5260. Upfest 2022 (70)

Maybe, Upfest 22, Bristol, May 2022
Maybe, Upfest 22, Bristol, May 2022

One of the admirable things that Upfest manages to do is combine the national and international interest from artists around the globe with local artists who paint the streets of Bristol week in and week out. The artists are treated equally (although some get allocated ‘premium’ walls), and there is a fabulous sense of community.

Maybe, Upfest 22, Bristol, May 2022
Maybe, Upfest 22, Bristol, May 2022

This piece by local artist Maybe (Maybepaints), who only started painting on the streets about 3 or 4 years ago, doesn’t look out of place shoulder to shoulder with established international artists. The piece is, as much contemporary street art tends to be, a commentary on the state of our environment, with supermarket plastic bags drifting in the ocean.

Maybe, Upfest 22, Bristol, May 2022
Maybe, Upfest 22, Bristol, May 2022

Maybe is a lovely man – much taller than I had expected – who has developed his own techniques, combining freestyle painting with stencils, to create these remarkable ‘other worldly’ places and scenes. You can see his progress over the last few years in this updated gallery of his work.

5259. Upfest 2022 (69)

Justinks, Upfest 22, Bristol, May 2022
Justinks, Upfest 22, Bristol, May 2022

Foxes have a special place in Bristol. Although urban foxes are found throughout the UK, it was in Bristol where they first were recognised as a ‘thing’ through a research programme conducted by Bristol University. In fact, their research showed that Bristol played host to the most densely populated community of foxes ever recorded, centred around my old allotment. The funny thing is that even though they are so common, there is something quite special about seeing a wild mammal living amongst us.

Justinks, Upfest 22, Bristol, May 2022
Justinks, Upfest 22, Bristol, May 2022

Justinks, who has painted at Upfest a few times, has absolutely nailed it with this outstanding greyscale rendition of a sleeping fox. It is a truly beautiful painting and captures not only the form of the fox perfectly, but also its peaceful sleeping state. A wonderful piece.

Justinks, Upfest, Bristol, July 2018
Justinks, Upfest, Bristol, July 2018

5258. Upfest 2022 (68)

Ale Poire, Upfest 22, Bristol, May 2022
Ale Poire, Upfest 22, Bristol, May 2022

The quality and variety of pieces at last year’s Upfest was as good as it has ever been, if not a little better. My only regret is that I didn’t manage to capture completed pieces by many artists, because there was an abrupt end to the two-day festival, after which the boards in Greville Smyth Park were dismantled, and that was that. Fortunately, just as I was leaving, Ale Poire (from Guadalajara, Mexico) was signing her beautiful hands piece, and the signature usually indicates the piece is complete.

Ale Poire, Upfest 22, Bristol, May 2022
Ale Poire, Upfest 22, Bristol, May 2022

There is something very special and expressive about hands, and Ale Poire has captured a tenderness in this emotional painting. The simplicity of the composition combined with the technical craft of the artist left me with one of the most memorable images of the festival. A very special piece, which would last for only a few hours after I took this picture.

5257. Upfest 2022 (67)

Woskerski, Upfest 22, Bristol, May 2022
Woskerski, Upfest 22, Bristol, May 2022

An occasional visitor to Bristol for Upfest, Woskerski is an outstanding artist who operates out of London. I have posted pieces by him a few times in Natural Adventures, but because I don’t visit London much these days, his appearances have been few and far between.

Woskerski, Upfest 22, Bristol, May 2022
Woskerski, Upfest 22, Bristol, May 2022

This extraordinary piece, depicting some sort of alien interaction in a future vision of Earth, was painted over a couple of days, and the work in progress shot provides a little insight into Woskerski’s method. It looks like he sketches up the elements of the piece and then ‘colours them in’ which is quite an unusual way of going about things, but he is wonderfully successful at it.

Woskerski, Upfest 22, Bristol, May 2022
Woskerski, Upfest 22, Bristol, May 2022

There is such a sense of movement created by the dogs, which have been so accurately captured, but the star of the show for me is the serene face belonging to the girl wearing a hoody/space helmet to the right of the piece. Woskerski is such a massive talent, and it was a real privilege to welcome him to Bristol for Upfest 2022.

Woskerski, Upfest 22, Bristol, May 2022
Woskerski, Upfest 22, Bristol, May 2022

5256. Upfest 2022 (66)

Anthroe, Upfest 22, Bristol, June 2022
Anthroe, Upfest 22, Bristol, June 2022

Such has been the productivity on the streets over the last year combined with my attempts to post as much as I can, I have completely neglected my Upfest 22 posts, which really isn’t very impressive. I will try to squeeze in as many as I can whenever I can, because there was so much quality art to see from what was a very successful couple of days at the end of May 2022.

Anthroe, Upfest 22, Bristol, June 2022
Anthroe, Upfest 22, Bristol, June 2022

I had to have several goes at photographing this magnificent piece by Anthroe, but it is the damn cars that make it so challenging. The piece itself is a fabulously colourful portrait of a woman holding a bouquet of flowers, with what looks like a petrol pump (surely not) in her left hand. The whole piece is set on an abstract patterned background. This is one of my favourite pieces of the festival by an artist I don’t know at all, but I believe that he lives and paints in Los Angeles, so it is great to see this piece here in Bristol.

