When I first started out noticing street art in Bristol, and subsequently writing about it, The Carriageworks was my ‘go to’ spot to find some really classy work. Alas, the gentrification of Stokes Croft, eliminated half of the spot, and what remains is rarely painted. How pleasing it was to see this beauty from Hemper, and a piece adjacent to it by Kid Krishna (posted).
Hemper, The Carriageworks, Bristol, April 2025
It took me a couple of attempts to photograph this piece, because the first time I went there was a van partially covering up the writing, but I photographed it nonetheless just to make sure I had it in the can. These pictures are a much cleaner version and really highlight the magnificent of this extraordinary graffiti writing from Hemper, who has been on a roll this spring (a spring roll, if you like🙂). There is so much colour, beautifully blended, and a perfectly painted contrasting blue and black drop shadow. Another masterpiece of graffiti writing from Hemper.
Kid Krishna, The Carriageworks, Bristol, March 2025
There was a time, when the Carriageworks was being redeveloped, that I thought we’d never see graffiti or street art appear on the arches again. That is true for the two right-hand arches, which have now been replaced with large windows, but the left-hand arches continue to play host to the occasional piece. This is a beauty from Kid Krishna.
Kid Krishna, The Carriageworks, Bristol, March 2025
The artist has a real eye for form and colour and combines these with his letters CRIE, to create a whole that is greater than the sum of its parts. I can almost see the emergence of a masked character in the purple section – is it real, or am I imagining things? Clever and technically brilliant work from Kid Krishna.
Unknown collaboration, The Carriageworks, Bristol, November 2023
The arches of The Carriageworks have been taken over as a bit of a protest area, calling for peace in Gaza and between Israel and Palestine. Much of the sentiment that is portrayed is pro-Palestinian people. There is nothing celebrating Hamas, and little or nothing that supports the Israeli Government, or those that have consented heir activity. It is probably a fair reflection of public mood in the UK. I think that most people simply want the fighting and bloodshed to stop – that is something people have to believe in, but it is out of our hands. The most people can do is protest in all the various ways that protest can manifest itself, and in Bristol, graffiti art is one such way.
Unknown collaboration, The Carriageworks, Bristol, November 2023
This is a powerful piece and I have included it even though I don’t know who the collaborators were. This is a slight embarrassment for me because I met them and chatted with them while they were painting it. I didn’t quite catch their names, and I don’t know if that was my hearing letting me down, or their desire not to give away too much, I didn’t recognise them. The piece captures perfectly the scenes that we have been witnessing since this conflict began, and although there is a ceasefire right now, the fear is that the Israeli Government will return to flattening the rest of Gaza as soon as the ceasefire is over. Street art plays an important part in chronicling these word events in a vivid and representative way.
One of the things I love about street and graffiti art is that much of it captures the mood of the times we live in and reflects local or world events back to us, often with a political message or commentary. Wars receive a great deal of attention, for example the Russian invasion of Ukraine led to a spate of passionate and moving street art (Gallery to come on this one). Now we are seeing a proliferation of pieces representing the horrors unfolding in Palestine and Gaza.
3Dom, The Carriageworks, Bristol, November 2023
3Dom, has painted a rather grim piece that represents the inequity and imbalance that is at play in the war on Hamas by Israel. The piece suggests that the USA and UK are complicit in the Israeli bombing of Gaza, and cleverly conveys the confined nature of the Gaza strip. What is happening in Gaza is beyond comprehension and reaffirms my view that nationalism, whipped up by dictators and fanatics (drunk with power), is an evil thing. Well done 3Dom for visually articulating the horror of this war so well.
3Dom and Sled One, The Carriageworks, Bristol, May 2023
We have some very special artists in Bristol, and two of the very best are 3Dom and Sled one, and every once in a while these two combine to do something completely amazing. They like to refer to themselves when they paint something like this as the hi-vis crew, becoming invisible when they wear official-looking high visibility clothing.
3Dom and Sled One, The Carriageworks, Bristol, April 2023
I was lucky enough to be passing when these two were still painting these pieces, and it was in fact the first time I have met 3Dom properly, and I have to say what an absolutely lovely bloke he is. These arches have had some fantastic pieces painted on them over the years, and 3Dom and Sled One are continuing that great tradition. I fear that it won’t be too long before the authorities clamp down on painting this wall, but until such time we can only enjoy it.
3Dom, The Carriageworks, Bristol, May 2023
Both artists have a surreal and fantastical approach to their artwork, which in many cases it is probably best not to try and interpret. 3Dom presents a character whose head is made of a balloon filled with water and a couple of fish that might be the character’s eyes and a syringe that forms the mouth. The target and fez are details that add intrigue. Upside-down clouds and a cityscape round off the piece nicely. Brilliant.
Sled One, The Carriageworks, Bristol, May 2023
Sled One has created a portrait piece of a woman smoking a cigarette. Her skin, however, has been stripped away from the middle third of her face, exposing a cartoon-style skull. This is without doubt one of the odder pieces that Sled One has painted, but is certainly arresting and powerful. Also brilliant.
3Dom, The Carriageworks, Bristol, April 2023
If you ever wondered how these artists reach the higher bits of a wall, here is the answer. A perfect collaborative wall from the masters.
I believe that these arches at The Carriageworks are on borrowed time, as the developers of the site have plans to build retail outlets as part of the overall redevelopment of the site, so let’s make hay while the sun shines. Two of Bristol’s most recognised street artists, Sled One and 3Dom, have paired up to give these two arches a bit of a makeover.
