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Three little pigs, St Werburghs City Farm, Bristol, April 2025
Three little pigs, St Werburghs City Farm, Bristol, April 2025

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Three little piggies

curious to find out more

the dog sniffs the air…

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by Scooj

  • we have no wolves.

6883. Dean Lane skate park (825)

Werm and Zake, Dean Lane, Bristol, April 2025
Werm and Zake, Dean Lane, Bristol, April 2025

Tucked away behind the iron fence of the swimming pool at Dean Lane is this fabulous collaboration combination piece from Werm and Zake. Werm, more than adequately providing the symmetrical letters, and Zake offering a couple of different cheeky characters peering over the top of them.

Werm and Zake, Dean Lane, Bristol, April 2025
Werm and Zake, Dean Lane, Bristol, April 2025

The horizontal band colour scheme, painted on an off-white background, works really well, and Zake has cleverly incorporated the band of colour into his characters. I’m not quite sure what it is about it, but this feels like a really classy piece to me, and I really like it.

6882. Cumberland Basin

Totosoapcity, Cumberland Basin, Bristol, April 2025
Totosoapcity, Cumberland Basin, Bristol, April 2025

I have seen quite a few pieces by Totosoapcity in Bristol before, but hadn’t known who the artist was, so haven’t posted them. This could mark the opening of a little floodgate for when I do some digging in my archives, which I like to do from time to time. I’m not sure that Totosoapcity is from Bristol, but must be reasonably local I would think, because we see visits every few months.

Totosoapcity, Cumberland Basin, Bristol, April 2025
Totosoapcity, Cumberland Basin, Bristol, April 2025

This piece is part of a large collaboration from a group of artists I am not too familiar with, but who have done a great job on this wall, selecting a themed colour approach to all their writing. I think the letters here spell ARS(Z)A, and have a pleasing symmetry to them. The red, pink, black, brown, yellow and orange colours are not my favourite combinations, but work reasonably well – not sure about the pink. They do, however, contrast perfectly with the themed grey banner background, which is consistent through the entire collaboration.

6881. Cumberland Basin

#DFTE and Dave Sharp, Cumberland Basin, Bristol, April 2025
#DFTE and Dave Sharp, Cumberland Basin, Bristol, April 2025

These two artists collaborated on almost this exact spot back in July 2022 – how time flies, I had it in my mind that it was last year. From what I can gather #DFTE and Dave Sharp are good friends, and this fine collaboration ‘anxious iron giants’ combines the distinctive writing of #DFTE with the artistic talents of Dave Sharp.

#DFTE and Dave Sharp, Cumberland Basin, Bristol, April 2025
#DFTE and Dave Sharp, Cumberland Basin, Bristol, April 2025

I would love to see more from #DFTE – the power of words is so beautifully presented with his unique style, going big on the drips, but he doesn’t seem to paint all that often. Dave Sharp, I don’t know much about, but he has captured the Iron Giant robot really well, perhaps tinged with a little anxiety… who knows. Their combination works really well, and as a bonus, here is their last one…

Dave Sharp and #DFTE, Cumberland Basin, Bristol, July 2022
Dave Sharp and #DFTE, Cumberland Basin, Bristol, July 2022

6880. Greenbank (154)

Mr Crawls, Greenbank, Bristol, March 2025
Mr Crawls, Greenbank, Bristol, March 2025

Oh dear! Mr Crawls’ gull is looking a bit glum in this piece on the long hoarding at Greenbank. Painted on a favoured chrome background, the usually happy or cheeky gull looks like he is down in the dumps. It is clever that Mr Crawls can portray different emotions with tweaks to his ‘archetypal’ bird.

Mr Crawls, Greenbank, Bristol, March 2025
Mr Crawls, Greenbank, Bristol, March 2025

The stylised cartoon character has a downturned (mouth) bill and heavy-lidded eyes, dripping with sadness. The piece is really well presented and clean and tidy, and another in a wonderful series of character pieces by Mr Crawls.

6879. M32 roundabout J3 (675)

Minto, M32 roundabout, Bristol, March 2025
Minto, M32 roundabout, Bristol, March 2025

This is an outstanding piece of graffiti writing from Minto, and is a great example of what is not there as being as important as what is there – if that makes any kind of sense. There is a lot of empty space alongside multiple illustrations and decorations throughout.

