Sarah Trotter, Upfest 24, The Tobaccco Factory, Bristol, May 2024
Upfest is a huge opportunity for local, national and international artists to show off their artwork, and it can be exceptionally good exposure for some of our local artists, such as Sarah Trotter. I have only seen one piece before by Sarah Trotter, which was painted in Dean Lane as part of a Bristol Mural Collective paint jam, and I remember very much liking that piece.
Sarah Trotter, Upfest 24, The Tobaccco Factory, Bristol, May 2024
Sarah Trotter’s elaborate and colourful style is a sumptuous feast for the eyes, full of richness and detail. It looks like this piece contains a fair amount of symbolism, with the centrepiece featuring a circle, a triangle and a sphere. Sitting above are wings and some beautiful feathers, and all of it set on a barren orange landscape and turquoise sky. Wonderful stuff.
Zoe Power, Upfest 24, The Tobaccco Factory, Bristol, September 2024
At Upfest 2024, the format of the festival changed a bit, and I don’t think that it worked as well as it has in the past. I believe that the changes have come about by the enormous cost of hosting a festival over two days, and the rapidity of the clean-up afterwards have worn down the organisers. So this year we had feature walls which were painted over a three week period, allowing for a lot of high-end murals, and small 1m square boards – there was nothing in-between, which is the bread and butter for most street artists.
The 1m boards were painted on three occasions, and I managed to photograph them on one of those occasions, missing out on the other two. This was a board painted by the wonderful local artist Zoe Power.
Zoe Power, Upfest 24, The Tobaccco Factory, Bristol, September 2024
The stylised painting is full of symbolism, and a story of our time. It features a hand holding an olive branch, and rarely have we needed to see the olive branch extended more than now. There is a simplicity and crispness in the piece that betrays the complexity of the underlying messaging and what it represents. It is always a real treat to see Zoe Power’s work.
Perspicere, Upfest 24, The Tobaccco Factory, Bristol, September 2024
Sometimes street art takes on a new and vibrant form, and even when you think you’ve seen it all, an artist like Perspicere will come along and blow your mind. I have been aware of Perspicere for a couple of years, but managed to encounter him at work twice this year, both at Upfest and at the Cheltenham Paint Festival.
Perspicere, Upfest 24, The Tobaccco Factory, Bristol, September 2024
Perspicere works with thread that is suspended between rows of hooks along each side of the frame. By threading the line across from one hook to another again and again in a very specific order he builds up a layer of thread that has depth and colour, tricking the eyes. He uses only four colours of thread (red, blue, yellow and white) and the whole thing is worked out using a computer programme, and he has to follow the directions meticulously. The end result is mind-boggling, especially on the scale that he works to.
Perspicere, Upfest 24, The Tobaccco Factory, Bristol, September 2024
I think that you have to have a special kind of patience and determination to do this kind of thing, but perhaps it is a rather mindful exercise and great for zoning out. A fine addition to the spectrum of art at this year’s Upfest.
Jimmer Wilmott, Upfest 24, The Tobaccco Factory, Bristol, September 2024
Somehow this piece by Jimmer Wilmott passed me by at this year’s Upfest, and I only got to see it recently during a visit to a few spots with Paul H, including the Tobacco Factory. Sunday is the best day to visit this spot, because there are no cars in the parking spaces, which are immediately in front of the wall. Saturdays would also be good, if it weren’t for the market, which clogs things up a bit.
Jimmer Wilmott, Upfest 24, The Tobaccco Factory, Bristol, September 2024
Jimmer Wilmott has been working in the studio on canvass with his ‘alphabetti spaghetti’ pieces for quite a long while now, but this is the first wall I am aware of that he has decorated in this way. The concept is simple and brilliant and somehow he achieves a photorealistic presentation, which causes many a double-take. Spelling ‘Jimmer was ere’, this is a creative delight from one of the most creative talents in Bristol.
Stephen Quick, The Tobacco Factory, Bristol, September 2024
I am on a bit of a tight time schedule this morning because I have to get a train to London to watch my beloved Arsenal taking on Leicester City in the Premier League. Actually I don’t ‘have’ to, I want to. This is going to be a quick one, in more ways than one… it is a recent panel piece by Stephen Quick.
Stephen Quick, The Tobacco Factory, Bristol, September 2024
Stephen Quick has been a favourite of mine for many years, and manages to transition between his studio work and his street work seamlessly, appearing to be equally comfortable with both. His stencil work is outstanding and he augments his pieces with a little brush work to tidy things up. The piece was painted as part of the South Bristol Arts Trail and is exhibited in the outdoor cafe at the Tobacco Factory. The piece honours the strong females in his life. Very nice work.
