I recently saw this fabulous piece by Decay in The Bearpit only a few days after I stumbled across an identical one in Shoreditch a few days earlier. I think that this is all part of a new approach to his work in 2018, and one which will be interesting to observe.
I am accustomed to seeing his abstract concentric rings in shades of red, grey, white and black with a small face at the centre, which I love, but I await with eagerness the direction his liberation will take.
Clumsy with my words
they tumble in a vacuum
unheard and unloved.
by Scooj
Neither slow nor worm
unkind lazy misnomer;
lizard without legs.
by Scooj
Since Kleiner Shames moved to London I have really missed his extraordinary pieces. It would appear that he recently visited his hometown, and this is the second of his new pieces that I have found. I particularly like this one.
The writing as always spellls out FOIS, but it is the cowboy hat and eyes, giving character to the S that really grabs me. I have two of his pictures hangng in my home, which perhaps indicates how much I like his work.
Situated at the end of one of The Bearpit tunnels is a nice wall, which recently has been a bit of a mess. Because of this, it is easy to miss this small piece in one corner of the wall. It is a rather nice stencil of a panda carrying a boogie box (does that date me?) on his shoulder by Bristol-based artist J. West.
I have not seen an awful lot of his work on the streets, but what little I have seen I like. I have said it many times before, but it is so worth keeping your eyes open and seeing what is around you…you never know you might just come across a boogie box panda.
A wonderful new collaboration between Ryder and T-Rex which was part of an informal paint jam organised by Smak. Unfortunately many of the pieces sprayed on the Saturday were sprayed over by the Sunday. I think this one remains.
This is quite a common format for this pair, with Ryder spelling out his name in the centre, and dinosaurs book-ending the writing. The orange and blue combination work nicely, especially on such a dull day. Ryder often inserts eyes and teeth into his letters to give them a bit more character.
T-Rex’s T-rexs are always fun to see, and can be found all over the city. The one on the left has been painted running down the hill towards the letters, making really good use of the site.
Finally the dinosaur on the right is emerging from the bushes making a stealthy attack. Altogether this is a nicely executed and fun collaboration.
On hold no longer
Spring’s majestic arrival
cheers tired, jaded hearts.
by Scooj
Laic217 is, as regular readers will know, one of my absolute favourite Bristol artists, and his work has been going from strength to strength over the last few years. One of the things that has really improved is how he creates textures on the clothes of his characters.
In this piece the skeleton looks like he is wearing a fleece hoodie, with gentle folds and creases. The colour is outstanding, and lifts the whole thing…it’s in your face.
Skeletons clutching spray cans is a speciality of Laic217 and although he does a lot of them, they are all quite different and it is difficult to tire of them. I think it is the combinations of colours that sets this piece apart from others.
I first saw this piece piece in Instagram but couldn’t work out where it was. The cycle track that runs alongside the M32 has been closed off while construction work is going on, and this particular spot has become a bit of a cul-de-sac, which I only occasionally visit. I had to ask another photographer where it was…something I don’t like doing too much…it is a pride thing.
I said in a recent post that Biers has been busy recently, and this is a second piece of his from Dean Lane in a very short space of time, and he has done at least one more somewhere else since
I am not sure who the character in this piece is, ought I to know? Biers has gone for a large one here, taking up much of the long wall at Dean Lane, of course it is gone now, but I was pleased to be able to catch it. In my view this is one of the best pieces I have seen from Biers, the colours and contrasts are good and he has lovely clean lines around the piece.
I think one of the things I really like about his work is the style of his lettering, there is something unique about it, the B and the S being particularly special. I can’t really pretend to know too much about such things, but I know that I like this work. Now who is that gorilla-like character.
Doing a little bit of a Google search has led me to the character probably being from the Nintendo Wii game ‘Punch-out’. Not one I ever played. Glad I sorted that out because it was beginning to bug me. No Frills.
There is quite a story behind this Mr Draws piece at The Bearpit and it offers a little insight into the goings on between artists. This particular spot is a favourite for Mr Draws and he sprays here often. The stripy piece below was another fun piece from this happy-go-lucky artist.
A day or two later the piece was sprayed over, but with nothing in particular, by an artist who had previously sprayed a piece here (another artist who I admire). I have to say though that this is poor form; to deface another artist’s work is disrespectful and not really in the spirit of the street art scene…it is the sort of thing that taggers do.
Anyhow, Mr Draws cleverly incorporated the ‘new background’ into another piece by reinstating the original black outline and included a peace symbol for good measure. Unfortunately, a day or two later the piece was once again defaced.
I will not judge what lies behind this difference of opinion between the two artists, but I am sure there are better ways to deal with it. For me, I got two Mr Draws pieces for the price of one, so it’s not all bad.
Natural adventures 