878. Upfest 2016 (145)

An unusual and rather unsettling piece from ‘1743’. Ambulances and crows are perhaps not the bringers of joy, and this is a hard-hitting piece, in spite of its small size.

1743, Upfest, Bristol, July 2016
1743, Upfest, Bristol, July 2016

The Upfest programme biography reads:

‘UK artist based in Leeds. I paint stuff because I can and it’s fun. Mostly with a spray can and stencils. Inspired by life and what I see around me.’

877. Upfest 2017 (144)

I don’t know a great deal about this artist, but her name is Brooke Ashley. This is a really engaging piece that I feel would lend itself well to illustration, and I would guess that her background may be in illustration.

Brooke Ashley, Upfest, Bristol, July 2016
Brooke Ashley, Upfest, Bristol, July 2016

One of the more modest pieces from the festival, but beautiful none the less.

876. Upfest 2016 (143)

This is a really interesting piece by the Dutch street artist Pronk-Stukken, not only for its unusual and captivating subject, but also because it was sprayed at Dean Lane skate park, which is not an official site for Upfest artists, and one that gets sprayed numerous times over during Upfest. My guess is that he had another piece somewhere at the frstival, which I don’t appear to have photographed.

Pronk-Stukken, Upfest, Bristol, July 2016
Pronk-Stukken, Upfest, Bristol, July 2016

This piece reminds me of a camel, but that is just what I see. I loved this piece the first time I saw it, and still like it now. One of my favourites of the festival. Regrettably it looks like Pronk-Stukken will not be returning this year.

Pronk-Stukken, Upfest, Bristol, July 2016
Pronk-Stukken, Upfest, Bristol, July 2016

875. Upfest 2016 (142)

I love stencils and I love cats…this then is simply heaven. The work is from the self-taught Bizzy (Izolda Lautner) who turned he hand to artwork only some 5-6 years ago. Without any formal training, she gives great hope for street art wannabes (like me?).

Bizzy, Upfest, Bristol, July 2016
Bizzy, Upfest, Bristol, July 2016

This was her first piece in front of a live audience, and I think it turned out fantastically well. I wish I had seen her in the process of spraying it. I will be keeping an eye out for her work, although it looks like she won’t be at Upfest 2017, which is a great shame. You can read more about her on her Stencil Art Prize website profile.

874. Upfest 2016 (141)

When blogging about street art, one increasingly becomes reliant on others for information about artists or new pieces and so on. I am grateful to ‘The Art Blogger 54’ for posting this piece recently. Until then, this photograph had been sitting in my pending file, waiting for the artist’s identity. I hadn’t seen the finished piece at Upfest, and so had no signature to go on. I cannot recommend highly enough The Art Blogger 54’s blog, especially if you are into wildlife art and sculpture.

Freshmess, Upfest, Bristol, July 2016
Freshmess, Upfest, Bristol, July 2016

It is by FreshMess, a collaboration between two artists, one of whose style is clean and fresh and the other whose style is erratic and messy. These two have combined beautifully to produce one of the most striking pieces of Upfest 2016.

Freshmess, Upfest, Bristol, July 2016
Freshmess, Upfest, Bristol, July 2016

Unfortunately, I don’t think they will be at Upfest 2017, but maybe they’ll visit again another time.

873. Dean Lane skate park (64)

I have just been reading Skor85’s biography on the Upfest 2017 website and found out that she is of Polish origination, adding to the vibrant Polish street art community  that appears to be growing in Bristol.

Skor85, Dean Lane, Bristol, July 2016
Skor85, Dean Lane, Bristol, July 2016

This is an interesting piece, from one of her favourite spots at Deaners, from July last year, around the time of Upfest. Some philosophy to go with the solemn figure drowning his/her sorrows. I love her use of colour and highlight lines on the head, arms and legs. Subtle and modest, her work always interests me.

872. St Werburghs tunnel (14)

I took this picture way back in June 2016 before I knew who it was by. I liked it at the time – I don’t photograph everything I see, and many pieces don’t make it into this blog…I have a little bit of editorial control. It is of course by Hire, and shows his trademark jagged Gothic form.

Hire, St Werburghs tunnel, Bristol, June 2016
Hire, St Werburghs tunnel, Bristol, June 2016

There is a symmetry to this piece,  and if you look closely, you will be able to make out the letters HIRE. Nice one.

871. Upper York Street (6)

This is an old one going back a year, but what a great piece to be able to pull out of the archives. It s a stunning piece of writing from Epok, with all the things we expect from him, strong lines and sharp angles merging with round edges and curves. A geometric style that is pretty unique to Epok.

Epok, Upper York Street, Bristol June 2016
Epok, Upper York Street, Bristol June 2016

I dug this out, because I am trying to finish the Upfest 2016 posts before Upfest 2017 at the end of this month. This particular work was sitting in my folders from 2016 which I have been trawling through and screamed out at me…’publish me’.

Epok, Upper York Street, Bristol June 2016
Epok, Upper York Street, Bristol June 2016

There are other oldies to follow. I can only guess that I didn’t publish this before, because I always have way more material than I can possibly post about on two posts a day.

870. Raleigh Road, Tobacco Factory (10)

It is always great to see artists emerge from their studios and create wonderful public pieces like this one. In this case the young artist is Liz Clayton, a graduate artist from University College Falmouth who is now living and working in Bristol.

Liz Clayton, Raleigh Road, Tobacco Factory, Bristol, June 2017
Liz Clayton, Raleigh Road, Tobacco Factory, Bristol, June 2017

I have heard great things about University College Falmouth and I believe Louis Masai went there too. I have a niece studying there now and she seems to rate it very highly, and what a gorgeous part of the country to be a student in.

Liz Clayton, Raleigh Road, Tobacco Factory, Bristol, June 2017
Liz Clayton, Raleigh Road, Tobacco Factory, Bristol, June 2017

This is a striking piece and reminiscent of Mexican art celebrating Dia de Muertos (Day of the Dead), which I am sure is entirely deliberate. This is a great stencil piece by Liz, and it is fortunate to have pictured her while she was working on it. I hope to see more of her public work.

Liz Clayton, Raleigh Road, Tobacco Factory, Bristol, June 2017
Liz Clayton, Raleigh Road, Tobacco Factory, Bristol, June 2017

 

 

869. M32 Spot (7)

Another fine contorted ‘Icarus-like’ figure plummets to the ground in this wonderful column piece by Object000. My first thought when I saw this was ‘De Chirico’ the great Italian artist whose work influenced the surrealists. It is the arches that did it. Just google his name and images, and you’ll see what I mean.

Object..., M32 Spot, Bristol, June 2017
Object…, M32 Spot, Bristol, June 2017

I managed to catch up with Object000 when he was spraying this piece, and it turns out that his name is actually not Object zero zero zero, but actually Object ellipsis. So from this point forward I will write his name as Object… . For him the zeros appeared as a result of a digital artifact created because one of the digital platforms he uses wouldn’t accept the ellipsis.

Object..., M32 Spot, Bristol, June 2017
Object…, M32 Spot, Bristol, June 2017

I am not going to go through my back catalogue of posts and change anything as Thisd blog is evolutionary, and I have made many mistakes and learned much on the way. The past is the past. Unlike some in society, I do not wish to rewrite history, however inconvenient.

Object..., M32 Spot, Bristol, June 2017
Object…, M32 Spot, Bristol, June 2017

Too much of a ramble. This is a lovely fresh work by Object… and makes reference to the skate park with two skating figures, which unfortunately are on the other side of the column and only one is pictured here.