Anthroe, Upfest 22, Bristol, June 2022
Anthroe, Upfest 22, Bristol, June 2022

4569. Upfest 2022 (27)

One of my favourite Bristol artists is Sepr, and it is great to see him embracing Upfest this year. I can’t recall any Upfest pieces by Sepr before, but I might well be mistaken. This is a prominent wall at Upfest, with plenty of opportunity to see it head on from a distance, as anyone driving from North Street to West Street will know.

Sepr, Upfest 22, Bristol, June 2022
Sepr, Upfest 22, Bristol, June 2022

The previous occupant was another Bristol artist, Cheba, so it is nice to get that local continuity. Sepr has painted a whole load of people out and about, perhaps reflecting the diversity of people attending Upfest. What is fascinating is that each of the characters is telling a different story; some seem anxious, some unhappy, some happy, some busy and some simply chilling. It is incredible to get so many contrasting emotions into one piece. This is an outstanding piece from Sepr, and what a joy that it will probably remain in situ until the next Upfest.

4568. Upfest 2022 (26)

This is one of two pieces painted by Ejits at this year’s festival, the other being a wall over a shop entrance on East Street. Although she doesn’t paint on the streets all that often, she does have one or two prominent murals in Bedminster.

Ejits, Upfest 22, Bristol, May 2022
Ejits, Upfest 22, Bristol, May 2022

Although I managed to photograph the piece as a work in progress, I unfortunately didn’t manage to cross paths with Ejits, which is a shame, but maybe next time. Ejits seems to be as comfortable painting on a small board as she is painting at scale and her straightforward solid fill characters are interesting and charming. I would say that her style is similar to that of Roo and Nol, although her characters are quite unique.

Ejits, Upfest 22, Bristol, May 2022
Ejits, Upfest 22, Bristol, May 2022

One could be forgiven for thinking that her half-finished piece was complete, because it was signed, but the final picture shows you how much impact the additional details make on the overall piece. Watch this space for her other Upfest 2022 piece.

4519. Upfest 2022 (16)

I have met Goin only once and it was at an Upfest a few years ago. He had just finished a stencil piece in a spot that was not a recognised Upfest wall (let’s call it) and was looking rather sheepish. I tried to strike up a conversation with him, but he wished to keep his anonymity intact and was backwards in coming forwards (and who can blame him). Things have moved on since then, and Goin has created this magnificent wall for Upfest 2022.

Goin, Upfest 22, Bristol, May 2022
Goin, Upfest 22, Bristol, May 2022

I had to have a couple of goes at photographing this piece, because there were shadows running across the wall in my first attempts. This was one of the first walls to be completed at this year’s Upfest, and is a real statement piece. Big, bold and simple the girl in greyscale is wearing a beret, but the only revolution here is for love. The only colour is a red badge on her beret and the heart cushion she is clasping to her chest. The piece feels important and significant and is a strong message in these uncertain and troubling times.

4503. Upfest 2022 (15)

We are living in a country whose government has brought it to its knees. This conservative government has destroyed so much that I and others hold dear. I honestly don’t think I share any of their values at all, and every day I feel disgusted by their announcements and ashamed to be British. On the upside, I know that I am not alone, as this piece by Georgie suggests. We must be careful not to lay all the Blame on Mr Johnson. The mess began with David Cameron who gave in to the right-wingers, and we now have a far right cabinet doing their incompetent worst. Unspeakable really.

Georgie, Upfest 22, Bristol, May 2022
Georgie, Upfest 22, Bristol, May 2022

This piece is a direct reference to ‘partygate’, which is symbolic of the contempt Mr Johnson and his government have for the people they serve. The piece features The nasty man holding up a glass in a toast to Lee Cain, at a leaving party that wasn’t a party in lockdown. Georgie has captured the moment well. The balloons are real balloons attached to the piece creating a fabulous effect. Hear, hear Georgie.

4502. Upfest 2022 (14)

Nol is another artist who is no stranger to Upfest and appears to really enjoy himself with his lighthearted and rather geeky monsters. This year Nol introduced an element of gamification to his work. His main piece was an identification parade of four monsters, each of which could be found dotted around Bedminster, and could be ‘collected’.

Nol, Upfest 22, Bristol, May 2022
Nol, Upfest 22, Bristol, May 2022

I managed to find three of the four monsters, and I have a feeling that the fourth had been painted over before I ever managed to photograph it, which I guess is the story of street art all over… you snooze, you lose.

Nol, Upfest 22, Bristol, May 2022
Nol, Upfest 22, Bristol, May 2022
Nol, Upfest 22, Bristol, May 2022
Nol, Upfest 22, Bristol, May 2022
Nol, Upfest 22, Bristol, May 2022
Nol, Upfest 22, Bristol, May 2022