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A lump of driftwood
stranded high on the tide line ;
crab hitches a ride
.
by Scooj
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A lump of driftwood
stranded high on the tide line ;
crab hitches a ride
.
by Scooj
I don’t quite know what Nightwayss has been taking recently, but whatever it is is seeing him become one of the most prolific artists in Bristol at the moment. I actually received a message from him to go and check this piece out, and I am so very glad that I did, because it is utterly original and rather awesome.

The piece depicts a guitar set on a gorgeous background of plants and flowers in subtle oranges and yellows. Of course, no self-respecting Nightwayss piece is without monkeys, and this one has five of the little mischief-makers.

I am enjoying his work a great deal at the moment, and have a whole ton more pictures of recent and not-so-recent pieces to share in due course. Let’s hear it for the monkey man.
Another fine piece of writing from Diced Mango on the entrance to St Werburghs tunnel. This, so I understand, is likely to be one of his last works in Bristol for a while as he is moving away from the city for a while. That is a pity for us, especially as his work has been on such an improving trajectory of late and it has been fun seeing his work develop.

This piece has a rather cold and sugar-sweet/confectionary feel to it. His letter shapes are nice and ‘bouncy’ and the three colour layers are nicely finished off with drips and dots. A decent piece of writing.
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In Bracklesham Bay
head down in observation
lucky fossil find
.
by Scooj
This is the other half of an outstanding collaboration between Rezwonk and Decay from a couple of weeks back, and for both artists was a great success. Here Rezwonk or Rezer as he writes, plays with the same themes that Decay used and with equal success.

There is a lot of movement in this piece, aided by the explosive flames around the lettering. The whole thing is deliberately rather busy, typified by the patches of spots and clouds in the background. It seems that each of the artists have approached this collaboration with their own identities, but in sharing themes and ideas have played off one another to create two great individual pieces and a great shared piece. So good.

The tribute on this wall, to Dutty Ken by Haka, is most fitting and appropriate as it is painted on the side wall of the Star and Garter pub where Dutty Ken had been landlord and DJ since 1993 up until his sudden death in early 2017.

Although the portrait is not the truest likeness it conveys the fondness in which Dutty Ken was held, and if you look carefully you can see another tribute on the same wall. This wall was given the makeover in time for this year’s St Paul’s carnival. A touching piece from Haka.
Glorious respite
travelling away from home
no housework to do.
by Scooj
I have seen one or two pieces by Roo in Bristol, and might even have seen some in London before, but this one is one of the most memorable so far. It features a rather self-satisfied rat sitting on a pot of paint, with a brush in hand, and I think we have to assume he painted the ROO in the background.

I am wondering if this piece was painted for the #Do1Cancer campaign, as many other pieces down there were hashtagged with the campaign. To me it looks like Roo has been very clever and turned the pot of Dulux paint into a ‘DU1’, if this is the case then I doff my cap, if not then I have seen something that was not intended. Either way this is a delightful piece from the London-based artist.
When all around falls
how utterly nice it is
to have the cricket.
by Scooj
I have to say that this is a slightly baffling piece by Gustavo Nenao in Leake Street tunnel. It is a photorealistic portrait of Nelson Mandela wearing a not very photorealistic party hat with Happy Birthday written on it. While the subject matter is certainly curious, the execution is perfect, especially as the portrait is in black and whiite, with so many shades in it.

I am guessing it was done as a birthday tribute to the great man himself, but can’t be sure, and hey – I was in London which is way outside my normal stamping ground and I feel no pressure to know anything about anything on the street scene there. I come as a tourist, just like everyone else. A querky and excellent piece.