An interesting commentary piece at this year’s Upfest by MAS972, and artist based in Tel Aviv. I don’t know if it reflects his experiences in the UK, but we certainly are a nation awash with CCTV cameras.
Another visiting artist I know little about, but you can see more of his work at this London street art design website. think the text is a reference to the slogan from Candid Camera, which was ‘smile, you’re on TV’, if I remember correctly.
This energetic and rather curious looking tiger is by the artist Lewis Campbell who paints under the name of Lost Monkey. Lewis Campbell, who comes from London is an illustrator story board artist who turns his hand to street murals and larger canvasses from time to time.
This work has loads of energy and an element of menace about it, but also seems to have something of the child about it. The name ‘Lost Monkey’ is (according to his website) a symbol of the potential ideas and imaginings that fill an artist’s head – just bubbling under the radar of the subconscious. As he is a native Londoner, I’m not sure we’ll be seeing a lot of Lost Monkey in Bristol – maybe at Upfest 2017.
This was a lively piece created for Upfest by the curiously named Francois GotBuffed, who is based in Belfast. He works mostly with stickers and paste ups, creating playful cartoon characters.
I don’t have much more information on this artist/sticker maker, but you can see his Facebook page here.
I have long admired the work of Annatomix from the comfort of my PC or mobile phone through Instagram and other digital social media. It was a real pleasure then to see her at work at this year’s Upfest.
I have said on a number of occasions that one of the great privileges of Upfest is that we get to see so many artists from all over the country and beyond. This amazingly moving stencil is by Mister Feeney who is a spray paint artist and maker of stupid videos, so his Facebook profile says.
Mister Feeney has been a stencil art prize finalist for the last three years and it is easy to see why. His Facebook stream is well worth a visit, and you get to see first hand just how accomplished he is. This is a fabulous piece.
Regular readers will know that I am particularly fond of paste ups and the artists who create them, such as Kid Crayon, Tian, 23 Magpies, D7606 and Phoebe New York. Another wonderful and highly distinctive member of this genre is C3 whose works can be seen not only in Bristol from this year’s upfest, but also all over the popular street art areas of London.
Her work is always thoughtfully designed and presented cleverly. In this case, her subject shares a space with Phoebe New York and a tin of Stella Artois. Placement is everything for wheatpasters. This is like a little shrine.
I first ‘discovered’ Stephen Quick in January this year, when I found one of his pieces in the Tobacco Factory car park. I was immediately drawn to it because of both its wonderful stencil technique and its subject matter – Harrison Ford and Carrie Fisher kissing. Brilliant.
I then found another of his pieces, again in the Tobacco Factory car park (a fine venue for street art), which features Alan Rickman as a ‘Severus Sane’ commemorating the sad passing of Rickman and David Bowie in one superb piece.
Imagine then my excitement then at not only finding another piece at Upfest 2016, but also at meeting Stephen and having a long chat about his work and compositions. He is a really, really nice guy.
This is a remarkable piece, presenting the unlikely couple of the Iron Man and Judy Garland’s Dorothy in a close and intimate pose. There is tenderness and a passion from her and a cold, metallic heartlessness from him. It works so well. This is a magnificent stencil, and one of the best pieces from Upfest this year. I look forward to meeting Stephen again, and if I am lucky enough interviewing him. Great work.
Time to post a few more pieces from Upfest 2016. This wonderful fish, in the playground of Ashton Gate School, is by Angerami, an artist from Sao Paolo but who now travels the world for his art. He has a Wikipedia page, but sadly it is in Portuguese (I think), and I don’t know what it says.
The biography for Angerami in the Upfest Programme is as follows:
‘Angerami uses travel as an immersive process in the nature, revealed through art in many different medias. Travelling is a passion, which allows connection with his perception of time, space, spiritual awareness and human presence on earth.’
Go figure that out…translated I guess from another source. He paints fish on walls, and that is good enough for me.
Opposite the Tobacco Factory car park, you (used to) come face to face with this building and a wonderful Thierry Noir pair. When I took the photographs, I hadn’t seen any of his work before, but on my escapades to London I have become more familiar with his very distinctive work.
These pieces were sprayed for Upfest 2015 and have since been over painted with a large Brexit commentary piece which was part of Upfest 2016 – I will post this newer piece soon.
Thierry Noir reminds me a lot of artists like Matisse, or the Stravinsky fountains outside the Pompidou centre in Paris, whose work contained bold and contrasting colours on simple figures and forms. Great stuff.
This is one of the most beautiful and sensitive pieces that I saw at Upfest this year. The artist, Sokar Uno has created something really touching and outstanding. This is without doubt one of my favourite pieces from this year’s festival.
Sokar Uno is a young German artist who has been painting and illustrating since he was twelve. Clearly he is very talented.
There is a wonderful explanation of the approach he takes to his art on his excellent website which is really worth a visit.
I am thoroughly taken with his ‘classical’ style and would really love to see more of his work. I fear I might have to travel to Berlin to see it though. It is a real privilege to see him at work in Bristol.
