I was caught very much in two minds about posting this beautiful little unsigned piece in Devon Road. Firstly, I have no idea who the artist is, which is always a little bit of a challenge for me and secondly, there are rain drops on the lens, obscuring the bottom of the picture. Ordinarily these two factors would dictate that this piece would remain in the archives, but I really like it, so I used my own veto (which I think I am allowed to do) to publish it.
The motif is a strong one, and at a guess I would say was influenced by the tattoo world. There is a story of heartache here, burning love constrained by thorns. I love it. The piece is beautifully executed, with fabulous shading and highlights, and there is something rather simple about the design, the balance is just right, and it is not trying to do too much. Now all I need is to find the artist who painted it.
There is something perfect about this picture, and it is one I like very much. It was taken on our first day of exploring Porto while we were just finding our bearings. I don’t know who the artist is, but his charming monster character reminds me a lot of Mote’s work in Bristol.
The framing of the piece is what makes it so appealing, and while it isn’t exactly the best piece of street art you’ll ever see, it is highly memorable and simply good fun.
I went in search of a Mudra piece and instead found this cat painted over the top of it, and my disappointment and pleasure were present in equal measure. It would have been nice to see the Mudra piece in all its glory, but it is a jungle out there. It would also be nice to have some clue about the artist who painted the cat… answers on a postcard.
I rarely post pieces from unknown artists, but I couldn’t resist this one. The artist has captured the cat’s expression really well, and the use of colours and overlapping lines works really well. This looks like a practice piece by an artist who knows what they are doing. A great find.
I must admit to being very taken by this piece on the wall facing the river, and I have absolutely no idea who the artist is. If I find out at any time I will add the name in because I don’t like posting pieces by unknown artists, but sometimes they are just too good to leave in the archive.
To me the whole thing simply screams out Matisse with perhaps a touch of Miro, maybe Chagall and is worthy of hanging in any fine art gallery, but is also worthy of a wider reach and audience alongside the Bristol Avon. A lovely piece of abstract street art.
I was walking in Easton last week, without the dog, which meant I was able to extend my range a little further and go a bit faster than normal. I decided to visit St Mark’s Avenue to see if anything had changed since I last visited a few months ago. Much was the same, but there were a couple of these bright colour portraits which I didn’t recall seeing before.
Regular readers will know how I rarely post pieces by unknown artists, but sometimes they simply deserve to be written about and maybe I’ll get lucky and find out who the artist is in due course. The white face is decorated with colourful makeup and looks as if it is prepared for a festival of some kind. I think the portrait definitely looks better viewed from the right than from the left – amazing how different it can look from different angles. I have pictures of another piece by the same artist which I will post in due course – I hope with the artist’s identity.
Update 21 August 2020 – I believe this piece is by Rosalita
Even though I don’t know the artists (yes artists), I have posted this for two reasons. Firstly I love the composition and transition of blues and secondly because I discovered a piece I had never seen before while photographing the blue faces.
The blue faces piece, although relatively simple in design has been beautifully executed, with each face in a slightly different shade nestling neatly with the one next to it. The eyes give each face a different expression. It looks like it has been signed LEF. Take a good look at the top left hand corner of the piece and you can see a little piece of installation art that has been overpainted…
This is a piece which I assume had been in situ for some time, but which I had not noticed ever before. It is the kind of work that Will Coles might do, but it is not quite his style. Entitled mammal, it reveals bare breasts (something of a rarity in Bristol street art). I love this, and liked it even more for discovering it accidentally.
Two pieces for the price of one, but both artists unknown to me.
I couldn’t hold this amazing black and white portrait piece back any longer. ‘Why hold it back at all?’ I hear you ask (in my fertile imagination), well, it is another of those pieces that I know absolutely nothing about, despite some fairly intensive Interweb interrogations.
Moon Street has be host to many different pieces of street art, but nothing like this one in my experience. I don’t know who P. Jacobs is, and I guess the date is a date of birth. Is this a tribute to somebody famous or to somebody dear? What do the formulae mean? There is so much in this work to figure out before even marvelling at the superb portrait itself. This is a piece painted by an accomplished artist, but not someone that has crossed my path before (I think). Those eyes are amazing and follow you around.
Could somebody out there put me out of my misery and telll me who this is by and what it is about?
Thank you Paul. This piece is by Kosc, who has painted this door before.
Regular readers will know that I really don’t like posting pieces by ‘unknown’ artists, but sometimes I’ll see something that is just too good to consign to the depths of my archive and this is one such piece. Rather simple, yet appealing to me at least, is this slightly geeky looking character on one of the walls at Dean Lane.
The cartoon style and subject matter appeal to me, and while it might not be the best piece of art in town, I actually like it a lot. I can’t work out the letters just to the left, it could be GTIFF or STIFF ot STTFF or some other combination, but Google searches have yielded nothing so far, so if anyone out there knows who the artist might be please shout.
Regulars will know that I don’t much like to post street art on Natural Adventures when I don’t know who the artist is, but just occasionally I do it because the artwork is too good to ignore and maybe I’ll get to find out who it is as a result of writing about it.
This wonderful and certainly rather original piece appeared in Moon Street about three weeks ago on a gateway that has been favboured in the past by Rezwonk, which is why I have tentatively attributed it to him. However, although he is capable of something like this, it is not commensurate with most of the writing work he has been doing recently.
Whoever the artist is, it is a striking painting and brings a touch of class to the street, which is well known for its tagging and high turnover. I love the anatomical diagram, and particularly the numbering. Something like this would certainly liven up a waiting room in a doctor’s surgery or hospital.
I am going back a long way (December 2015) through my archive now to share this piece by DNT and another artist, possibly Mr Sleven, but I am not sure. I really don’t know why I have held on to this for so long, because it is a fine and rather unusual collaboration next to the Matchbox Gallery.
The ‘stone’ cherub is by DNT, and for a while there were a few of these dotted around the area. I have a feeling that the cherub sitting in a pile of spray cans is a stencil, which is a surprise as I’m not aware of any other stencils by DNT.
I love the way the whole thing is black and white apart from little flashes of colour on the spray cans. A memorable piece.