1293. Upfest 2017 (127)

This is a gorgeous piece by Majilina that if I am honest I don’t recall very well from the festival itself, but have had time to scrutinise from the luxury of my PC. The two killer whales or orcas are beautifully framed in a decorative circle and black background, with the purples lifting them off the surface. There is something here that reminds me of 23Magpie’s work.

Majilina, Upfest, Bristol, July 2017
Majilina, Upfest, Bristol, July 2017

Rather than interpret her biography I offer her profile from the Upfest website:

The artist majilina was born in South Tyrol, Italy. Her art circles around lively and colorful portraits of different types of animals. During her training as a visual designer her skills in craftwork and painting began to blossom and she got introduced to urban art. Currently, she focuses on painting big scale murals, always refining her techniques and gaining new levels of expressiveness. As one of the only known female deaf artists in mural art her paintings are a true inspiration for all of us and especially for other deaf people to have the courage for big life time goals.

 

1292. Upfest 2017 (126)

This was an Upfest piece that seemed to divide opinion…a bit of a ‘marmite’ work, you either love it or hate it. It is an installation piece by Id-Iom which contains several 3D elements protruding from the work.

id-iom, Upfest, Bristol, July 2017
id-iom, Upfest, Bristol, July 2017

While photographing the piece during its creation I noticed that the trees in the background created brilliant hairstyles for the faces…an unintended addition which I think added to the overall piece. When I pointed it out to the artists, they didn’t seem to see the funny side, and just got on with the work.

id-iom, Upfest, Bristol, July 2017
id-iom, Upfest, Bristol, July 2017

Looking at the equipment that they brought along, there would seem to have been an immense amount of thought and preparation that went into this piece. I can’t say that it was my favourite at Upfest, but it was one of the more stimulating works that attracted more thought than most. These two are unconventional and like to push the boundaries.

1291. Bristol, various

I don’t often post work by people I don’t know and I rarely write about taggers, so this might come as a bit of a rare surprise. I have seen tags by this graffiti doodler all over Bristol, and love the simple style and expressions – I have pictures of dozens of tags.

Unknown tagger, Dean Lane, Bristol, December 2018
Unknown tagger, Dean Lane, Bristol, December 2018

What was special about these three tags is that they all seemed to appear in one night in different parts of the city, each on a route that I took at some time the following day. Of course the tagger might have sprayed other ones that weren’t on my usual beat, but obviously they had a busy night.

Unknown tagger, Prince Street, Bristol, December 2018
Unknown tagger, Prince Street, Bristol, December 2018

Generally I am not particularly interested in tags, other than that I can identify a few of them, but there is something more to these ones. Not so much tags as little characters. All three have since been painted over.

1290. Small Street (1)

On my walks to Leonard Lane in the city centre, the walks I really enjoy, I usually come face to face with this hairdresser’s shop as I get spat out of the lane and into Small Street. Every time I go there I forget to take a picture, but not this time.

Mr Penfold, Small Street, Bristol, January 2018
Mr Penfold, Small Street, Bristol, January 2018

The shop front is by Bristol designer Mr Penfold, who does quite a few design commissions in and around the city. Every now and again he also does a street art piece, but that seems to be a bit of a rarity these days. This is typical of his modern, fresh design work and certainly brings some colour to this rather unexceptional frontage.

1289. Raleigh Road, vector (21)

Well here we have a fine piece from RAW’s Smak in Raleigh Road. His wildstyle writing realy is out of the top drawer and this work really showcases his skill. set on a blue background, which was probably prepped for this paintjam, his subtle blue lettering is lifted by the yellow and red accents and of course by the cheeky mushroom skull character.

Smak, Raleigh Road, Bristol, January 2018
Smak, Raleigh Road, Bristol, January 2018

I fear that this set of pieces may be some of the last at this site, which has hosted some remarkable work over the last 18 months or so, but the building work is nearing completion and it will not be long before the hoardings come down. We need some new sites to make up for it.

