A gallery of extraordinary animal murals from Bristol artist and street artist Sophie Long
Instagram: @Sophielongart
Sophie Long
Tag: Urban
5996. Cumberland Basin
This is a bright and fun piece from Katie Fishlock was painted at the Bristol Mural Collective paint jam back in April. I have featured her work a few times in Natural Adventures, and have several more of her pieces in my archives, but perhaps don’t ‘big her up’ as much as she deserves.
Her art studio creative designs translate very well onto walls, which provide a great showcase for her design work. If you’d like to know more about Katie Fishlock, her biography on her website is well worth a read. The portrait piece here plays on the confusion of double sets of eyes, which the brain quickly dismisses and accepts as a normal face, a device used a lot in street art. I rather like the bold statement and way it is presented. Note to self – dig out more of her work from the archive.
5995. M32 roundabout J3 (570)
I feel that I have almost exhausted superlatives when describing Kosc’s work, and this piece leaves me scratching around for something to say that isn’t already clichéd in some way. How about this: Kosc is a great artist who has painted a fascinating and touching tribute to the American cartoon artist and graffiti-world favourite Vaughn Bode.
The writing alone is worthy of praise, but it is the Cheech Wizard and Lizard characters that augment the letters so well and bring the whole piece alive and straight into the crazy world of Vaughn Bode. Kosc is on a roll and just seems to get better and better, and this is a truly masterful piece.
5994. St Werburghs tunnel (421)
Ooh, I like this rhapsody in pink and yellow from Mr Klue very much. There is a wonderful balance in the piece, which can’t necessarily be said of all his work, but here he has absolutely nailed it. Mr Klue’s abstract style is best described as being ephemeral, like a wisp of smoke that might disappear at any moment.
After the winter slumber, Mr Klue is once again dominating in the tunnel, which is no mean feat, as there are still many very strong pieces there from Ryder’s paint jam at the end of March. I would normally expect the letters here to spell out KLUE, but if I am really honest I cannot pick them out, and wonder if it might read something else. Whatever the letters, this is yet another wonderful piece from the quiet and modest Mr Klue.
5992. Brunel Way (271)
Although she doesn’t paint walls all that often, Pura Decadencia nearly always makes an impact when she does. Her unique bubble writing style combined with vampire teeth sinking into letters and long tongues makes her work instantly easy to spot.
Pura Decadencia’s work is most endearing; despite the potentially gruesome theme and blood drops, there is something that is gently and warming about her work. Perhaps it is the bubble letters, or the bubbly background, I don’t know, but the bitter-sweet presentation works very well indeed. Nice work.
5991. Cumberland Basin
The tragedy of Bristol Mural Collective paint jams is that all too often the pieces go unsigned and so many of them fail to make it into the pages of Natural Adventures. Fortunately, this piece by Ejits was signed, but she is also an established street artist, and I recognised her work in any case.
This cheeky little character piece is cleanly painted onto a graffiti wall, with part of a Klashwhensober piece behind it. Technically, it might have been polite to paint out Klashwhensober’s piece rather than leave half of it, but I don’t think he is the kind of writer who minds all that much. The adorable character has, it would seem, dropped a fart of toxic gas as described by the skull and crossbones in the ‘speech’ bubble.
5990. Sevier Street (3)
It would appear that 3Dom ‘owns’ this spot in Sevier Street, opposite the Better Food supermarket, as there has been one of his pieces here for a very long time and which has been left untagged and respected. The refresh is a showcase of just how skilled and creative 3Dom is.
It is difficult to be sure what the story to this magnificent piece is, but you can be sure there is a story. Often 3Dom’s work conveys a deep sense of loss for the natural world and I get that kind of vibe here. The character, a surreal portrayal with a large green head and single eye, is gently holding a fragile planet Earth on the end of a stick, while sitting on the folds of a hole in the universal vista. The paintwork and finishing is utterly awesome, although the unfolding story leaves me with a rather sad and wistful feeling.
5989. Cumberland Basin
The return of Minto to Bristol has, without doubt, been a highlight of the last six months as his unique graffiti writing style has significantly impacted on the already wide spectrum of styles on offer. Although Minto doesn’t follow a fixed formula, there is a lot that is distinctive about his work, in particular, it is often vertically quite compressed.
This dazzlingly colourful piece seems to have a trainer theme going on, with at least three trainers depicted in the MINTO lettering. There are also a couple of characters peering over the top of the letters, something that Minto builds into much of his work. This is a fine example of his work and an outstanding piece.
5987. M32 roundabout (569)
Sometimes you see a piece, and it takes your breath away… this was one such piece. Absolutely everything about it is perfect, and it is, by some margin, my favourite piece of the year so far. In case it wasn’t obvious, it is a collaboration between Saor and Andy Council – not something I saw coming, but their styles very well together.
Starting with the buffed wall – If you’re going to do a serious statement piece it is always worth buffing the wall with an appropriate colour and the grey in this instance works well with the overall colour palette. The subtle soft pinks, maroons and greys are bought to life with some bright and vibrant greens, classy stuff indeed.
The writing is by Saor and is as ever so crisp and tight – no thick borders, only sharp edges. The character, a Vaughn Bode lizard, is by Andy Council and true to his composite style, is made up of pipes, vents and architecture, including the Clifton Suspension bridge all stitched together. This is a masterpiece collaboration by two brilliant artists.
5986. Brunel Way (270)
The wonderful thing about art is that you can create situations or landscapes or portraits and so on that are utterly fictional, unlikely, impossible, weird and that you are in control of this creative universe. Alternatively, some artists try to capture real life either through accurate representations or abstract interpretations. Bean has painted something verging on the weird side with this piece.
The character, who is wearing a rather curious hat, is holding his, or somebody else’s severed legs from which blue gloop is gushing. I’ll not attempt to interpret the piece, which is exceptionally painted in Bean’s trademark two-tone colour cartoon style. An entertaining and curious piece.
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