastes all over the place. Whether I am just seeing more because I am looking more or whether there has been an influx, I cannot say, either way, it is good news.

Mauro Goblin, Stokes Croft, Bristol, May 2025
Mauro Goblin, Stokes Croft, Bristol, May 2025

This is a stunning portrait piece by Mauro Goblin, an artist I believe from Valparaiso, Chile, featuring Beth Gibbons from local band Portishead. The stencil piece is sprayed on to paper which is then pasted up, hence the sharp edge around the portrait. A little bit of orange spray paint behind the piece significantly adds to the impact. What a privilege to have this piece in Bristol.

6951. M32 roundabout J3 (685)

Hypo, M32 roundabout, Bristol, May 2025
Hypo, M32 roundabout, Bristol, May 2025

Hypo continues in his rich vein of form and is working his colours really hard at the moment, but not in a chaotic or random way, but rather in a considered and thoughtful manifestation.

Hypo, M32 roundabout, Bristol, May 2025
Hypo, M32 roundabout, Bristol, May 2025

Each of the letters HYPO are given an individual colour scheme with blended tones beautifully worked. The letters are afforded a chunky 3D effect, thanks to the skilfully placed white highlight lines that deceive our eyes. Another fabulous piece in an outstanding and lengthy series of graffiti writing.

6950. New Station Street, Leeds

Nomad Clan, New Station Street, Leeds, May 2025
Nomad Clan, New Station Street, Leeds, May 2025

This was a most wonderful surprise as I headed towards Leeds Station to catch a train back to Bristol. When I arrived, I had left the station from another exit and so hadn’t spotted this enormous and rather famous piece by Nomad Clan. It is quite difficult to give a sense of scale, but the mural spans several floors on the side of the building.

Nomad Clan, New Station Street, Leeds, May 2025
Nomad Clan, New Station Street, Leeds, May 2025

Photographing this piece is near impossible, and definitely one for those with drone cameras. Owls are a symbol of Leeds and appear on the city’s coat of arms, and can be found all over the centre. These greyscale owls are obviously in recognition of this and beautifully painted against a full moon and a lightbulb. One of the owls also has a crown – it’s a graffiti writing thing, which gives this high-end piece a bit of street credibility too. Like I said at the start, simply wonderful departing gift from the home city of my late father and his family.

6949. M32 roundabout J3 (684)

Subtle, M32 roundabout, Bristol, May 2025
Subtle, M32 roundabout, Bristol, May 2025

It is totally awesome to see Subtle again after quite a long break. His work, for me, epitomises the Bristol style of graffiti writing. I have mentioned that different towns and cities, regions or countries have distinct styles, and this piece by Subtle oozes Bristol.

Subtle, M32 roundabout, Bristol, May 2025
Subtle, M32 roundabout, Bristol, May 2025

The piece itself is painted in rather dark colours and a little difficult to pick out with the light behind the wall. Great big fat letters on a buffed wall with a dollop of red decoration is just what the doctor ordered, and a great way to start the day. Classy and beautifully executed. Welcome back Subtle.

6948. St Werburghs tunnel (501

Buser, St Werburghs, Bristol, May 2025
Buser, St Werburghs, Bristol, May 2025

I wrote this last night, because I had a very early start this morning (1:30am) taking my daughter to Heathrow airport followed by a full day at work. The things we do! So a couple of quickies today.

Buser, St Werburghs, Bristol, May 2025
Buser, St Werburghs, Bristol, May 2025

This is a fun combination piece by Buser in the tunnel. I don’t recognise the character and think it might be from the artist’s imagination. The writing is of the highest order with great fills and an exceptional ice-blue drop shadow. I’ll be looking out for more from Buser.

6947. Dean Lane skate park (835)

Zake, Dean Lane, Bristol, May 2025
Zake, Dean Lane, Bristol, May 2025

I am used to seeing Zake character pieces that tend to be head-on round faces in a cartoon style with lots of light and shade creating depth, so this is something a little different.

Zake, Dean Lane, Bristol, May 2025
Zake, Dean Lane, Bristol, May 2025

The profile portrait of an androgenous person draws more on a realistic version of a character than the cartoon style I am used to from Zake. The hair, in particular (most of his characters are bald), is great to see, demonstrating that Zake is far more than simply a one-trick pony. Definitely an unusual piece from one of the most prolific artists painting in Bristol at the moment. I have updated my gallery of Zake’s work so you can see what I mean.

6946. Brunel Way (315)

Mr Underbite, Brunel Way, Bristol, May 2025
Mr Underbite, Brunel Way, Bristol, May 2025

Mr Underbite’s appearances are few and far between these days, so it was great to find this one in one of his favourite spots recently. I’ll not make reference to the brown background.

Mr Underbite, Brunel Way, Bristol, May 2025
Mr Underbite, Brunel Way, Bristol, May 2025

The Hapless character is painted in vibrant green, has his customary underslung jawline and is wearing a baseball cap for good measure. Signed MUB (Mr Underbite) and dated 2025, this is a piece without pretension or complication – what you see is what you get.

6945. Greenbank (160)

Logoe, Greenbank, Bristol, May 2025
Logoe, Greenbank, Bristol, May 2025

I hate to labour the point, but I am going to anyway. I don’t much care for brown paint, unless it is being used in context, for example to depict a chocolate bar or a tree trunk, but decorating graffiti writing using brown colours is, to my mind, such a waste of a good design.

Logoe, Greenbank, Bristol, May 2025
Logoe, Greenbank, Bristol, May 2025

I am going to suspend my prejudice in this instance though, because Logoe has somehow made the brown colours of this piece rather attractive. His script graffiti writing is filled with layer upon layer of brown shades, set on a dark brown background. The piece is a symphony of brown, and probably because it is Logoe, I rather like it. Three Hail Marys for me.