August continues
where July left off, frontal
weather stream remains.
by Scooj
Tag: UK
928. Upfest 2017 (6)
This year, because of the showery conditions at Upfest, it paid to get work started early. Copyright had completed this wonderful shutter piece on North Street before the festival officially started on Saturday and was spared the difficulty of working in the rain (on this piece at least).
The piece really stands out in what is a rather drab shop front, and the pink strip lifts the portrait out and smacks you in the face (figuratively speaking of course).
Upfest is one of the only times that you can get to see a majority of the shutter pieces on North Street, especially on the Sunday, because most of the non-food retailers shut for the weekend. I really like this one from Copyright – it would make a great album cover.
927. Bedminster
Some pieces are difficult to photograph. It might be a narrow lane, an awkward height, in front of a parking bay, in a tunnel or as in this instance a tree casting speckled light and shade rendering my photographic efforts utterly useless. I had to visit this spot four times before I could get a half decent picture of it.
It took an overcast moment and diversion on my way to Upfest to get this dinosaur by Andy Council. It was worth waiting for, to see the architectural detail that comes together to create this triceratops (I think). It is always good to see the Bristol suspension bridge incorporated into a work. Yet another note to self on this matter – must do a special post of street art that incorporates the bridge.
926. Wilder Street (16)
Decay is a very fast worker, and this was the second piece that he sprayed on this particular day back in April after a paint jam in The Bearpit. Although much of his work follows a similar formula, each piece is different, and brings his hallmark to a wall.
I wanted to post this piece before It got lost in my archive (like hundreds of others) and before I get too carried away with Upfest 2017 pictures. Those of you who know the Bristol street art scene will notice the work of another great abstract graffiti artist, Mr Klue, just to the left of this piece.
It is interesting to see how Decay has sprayed beyond the doorway as if it wasn’t even there, mentally filling in the gaps. Happy face.
Holiday hours
So what time is this?
I growl at my daughter, who
rises after lunch.
by Scooj
925. The Bearpit (81)
This piece was one of a series of ‘quick ones’ from Kid Crayon, and if I understood correctly, part of passing his skills on to another aspiring street sprayer. I love the way the community has a social structure of its own where artists respect and look after one another. Of course, like any society, it is not all easy; there are codes, ‘territories’, legality, status and hierarchy and so on to contend with every day.
This is a really nice simple piece by Kid Crayon, and something of a reversion to his wheatpastes that were so influential in getting me interested in all this stuff in the first place. Respect.
924. Dean Lane skate park (70)
Relative new boy, NEVERGIVEUP, is definitely making his presence felt on the streets of Bristol, and although his rabbit designs are becoming familiar, the way he is presenting them is rather dynamic.
This clever piece in Dean Lane skate park is designed to be viewed from the roof of an adjacent swimming pool building. The only problems with this are tricky access and trespass. Apart from that, it is a doddle. I caught up with NGU at Upfest and he said that even he had struggled to take a picture, and got shouted at by an official from the Swimming pool building. He is coming up with some interesting work, and challenging the status quo a little.
923. Upfest 2017 (4)
Cheo, who is one of the most established Bristol street artists at the heart of the Bristol scene, is also very active in promoting and collaborating with Upfest. This year he brought the Aardman character ‘Morph’ to life as Graff Morph, and sprayed this loveable character in several locations around the Upfest area.
Morph first appeared in the Television programme Take Hart, presented by Tony Hart. The programme itself was a spin-off from Vision On, which a few will recall as being the only art programme for children for many years. It is fitting that the character from an art programme is the subject of focus for Cheo at Upfest. There were seven Graff Morphs at Upfest. This was the first one I saw. All good fun, especially for the children at the event.
If you look carefully at the Featured Image, you will be able to spot one of Chinagirl Tile’s grenade bunnies from last year.
State employment
Painting by numbers,
a perfunctory living
and passion stifled.
by Scooj
922. Upfest 2017 (5)
I remember well the lovely piece by Fats in the Tobacco Factory at last year’s Upfest. This year she produced another fine work in South Street park, where I was able to catch up with her for a few minutes.
Fats talked a lot about her background and heritage, which is truly international and mixed, and how her work receives many influences, from Arabic calligraphy to the styles of indigenous Inuit people. Our discussion ventured further into the perils of perceived appropriation and how this can create some tensions. This is a tricky path really. At what point does ‘being influenced by’ transition into copying?
I am clear that Fats’ work is stunning, and carries many influences that she skilfully executes in her own lyrical way. I see more of the North American influence others may see more Arabic. One thing is clear, she loves her dark drawing lines. I actually really like this piece, and was grateful for her time.
Natural adventures 