Minto, M32 roundabout, Bristol, March 2025
Minto, M32 roundabout, Bristol, March 2025

The letters spell out MINTO, and there are some regular motifs that the artist has used before, such as the character and a pair of sneakers at the base of the letter M. I’m not sure whether there is a coherent story or whether the piece is simply a collection of ideas and thoughts bundled up together. Either way, there is plenty to look at in this energetic piece.

6878. Dean Lane skate park (824)

Lis, Dean Lane, Bristol, March 2025
Lis, Dean Lane, Bristol, March 2025

Lis seems to do herself proud every time she goes out to paint, and this is another fine outing, with a couple of small pieces in Dean Lane. Here she has painted one of her mushrooms, but this time as a rather cute skateboarding character, which is totally appropriate for the spot.

Lis, Dean Lane, Bristol, March 2025
Lis, Dean Lane, Bristol, March 2025

I anticipate a great future for Lis, who I am sure will start to attract commissions, the more she practices and the more exposure she gets. As well as this character piece, she also left behind a little ‘extra’ on a nearby wall, featuring a cluster of toadstools. This is going to be a most enjoyable journey as Lis goes from strength to strength.

Lis, Dean Lane, Bristol, March 2025
Lis, Dean Lane, Bristol, March 2025

6877. Jamaica Street, Liverpool

LostHills, Jamaica Street, Liverpool, March 2025
LostHills, Jamaica Street, Liverpool, March 2025

A quick couple of posts today, written last night, because I have an early start today, running a workshop in the middle of nowhere, somewhere in rural Shropshire. This is another fine piece from my short visit to Liverpool from one of my favourite wheatpasters, LostHills.

LostHills, Jamaica Street, Liverpool, March 2025
LostHills, Jamaica Street, Liverpool, March 2025

You might notice that this isn’t a paste up, but a painting, something LostHills has been doing more of in recent years. His characters are based on Jake the Dog from Adventure time, but I am not sure what the cultural reference is in the piece. A nice one to find.

6876. Kitchen Street, Liverpool

Coloquix, Kitchen Street, Liverpool, March 2025
Coloquix, Kitchen Street, Liverpool, March 2025

Although I have only posted one other piece by Coloquix before, I am familiar with the artist’s work, and have been following their Instagram feed for years. I was surprised to find this painted shutter piece, because More often I am used to seeing wheatpastes by Coloquix.

Coloquix, Kitchen Street, Liverpool, March 2025
Coloquix, Kitchen Street, Liverpool, March 2025

The stylised character is the trademark of the artist, and here she nestles in a quarter moon with a friendly face. The horizontal bars of colour run across the piece nicely and overall it is a happy soulful piece and a good find during my stroll in Liverpool.

6875. Jamaica Street, Liverpool

Liam Bononi, Jamaica Street, Liverpool, March 2025
Liam Bononi, Jamaica Street, Liverpool, March 2025

There are many parallels between Bristol and Liverpool, in part due to the established trading routes with America and the West Indies. Unfortunately, both cities prospered through the trade in slaves, alcohol and tobacco, along with a huge amount of other less controversial goods. Place and street names tend to reflect the development of a city, and it is no surprise that both Bristol and Liverpool have a Jamaica Street, and that both are in areas that have seen a lot of change.

In Liverpool, the area around Jamaica street is a hotspot for street art, and I was lucky enough to find some superb pieces during my recent visit there, including this old piece by Liam Bononi.

Liam Bononi, Jamaica Street, Liverpool, March 2025
Liam Bononi, Jamaica Street, Liverpool, March 2025

Liam Bononi has become one of the great high-end artists in Europe and is a favourite for premium walls and festivals, and this piece, I think, was painted sometime last year. Much of his work contains contorted, agonised or corrupted portraits, perhaps reflecting an inner struggle. This beautiful portrait piece appears to be cracked and disfigured as if it were a broken mirror, and as a result is a little unsettling. Although based in the North of England, Liam Bononi does manage to travel around the country a little, which is great news.