Urban – Page 126 – Natural adventures

6244. Purdown (74)

The Art of Sok, Purdown, Bristol, July 2024

After a little teaser in Bristol last year at the M32 Spot and on the cycle path with Rusk, The Art of Sok has had something of a bonanza in the city this summer, and even better than that, I have managed to catch up with the artist twice in the space of a month, and what a lovely fellow he is too.

This beautifully framed piece, on one of the concrete slabs in the old anti-aircraft gun emplacement, breathes new life into this historic monument, and reflects the freedoms that the nation fought the second world war for. The Art of Sok manages to paint flawless pieces, and takes great care to ensure every detail is exactly how he planned it. I believe this could be described as a Manga-style portrait, and is one that definitely ticks all my boxes.

6243. St Werburghs tunnel (435)

Grimes, St Werburghs, Bristol, July 2024

An important part of becoming established in whatever field you operate in is presence and consistency, without either of which it is all too easy to fall off the radar. Grimes, since his arrival in Bristol, has been both present and consistent and has been noticed for it. A third element is quality, because you can be both present and consistent, but also rubbish, like a lot of taggers for example, but Grimes’ work is fabulous and lifts him above the norm.

This is a really fabulous purple and orange piece which, like all of his work I have seen, is full of energy and movement. It is interesting to note the impact the texture of the wall has on a piece, for example the right-hand quarter of this piece sits on a more bumpy surface, whereas the left-hand side is painted on a smoother rendered section, and you can see the difference. Everything about this piece is god, and I continue to enjoy this journey.

6242. M32 roundabout J3 (606)

Minto, M32 roundabout, Bristol, July 2023

Minto has been painting a string of fabulous pieces recently, most of which are following this style of what I would describe as deconstruction. The architecture of the piece is there, with the scaffolding still left up (metaphorically speaking) and lots of parts are exposed. We are more used to seeing conventional graffiti writing with solid fills and continuity – Minto has blown this convention apart with his fragmentation approach. The overall effect is not unlike Benjimagnetic’s work.

The letters MINTO can be reasonably clearly seen, with some hint at symmetry (with the exception of the ‘T’ which breaks things up in space and colour). A couple of faces make an appearance, and there is a rather nice little shout out to Soker there too. Really great and different stuff from Minto.

6241. Greenbank (129)

Just when I think that Haka has gone all quiet, he pops up with another piece, and so it was with this one on the long hoarding at Greenbank. The piece is a rather nice writing character combination, where the letters HAKA occupy most of the body space, behind which is a rather cheerful-looking stegosaurus.

I have tried to find out who the dinosaur is, as most of Haka’s characters tend to be from children’s picture books, but there are an awful lot of them and my Google search was fruitless. The whole thing is a really nicely composed conflation of graffiti writing and children’s illustration. Charming really.

6240. Dean Lane skate park (736)

One of this summer’s pleasures has been the reasonably regular appearances by Kid Crayon and his painting pal, I am Ian. This wacky piece features a large cartoon-style character, with tears flowing from his exaggerated eyes, and the caption ‘Ain’t easy being macho’, which is really funny.

Although it isn’t necessarily intended to be topical or political, this piece and the caption speaks to me about a growing and disturbing phenomenon of disenfranchised white males, often poorly educated and with limited prospects, turning to the far right of politics, encouraged by the untruths and promises of divisive and disingenuous politicians and activists. The perfect example of this was the man in a grey tracksuit at the race riot in Southport this week, who was posturing and puffing out his chest in front of a line of police with their riot gear, only to be hit on the head with a brick and another large item, thrown by other rioters at the police, and then on retreating back to the fold, got struck in the bo**ocks by another missile. ‘Ain’t easy being macho’.

6239. St Werburghs tunnel (434)

I happened upon Dusce while he was painting this piece, and immediately deduced that he was not an artist I have seen before. As I always do, I gently struck up a conversation, and gathered that he was visiting from London and this was the first piece he had painted in Bristol. He was very young and despite having obvious talent appeared to be on the quiet side, not giving away very much – perhaps he thought I was going to shop him for painting an illegal wall (they are all illegal in Bristol).