Lemak, Upfest 2024, The Tobacco Factory, Bristol, May 2024
There was a time when Lemak, a Bristol-based artist used to paint his stencils reasonably regularly on the streets. These days he concentrates on his studio pieces and electronic art installations and only occasionally paints outdoors, however, an invitation to Upfest is usually enough to winkle him out of his studio work.
Lemak, Upfest 2024, The Tobacco Factory, Bristol, May 2024
This is an utterly outstanding multi-layered stencil of a woman in a space suit, a theme that Lemak has returned to for this piece. To add depth, quite literally, Lemak has added a couple of free standing pillars in front of the piece as bookends to help frame it. Goodness only knows how many hundreds of hours it would take to prepare all the layers for this piece, but the end product is overwhelmingly brilliant. It was noticeable that there weren’t too many stencil artists at this year’s Upfest, perhaps because they tend to work smaller walls, and the focus this year was on large feature walls that suit muralists more. It is so good to see Lemak’s work like this, and I hope that maybe he will treat us to another street piece before too long.
Silent Hobo and Inkie, Tobacco Factory, Bristol, September 2023
The huge wall on the side of the Tobacco Factory, opposite Aldi, is arguably the premium wall in Bristol, curated by Upfest for some of the best artists to decorate. The last piece painted here was from Upfest 2022, and was probably reaching the end of its sell-by date. It is one of so many Upfest pieces I haven’t got round to sharing on Natural Adventures… yet.
Silent Hobo and Inkie, Tobacco Factory, Bristol, September 2023
Two of Bristol’s finest and most established artists have combined to paint this incredible tribute to the city and more specifically Bedminster, Silent Hobo and Inkie. The mural is in two distinct sections, the top half writing and frame by Inkie, and the busy scene by Silent Hobo.
Silent Hobo and Inkie, Tobacco Factory, Bristol, September 2023
Inkie painted a few pieces while he was in Bristol, which tends to happen, because he is a very busy artist, taking commissions all over the globe, and seemingly forever on the move. The words ‘Planet Local’ are beautifully painted in his characteristic style, and nicely decorated with stars, creating a perfect backdrop for Silent Hobo’s storytelling below.
Silent Hobo and Inkie, Tobacco Factory, Bristol, September 2023
There is always so much going on in Silent Hobo’s work and the way he presents the ordinary Bristol scenes is quite unique. There is an authenticity and warmth in this piece that captures relatable goings on; a boy playing with his toys, a sleeping cat, a young couple, a chef making a delivery and a young singer all occupy the left hand side of the piece.
Silent Hobo and Inkie, Tobacco Factory, Bristol, September 2023
To the right, there is more bustle and deliveries and a rather strange walking house. A hen and bee get in on the action too, and everything is overlaid on a background of classic Bristolian architecture. There is an honesty and lightness in this piece which is a perfect antidote to our everyday preoccupations and concerns, reminding us that life is beautiful and good.
There is something rather special about this Upfest 2021 75×75 piece and once one understands the context, the whole piece falls into place in one of those ‘of course’ moments. If I told you that the artist, Martin Glover, is deaf and that the piece is called SIGN, you can probably work out that the hands spell out SIGN in the signing alphabet. Clasping the little finger (S), touching the middle finger (a,e,I,o,u), fists G and two fingers on the palm N – three fingers is M.
Martin Glover, Tobacco Factory, Bristol, September 2021, Upfest 21
The piece is therefore not only rather clever and informative, but it is technically very nicely painted, and all around the edge there are hands signing in yellow. I expect the whole thing spells out a message, but I don’t know what it is.
Martin Glover, Tobacco Factory, Bristol, September 2021, Upfest 21
There really is no limit to the creativity that street art offers both the artist and the viewer, and this piece simply proves that. It is a shame that it is tucked away in a corner of the Tobacco Factory car park where not many people will have the chance to see it, but it is worth the effort to seek it out if you are up for it.
I remember very well the piece that Bill Giles created for Upfest 2017, and this piece, in a similar style, is bigger and better. Bill is a Bristol designer/illustrator and street artist whose ‘melting’ characters are instantly recognisable.
Bill Giles, Upfest, Bristol, July 2018
This piece, at the Tobacco Factory, is classic Bill Giles and has real class. It is great to have a picture of the skecth stage of the work to get a feel for how the piece gets from the black book onto the wall.
Bill Giles, Upfest, Bristol, July 2018
I like this piece, and rather wish he did a little more street work than he does. Imagine what this would look like at Dean Lane for example. A lovely piece for Upfest.
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