Well this is an absolutely extraordinary and highly unusual portrait piece by Bristol-based artist Lee Ellis. I have not seen any of his work before, but that is because I think he is primarily a studio artist and not a street artist.
Lee Ellis, Upfest, Bristol, July 2018
I took a look at his work on the Interweb and he has this incredible style that has a touch of menace and darkness about it, but also manages to convey emotions and passion in the subjects. It would be interesting to see what he could do with a proper outdoors wall. Striking work.
On yet another completely new wall for Upfest 2018 was this slightly unusual abstract piece from Rob Wass. You had to keep your eyes peeled for this one due to its location down a side street on the main drag between North Street and Ashton Gate.
Rob Wass, Upfest, Bristol, July 2018
As yet my mind isn’t fully made up on this one and I really can’t put my finger on my reservation. I think it might have more to do with the aspect of the wall and the pebble dash finish (which must be a nightmare for painters), than it does to do with the piece itself.
Rob Wass, Upfest, Bristol, July 2018
Over the years, Rob Wass has produced some lovely pieces for Upfest and he has become a firm favourite. I imagine that this one will remain in place for a while because of its accessibility.
Always, always a firm favourite with me are the pop culture stencils by Stephen Quick, a brilliant Bristol artist and Upfest regular. This piece ‘Can stand up, will stand up’ is one of a series of similar pieces that he has created with this character.
Stephen Quick, Upfest, Bristol, July 2018
There are several cultural references in the piece, which include the obvious homage to Star Wars, but also there is the sword of He Man and the bracelet (not in this picture) of Wonder Woman. His style is unique and vibrant, and I always look forward to a quick annual catch up at Upfest.
One of the more obviously striking and describable pieces of Upfest 2018 was this interesting hand speaker by Agent Provocateur. It is weird but whenever I look at it I find it very hard not to see the Northern Ireland flag, which is rather distracting.
Agent Provocateur, Upfest, Bristol, July 2018
This is a simple and quite challenging piece with an element of edge or threat combined with humour and general oddness. I’m not sure why there is so much damage to the right hand side board, but I think the artist could have tidied it up a little bit. Maybe I photographed it before completion. A memorable piece.
Nevla was late to the party at Upfest 2018 and as a result I didn’t manage to get a final picture of his rather cookie panda. On the upside though I did at last get to meet the elusive cartoon king of Bristol street art, and what a nice fellow he is too.
Nevla, Upfest, Bristol, July 2018
I made a few notes on my iPhone about our conversation, but unfortunately I lost them when the motherboard gave up a few weeks ago. A quiet class act who seems to enjoy painting alone, Nevla adds something to the Bristol scene that is unerringly optimistic, which is a tonic when so much around us is in utter chaos.
Just opposite the Tobacco Factory in Raleigh Road Justinks painted this captivating tiger with an interesting twist. He describes his art as surrealism and biorealism, and although I think the latter might be a made up word, it certainly works when explaining this piece.
Justinks, Upfest, Bristol, July 2018
Justinks is based in Malta and works as a tattoo artist (the crossover between the two disciplines is remarkable), but since 2011 he made the decision to go big and create some large street art pieces – a great decision in my mind. It is difficult to know what to make of the subject of this piece due to its distortion of the familiar, there is no doubting the talent of the artist though. Great work.
This stunning shutter piece is by Sake One, a West Coast (USA) artist who has been spraying since the early eighties and was greatly involved with the hip hop culture in San Diego during his youth. There is a thorough biography of the artist on the Upfest website, which is worth a read.
Sake One, Upfest, Bristol, July 2018
The piece itself is a highly accomplished work, as you’d expect from an artist of this calibre. The profile of the girl is sensitively painted and blends perfectly with the subtle writing to its right. The tragedy of shutter pieces is that they are rarely seen during daylight hours, even at weekends when so many shops seem to be open…not like in the old days!
One of the first pieces that I recall from Upfest 2018 is this magnificent hummingbird by L7M, a very well-known artist originally from São Paolo who first picked up a can at the tender age of 13. Obviously practice makes perfect.
L7M, Upfest, Bristol, July 2018
The vibrancy and movement in ther piece is remarkable, and the hummingbird itself is absolutely stunning. L7M was one of the featured artists last year and we certainly got our money’s worth as he did another excellent piece a little further down North Street (to follow).
Many years ago I recorded a Supertramp concert from the the TV, using a cassette recorder and microphone pointed at the TV speaker…it was how we did things in those days. My brother was having a small party of teenage friends on the same evening, so my recording was polluted with the sounds of a party going on in the background. When I played the recording back, I heard one of my brother’s friends exclaim ‘wow wee!’ at the start of one of the songs (he obviously liked it), and to this day, I can still hear that boy’s voice in my head, and do so every time I say wow wee. This digression is relevant only in that when I saw this brilliant piece by Peter Sheridan at last year’s Upfest, the voice in my head said ‘wow wee!’.
Peter Sheridan, Upfest, Bristol, July 2018
This was absolutely one of my firm favourites from the festival. There is so much to like… the composition, the colours, the perspective and the brilliant execution. Even the observation of how the bark on this particular type of tree looks (similar to a silver birch or cherry bark). An absolute belter, and for comparison, I have included his unflattering but brilliant piece depicting Teresa May (boo) and Pokeman Go in 2016.
I guess this piece by Pelmo is something of an exclusive, as it was painted on the practice wall at the back of the Upfest shop, and is therefore not on public display.
I took the picture a week or two after I had sprayed my own very first effort on this exact wall, and went back to the shop to see if it was still there. Sadly (but not unsurprisingly) my amateurish effort had been buffed over, but I was honoured that it should have been replaced by such a fine artist as Pelmo.
Pelmo, Upfest shop yard, Bristol, July 2018
I don’t really know what the protocols are around publishing pictures from this wall, but on this occasion I think I’ll take the risk, mainly because I am a big fan of this artist’s work. His work often contains these, oversize and overweight people with a love and sensitivity that can be difficult to gauge without offending. Pelmo does this brilliantly. A wonderful forgotten piece.
Natural adventures 