The illustrative piece with his writing front and centre tells a story of pollution, framed in a rather 1970s way – this kind of imagery was much more common when I was growing up than it is now. There is a little smattering of The Simpsons about the theme too. The writing is very nice if a little understated. I expect we’ll be seeing more of Dusce as he progresses.

6238. Cumberland Basin

Donz, Cumberland Basin, Bristol, July 2024

A rare trip into the centre of Bristol, from his native Lawrence Weston, brought Donz to this spot in the Cumberland Basin. At first I had a little difficulty working what was going on here, because Donz has painted directly over a Mr Draws piece, without buffing the wall or masking out with a background design, in the spirit of a throwie, but this is better than your average throw up.

Donz has a very particular style, probably governed by his letter in part, where his letter surfaces are quite flat, without midlines or accents, and the depth is provided by the 3D drop shadow. This piece reminds me very much of one he painted about a year ago in L Dub, which used the same colour combination.

6237. Purdown (73)

Ha ha! ‘It’s all gone woke’, so says this marvellous character by Merny. The phrase is one used by anybody who doesn’t like or disagrees with those elements of policy/regulation/rules/behaviour that they take issue with on account of it not complying with their own values. The peak example of the phrase was probably the quote from former Home Secretary Suella Braverman, who used the term ‘Guardian-reading, tofu-eating wokerati’ to describe Just Stop Oil protesters in 2022. I wonder how she would describe the pigs who are currently protesting against immigrants in the UK. Spot the tumbleweed.

This is a lovely Merny piece, so ‘of its time’, simple and powerful, like so much of his work. The piece was painted around the time of his excellent exhibition, which I understand from speaking to him since, went better than expected, and he managed to sell quite a few original pieces, which is great to hear. I would have loved to have bought one or two of his originals, but alas they were marginally outside my price range. See some of them below:

Merny Exhibition, 17 Midland Road, Bristol, July 2024

6236. M32 roundabout J3 (605)

Hypo, M32 roundabout, Bristol, July 2024

More colourful fireworks from Hypo. This piece reverts to his symmetrical style of lettering, where the ‘H’ and ‘O’ are broadly similar in shape and the ‘Y’ and ‘P’ generally reflect one another. This is a design that Hypo has played with for years and tends to work really well.

It is the fills though that grab the attention in this piece, with several horizontal layers of colour, I can count at least four, each of which is decorated with well-placed spots. There is a lot of energy piece, which is provided by the depth created and the sparkles at strategic points on the letters. Another great piece of graffiti writing for the collection.

6235. Brunel Way (282)

Dibz, Jody and Fade, Brunel Way, Bristol, July 2024

If ever you want an example of the perfect triptych graffiti writing/character portrait piece then look no further than this magnificent piece by Dibz, Jody and Fade underneath Brunel Way bridge. As always, these three have smashed it, and I just don’t know how many more ceilings they can break with their work.

To the left, Dibz’ writing in black and pink is reflected on the right-hand side by Fade, where their writing is almost becoming indistinguishable except to the most experienced eyes. The key difference is that Fade’s letters tend to be ever so slightly softer than Dibz’. Both have created something special and finished it off with a splash of ‘liquid’ gold running behind the collaboration.

Sitting pretty between the graffiti writing is this outstanding skull painted by Jody. One of the great benefits of Jody joining these writers over the last couple of years is that we get to see so much more of his work on the streets, which I dare say we wouldn’t see so much if he was painting alone. When I see Jody’s work, I am still baffled how he manages to get such extraordinary detail and texture using a spray can. A trio at the top of their game.

	hitandrun1964 on Mont Blanc
	paulh121 on 7430. Frome Side (68)
	paulh121 on Mont Blanc
	beth on Mont Blanc
	scooj on Cocoon

	hitandrun1964 on Mont Blanc
	paulh121 on 7430. Frome Side (68)
	paulh121 on Mont Blanc
	beth on Mont Blanc
	scooj on Cocoon

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