1288. Allen Street, New York (2)

Allen Street is unofficially known as the ‘avenue of the immigrants’ and this remarkable seven story high piece by Stik represents “A timid giant peering out from behind a column, hoping to make his home in the big new city.” The mural is even more poignant for being very close to the Tenement Museum…so completely recommended if you are spending a few days in New York.

Stik, Allen Street, New York, October 2017
Stik, Allen Street, New York, October 2017

I am a big fan of Stik’s…it is very difficult not to be. The simplicity of his characters hides a deep emotional connection it is possible to have with them. Maybe it is their simplicity that makes them easy to read and empathise with.

Stik, Allen Street, New York, October 2017
Stik, Allen Street, New York, October 2017

Stik began his long and successful journey in a squat in Hackney, London and appears to have a strong connection with those less fortunate in society. He has been consistently telling his wonderful story through his art in cities all over the world. Long may it last. An interesting thing about this piece is that if you look on Google images, you will notice that he started with a white wall, then added the outline, then added the red background. I guess this is what gives the character a brilliant white body.

1287. Allen Street, New York (1)

I took an awful lot of pictures of the street art in New York, and probably only scratched the surface, but I think that these breaks in my Bristol posts will probably be a regular occurrence for a long while to come.

Sheryo and The Yok, Allen Street, New York, October 2017
Sheryo and The Yok, Allen Street, New York, October 2017

This is a wonderful collaboration called Rat Boi, by Sheryo and The Yok, which was sprayed in April 2017. It was commissioned by The New Allen, an art foundation created by Baby Brasa and Milan Kelez…I read that bit you know.

Sheryo and The Yok, Allen Street, New York, October 2017
Sheryo and The Yok, Allen Street, New York, October 2017

I don’t know either of these artists, but this is an eye-catching piece that for me has a retro feel to it, albeit in a contemporary context.

1285. Dean Lane skate park (107)

I met Rusk the day before he sprayed this magnificent piece in Dean Lane, while he was prepping the wall with black emulsion. We chewed the fat for quite a while, mostly talking about the street art scene in Bristol and some of the things that go on. He told me that he would be spraying the wall with a couple of friends the next day, I think it was a Saturday, and this is the result. I will post the other pieces in time, but felt I should do this one first.

Rusk, Dean Lane, Bristol, January 2018
Rusk, Dean Lane, Bristol, January 2018

As always with Rusk’s pieces, a lot of care and thought has been put into this. It has lovely clean lines and the gradient of colours from top to bottom is skilfully done. Definitely one of my favourite writers in Bristol, and one who makes time to talk about his and other people’s work. A nice piece.

1284. Jubilee Street (5)

I don’t get over to Jubilee Street all that often, but managed to get there recently whilst shopping for a chandelier in Gardener Haskins, a nearby and completely bonkers department store.

Soker, Jubilee Street, Bristol, January 2017
Soker, Jubilee Street, Bristol, January 2017

This is a super piece by Soker that sits in a bit of a backwater and probably doesn’t get seen all that much, apart from by the children in the adjacent school. The walls here are very much dominated by ASK members, in particular Deamze, and tend to remain unchanged for long periods of time. Visiting only occasuionally doesn’t seem to matter too much in this spot.

1283. Stokes Croft, the Carriageworks (33)

There is so much talent in Bristol, and I am very proud to have adopted it as my home. This is a lovely piece by the amazing Hazard whose Upfest offering was one of my favourites last year.

Hazard, Stokes Croft, Bristol, January 2018
Hazard, Stokes Croft, Bristol, January 2018

Certainly this is a striking work and really stands out on the Carriageworks wall. Hazard sprayed it to promote Bristol singer Katie Sky’s new EP, and the image is taken from the cover and promotional designs for the EP. It would appear from reading Katie Sky’s Twitter feed that she and Hazard are friends, which is how this piece came about.

Hazard, Stokes Croft, Bristol, January 2018
Hazard, Stokes Croft, Bristol, January 2018

Now, you probably know that I am not always too fond of street art being used for advertising, but I am going to have to make an exception in this example because I think that Hazard’s work is so very good. Two very talented Bristol ladies doing the city proud.