Just as I was beginning to think that Minto was going on a bit of a ‘slow-down’ he comes up trumps with several new pieces in a relatively short period of time. This is an interesting piece that was created during a paint jam at the roundabout. I have noticed that Minto has changed his style a little recently and appears to be undergoing a ‘period’ of deconstruction, where the elements of his work appear to be a little fragmented, as if several thoughts are going on all at once.
Minto, M32 roundabout, Bristol, June 2024
Concealed within the piece are the letters MINTO, with the ‘INT’ being reasonably clear, but the ‘M’ and ‘O’ are more tricky to see. For clarity, he has signed it in yellow bubble writing on the left. The colourful piece is full of eclectic decorations and a couple of characters, but for me lacks a little cohesion. The blue and grey background I would guess has some kind of meaning, but it is a little lost on me. Lot more to come from Minto soon.
In Bristol, there are dozens, literally, of writers bubbling under the surface. Many of these are not as well known as some of the more established graffiti writers, but every once in a while one of them breaks cover and rises up a level or two. This often coincides (unsurprisingly) with their appearance on Natural Adventures. Omie is one of those artists whose work I have noticed and admire.
Omie, Greenbank, Bristol, July 2024
The refreshing thing about Omie’s work is that every piece is completely different from the last in style and composition, which keeps things very interesting. These heavy block letters spelling out OMIE in dark grey-green tones are given extra weight by a chunky 3D drop-shadow. Some orange decoration around the outside provides plenty of contrast to help the piece stand out. Nice work from Omie.
This is the second small gallery of Cheltenham art photographed at the Cheltenham Paint Festival 2023. I am posting this as the 2024 festival begins at the end of this week, and I felt it would be good to share some of last year’s pieces as a bit of a warm up.
Not all the pieces were painted last year – the Alex Lucas mural (feature image) was painted a few years ago, but I only got round to photographing it last year. I hope to be visiting Cheltenham for this year’s festival alongside Paul H, and am getting pretty excited about it all. Enjoy the gallery:
Alex Lucas, Cheltenham Paint Festival, Cheltenham, July 2023Alex Lucas, Cheltenham Paint Festival, Cheltenham, July 2023
This piece was actually painted in 2020 for the Cheltenham Paint Festival. Still looking magnificent.
Ajax Piper, Cheltenham Paint Festival, Cheltenham, July 2023
I don’t know an awful lot about Ajax Piper, but I believe he is a British artist who hasn’t been painting for too long, or so his website might suggest.
Wispa, Cheltenham Paint Festival, Cheltenham, July 2023
A wonderfully colourful and vibrant piece by RBF artist Wispa (featured reasonably regularly on Natural Adventures).
3rdeye, Cheltenham Paint Festival, Cheltenham, July 2023
3rdeye has produced this typically mysterious piece with one of his creature characters and plenty of eyes.
Curtis Hylton, Cheltenham Paint Festival, Cheltenham, July 2023
One of the featured artists at the CPF 2023 was Curtis Hylton, who smashed it with this outstanding large mural on the side wall of the Holiday Inn Express hotel in the centre of town.
I will need to do a few more posts from the CPF 2023, and some more unposted pieces from Upfests passim. So much to do and so little time to do it.
Everything is catching up with me. The Cheltenham Paint Festival begins next weekend, although I believe some pieces are already well underway. The problem for me is that I still have loads of pieces from last year’s festival that I haven’t posted, so here are a few pieces that I’d like to share by way of a warm-up act for next week. I will do this as a mini gallery, because I don’t have time to write up each individual piece.
Paul Monsters, Cheltenham Paint Festival, Cheltenham, July 2023
Bristol artist Paul Monsters doing what he does best.
Heat One and Shade One, Cheltenham Paint Festival, Cheltenham, July 2023Shade One, Cheltenham Paint Festival, Cheltenham, July 2023
superb collaboration from Shade One and Heat One.
Joe Greenaway, Cheltenham Paint Festival, Cheltenham, July 2023
An interesting piece from Joe Greenway
Philth, Cheltenham Paint Festival, Cheltenham, July 2023
Finally an outstanding floral piece from Philth, which was tricky to photograph because of the car parked directly in front of it.
More from the Cheltenham Paint Festival 2023 in tomorrow’s post.
I have to confess that I really struggle with promotional pieces. In my purist mind I feel that straying into advertising (whether for mates or for commercial outfits) crosses the line between street art and the ‘edge’ that goes with it, and mainstream commercial activity. This is a personal view, and you may wonder why I post promotional pieces… well I suppose I do it for completeness and to showcase the full spectrum of whet we see in Bristol.