Sled One, The Carriageworks, Bristol, May 2022
On the left is yet another spellbinding piece from Sled One, featuring a skull-like character in a red hat next to a pond with a rather arrogant-looking duck swimming about. Sled One has created this surreal scene with such extraordinary detail and clarity. For me there is something of a retro feel about the piece, perhaps it is the colours or the overall way the elements in the water and foliage around the pond are presented, but it looks like it could be a poster from the 1950s with a surreal 2020s twist.
3Dom, The Carriageworks, Bristol, May 2022
On the right hand arch 3Dom has painted an incredible dreamy piece where the main character, unlike anything we know or understand, is curled around the shape of the archway space. There is something most endearing about this smiley faced, reptile-humanoid creature, but look a little closer and there is something a little intriguing too. A love arrow runs through the character, although I’m not entirely sure what it signifies. I get a feeling that much of 3Dom’s work is about cherishing our beautiful Earth and a warning about its decline and losses in the natural world, he tells these stories through his ‘otherworldly’ characters almost as if warning us about the perils ahead. Of course they might simply be beautiful images without any hidden meaning, but I doubt it.
I am clinging to every minute that the Carriageworks continues to be a street art spot. This iconic site on the Cheltenham Road has been redeveloped, but the arches of the original Carriageworks have been retained. Before the site was developed, the arches became a fabulous canvass for artists in Bristol and beyond. Two or three years under scaffolding, it seemed like we’d never see the wall again, but recently the scaffolding was removed and the wall returned to artists. I don’t know how long it will be before anti-graffiti paint and CCTV appear, but let’s make hay while the sun shines.
3Dom, The Carriageworks, Bristol, March 2022
3Dom is known for his amazing ‘other world’ type pieces where his imaginative characters exist in unusual or surreal settings. This magnificent piece is clearly a reference to the terrible war in Ukraine, but is rather more subtle in its messaging than some anti-war pieces.
3Dom, The Carriageworks, Bristol, March 2022
The creativity of 3Dom and his astonishing touch has produced one of the finest pieces in Bristol this year, in one of the finest spots. Long live 3Dom and long live peace.
You might have noticed my recent joy that the arches on the facade of The Carriageworks have been exposed and almost immediately painted by the PWA crew. Although the joy might be short-lived, it is genuine and complete and these photographs capture some of that feeling for me.
Soap and Face 1st, The Carriageworks, Bristol, December 2021
To the left is a fabulous mash-up from Soap and Face 1st. All the elements that you would expect from a collaboration between these two are there, and it is great to see their work back where it belongs. These two young women were loving it too, and spent ages taking pictures of each other on the magnificent backdrop. They were not the only ones to stop and photograph the arches in the few minutes I spent there.
Nightwayss and Chill, The Carriageworks, Bristol, December 2021
To the right (the second of the fur arches), Nightwayss and Chill, who seems to have been recruited into the PWA fold, have collaborated to create a fabulous and slightly eclectic scene. The self-portrait and small mammal, some kind of primate I am guessing, are by Nightwayss along with the writing at the top spelling ‘NIGHT’. The two-tone cartoon character is by Chill, a tattooist, who really seems to be enjoying painting walls at the moment. Great art, great location, great artists… what more could you ask for?
I cannot begin to explain how much joy this collaboration, on two of the arches (part of a larger four arch spread) on the front of The Carriageworks, gives me. This once popular spot was fenced off for development in 2018, and I feared that we would never see any street art on these arches again. Two weeks ago, the covers came off the building site and the facade of this building has been retained along with the four arches, and it took the Pirate Wall Art (PWA) crew no time at all to repossess these ‘canvasses’.
Face 1st, Chill and Soap, The Carriageworks, Bristol, December 2021
On the left is a three way mash up with Face 1st at the top, Soap on the right and possible new recruit into the crew, Chill. Everything about this is very PWA and how appropriate it is that they should be the first to recolonise this spot. I wonder how long it will be before anti-graffiti paint is applied by some killjoy who understands nothing about the area. We will wait and see, but in the meantime we can enjoy stuff like this.
Face 1st, Nightwayss and Soap, The Carriageworks, Bristol, December 2021
On the right hand arch is a classic Soap/Face1st mash up piece, the likes of which often made an appearance on this very wall in years gone by. This is a fabulous nod to those great times and maybe, just maybe, we’ll get to enjoy plenty more in the future. I’ll be posting the other two arches soon.
Face F1st and Soap, Stokes Croft, Bristol, December 2017
This is something of an iconic piece at The Carriageworks by DNT and Hoax, and possibly other collaborators. The wall can be dated as pre-2019 because it has been behind protective scaffolding due to the development of the site for a long time now.
DNT, The Carriageworks, Bristol, October 2016
The figure is by DNT and he has produced something similar since in Hepburn Road. I think that the beautiful patchwork background is by Hoax or maybe Sheva or maybe the whole thing is by DNT. This uncertainty might be the reason I never published these pictures before.
DNT, The Carriageworks, Bristol, October 2016
I think it is a beautiful piece and in some way really represents this area well. It is a great pity that this wonderful wall has been lost to street artists, but I guess it has ever been thus.
DNT, Hepburn Road, Bristol, August 2017
MGB stands for Matchbox Gallery, a little gallery shop that DNT used to run in Stokes Croft.