Here we have another fine piece of graffiti writing from Rezwonk in St Werburghs tunnel with a multicolour splash. I think it was painted at roughly the same time as the Sunday Funday paint jam a few weeks back.
I am a little short on time to write too much about this piece as I am heading off for another fishing trip this morning and have to sort myself out and write another post before I go. Suffice it to say that Rezwonk has used his metal panelling and rivet style again which is great to see.
It seems a very long time ago now, that pretty much every week we were being treated to a Rezwonk/Decay collaboration, since then, of course, we have had the pandemic and Decay has moved out of Bristol. The frequency of Rezwonk pieces has definitely declined, but the quality is still outstanding.
This piece on the roundabout, builds on his rather industrial theme where the letters look like pieces of metal riveted into the wall. The wonderful letters spell out REZER with the ‘E’s reversed. The subtle shadings of red and white give the letters some depth and lift them from the wall. A very tidy piece indeed.
Relatively speaking, Rezwonk has had a quiet twelve months. Prior to the first lockdown a year ago, there was no stopping him and his collaborations with Decay and Nightwayss were a regular occurrence… it felt like barely a week would pass without at least one new ‘REZER’ gracing a Bristol wall somewhere. He has been missed, so seeing that he appears to be ramping things up again is pleasure to my eyes.
This recent piece was part of a collaborative wall that was long overdue on this particular site which hadn’t changed for an eternity. This is a beautiful and technically accomplished piece in which he revisits his theme if incorporating rivets in to his letters, as if this were some large metalwork sculpture. The colours work nicely and there is a special something that makes it rather compelling. Great work, keep it up.
It has been sad to witness the downfall of graffiti spots in the Stokes Croft area under the relentless march of gentrification. I understand that redevelopment is part and parcel of the growing up of a city, it is just a shame that local communities and cultures are swept aside, without any allowance for them. For example the creation of ‘legal walls’ to keep that ‘feel’ of an area. Obviously that goes against the proliferation of clinical, sanitised, overpriced housing that we see emerging in towns and cities across the country.
It is the lack of imagination and creativity that is so upsetting, almost as if town planners and corporate architects have had their ‘fun chips’ removed. It is all about squeezing as much profit out of every square inch of land, no regard for local communities or indeed the natural environment. I don’t see much in the way of creation of proper green spaces accompanying the gentrification agenda. Let’s line our pockets with gold. Greedy fools.
There won’t be many more posts from Moon Street, is my guess, because of this relentless building programme, and many street/graffiti artists seem to have abandoned the area altogether. That is why it was especially gratifying to come across this quick collaboration from Rezwonk and Mena.
Rezwonk has been fairly quite over the last six months, working on other projects not entirely unrelated to his art. This piece has an industrial/construction feel to it, with rivets locking pieces of his letters in place. Modest, but really nicely done. This could be walked past quite easily as a simple throw up, but it is rather more sophisticated than that.
Menaces adopted the same colour scheme, but her fills are rather more straightforward. Both artists have followed the ‘code’ of the colour scheme, and it is one of those collaborations that are joined but not fused. Nice to see.
Rezwonk is an artist whose work I simply haven’t seen enough of this year, I guess we have been spoilt previously by the frequency with which he was hitting walls, and it was inevitable that it would slow down at some point. A similar pattern has been shown by Decay, and it is interesting that these two who used to collaborate a lot, haven’t done so for a long while.
This Fabulous piece of graffiti writing in a frosty cold blue (to match the winter temperatures) looks like it was painted n collaboration with a Pekoe piece just to it’s left (coming soon). As well as the technical brilliance of the piece with it’s riveted sections, the prep work has made all the difference with the fully buffed wall in a neutral colour lending support and focus to the writing. A fine piece from Rezer.
Over the last couple of years, there has barely been a moment when Rezwonk hasn’t had a new piece somewhere in the city, but of late he has slowed down a little, working on other projects I have no doubt.
This is a lovely colourful piece from the long wall adjacent to the Create Centre which reminds us just what a prodigious talent Rezwonk is. Great letter styling with some interesting drips thrown in too. A curious mix of colours, but he seems to pull it off just fine.
I may have mentioned in a recent post that unlike some other artists in Bristol, Rezwonk has been uncharacteristically quiet over the last six months, but seems to have awakened in recent weeks, and this new piece in Lawrence Hill is a fine example of what this great artist can do.
I have a feeling that this character is from the Muppets or Sesame Street but I am not sure which one. He is throwing some building blocks which spell out the word REZER. This is not the first Sesame Street piece that Rezwonk has painted here. Those with good memories might remember his Big Bird piece. Great to see this writer doing character pieces.
Unlike other artists in Bristol, Rezwonk has been relatively quiet since lock down restrictions have eased, although I am aware of a couple of new pieces in Lawrence Hill, there have only been a handful from this master graffiti writer.
This gorgeous piece in red, with alternating white and yellow outlines looks deceptively child-like, but is technically complex. The fill, which would have been laid down first, looks almost like crayon, a technique Rezwonk has used before. The two elements that set the piece off nicely are the red detail lines and the copious drips at the bottom of the letters. Great to see,
This is the last piece from the RBF Black Lives Matters wall organised by Pekoe a couple of weeks ago. It is by honorary female artist Rezwonk, and rounds off the whole collaboration with some real style. I understand that Rezwonk was a stand-in for a late withdrawal, and what better understudy could you want.
It’s a funny thing, but when I first saw the piece, I didn’t know it was by Rezwonk, and only found out subsequently. I’m not certain I would have identified it immediately, which shows how we become familiar with the letter shapes as much as we do the style of different artists. Anyhow, this is a fine ‘Matter’ from Rezwonk and a fine conclusion to a fine collaboration.
I am told that Rezwonk doesn’t like this piece so much so that he didn’t share it on his Instagram account. Well the great thing about writing about other people’s artwork is that I am not in a position to be self-critical, instead I critique what I see and how it makes me feel. I think this is a fabulous piece of writing and the colour selection alone is worthy of praise.
Whether he was short of space or whether he was simply switching things up I don’t know, but the usual REZER has been replaced with REZR. The orange/copper tones bordered by beautifully worked alternate black and white fringes leave us with a tight piece that the artist is turning out with almost alarming regularity. Great to find this one.