Mr Penfold, White Street, Bristol, June 2024
Mr Penfold uploaded a video of himself painting this piece, which reveals his techniques for getting his straight lines and curves into his designs. It is a great abstract design from the artist and is perfect for the spot that he chose to paint.
I love Conrico’s work. He has the most incredible capacity for telling stories through his art. Rarely is there a static portrait or lettering that does nothing more than look good. The other thing that I admire in his work is his spray style that looks more like brush strokes than spray – clever stuff indeed.
Conrico, M32 roundabout, Bristol, June 2024
This piece was painted during the paint jam to celebrate Wispa’s birthday (in absentia). I am guessing, but can’t be sure, that Conrico has painted a portrait of Wispa in honour of her birthday, which would make sense. He has included some writing, which I think might be Japanese, which I cannot read. A nice piece that is so typical of his unique style.
What a wonderful surprise it was to come across this outstanding collaboration from Hypo and Ulow. Regular readers will be familiar with Hypo, especially as he has been so productive over the last year or so, but Ulow’s appearances are rare these days, so this was a real treat.
Hypo and Ulow, M32 roundabout, Bristol, June 2024
This collaboration is out of the top drawer. Hypo’s super-colourful writing is as good as I have seen from him and has a touch of Hemper in its presentation and depth… praise indeed. Ulow has an incredible talent for painting the perfect graffiti characters, and his dancer on the right hand side of the collaboration matches the energy of Hypo’s writing. This is a supremely good piece, and one of my favourite collaborations so far this year. Bravo!
This is the second piece (the first was by Deamze) I have seen in Bristol featuring Asterix and Obelix from the children’s comic book series written by Goscinny and illustrated by Uderzo, both, regrettably no longer with us, but their legacy lives on through apprentices who have carried on the series of books. I am something of an expert on Asterix, I was brought up on the books, and in my youth they were the only thing I would read (much to my family’s dismay), so I judge this remarkable piece by Fade and Dibz through critical lens.
Fade, Dean Lane, Bristol, July 2024
Starting with Fade, the strong and on-point letters in black with orange drop shadows, are nothing more than I would expect. For me, though the writing is eclipsed with the appearance of Dogmatix, Obelix’s dog, at the bottom left.
Fade and Dibz, Dean Lane, Bristol, July 2024
Dogmatix, obviously had a non-speaking part in the books, other than the odd growl or woof, and Fade’s rendition of the little character is perfect, picking up on his personality faithfully.
Fade and Dibz, Dean Lane, Bristol, July 2024
The centrepiece, probably painted by both Fade and Dibz features the heroes of the piece, Asterix and Obelix. The large sidekick, Obelix is 100% spot on, everything about his is brilliant. Getting on to Asterix though, my hypercritical eye isn’t quite happy with the warrior’s face, which feels slightly elongated… there is something not right about the proportions. I’ll let it go though, because they have tapped in to something that is deeply rooted in my childhood.
Dibz, Dean Lane, Bristol, July 2024
Dibz rounds off the production piece by mirroring Fade’s style and colours to provide balance to the whole collaboration. Remarkable stuff really and a red-letter day for me on finding it. Below is the Deamze piece from 2018 before he emigrated to Tasmania.
There are basically three kinds of ‘new’ artist in Bristol (or any other city I might suppose); those who are hitting walls for the first time having practiced or expanding beyond their art studios; those who are already established artists who move to Bristol or nearby and start painting; and those established artists who are simply visiting or passing through the city and drop a piece or two, because they can.
Dirtygypo, Cumberland Basin, Bristol, July 2024
It turns out that Dirtygypo has been writing in Bristol for at least a couple of years but has only just appeared on my radar. I guess I will have to rifle through my archives to see if I have earlier photographs of his work. Perhaps he has been hitting some of the more popular spots, or his pieces are lasting longer, whatever the reason, he has become more established recently. His work is exciting, colourful and busy, with irregular letters each filled and decorated differently. I am not sure what the letters spell, but I really rather like the frenetic appearance. Watch this space for more from Dirtygypo.
There is no doubt about it, I am really enjoying the fresh look of Zeks’ pieces combined with the fact that he is painting in Bristol a little more often these days, and long may that last. This is a straightforward piece of graffiti writing, with clearly defined letters and simple design – incorporating a little symmetry with the ‘Z’ and ‘S’.
Zeks, Greenbank, Bristol, July 2024
I can’t put my finger on it, but there is something quite unique about Zeks’ writing. There is a modesty and uncomplicatedness, an authenticity, which really attracts me. Simple solid fills are accompanied by a striped pattern filling the letter gaps. A couple of arrows and some rings accessorise the letters a little, but none of it would work very well without the cream background. This is a great composition.
Natural adventures 