I never posted this fabulous small piece until now, because I haven’t been able to identify the artist, and regular readers will know what a stickler I am for such things. However, sometimes it simply isn’t right not to share, and this piece is so good I have gone ahead.
Of course if there is anyone out there who might know who the artist is, please let me know.
It is not until you get right up close that you see the fabulous work that has gone into this remarkable piece. There is a lot of detail and some interesting techniques that have gone into this work, and the overall effect is of the highest quality.
I like this, a lot – it has something that ticks a lot of boxes for me.
This is the second piece by an unknown artist I have posted in the space of a week, which is really unusual for me, but I don’t think I will ever uncover the mystery of this one as it is so unlike anything I have seen in Bristol before.
There are two faces adjacent to one another that ahve the appearance of having been etched out of the thick layers of paint laid down on this tunnel wall. They are in fact painted but in this really unusual style.
The face on the right hand side appears to be more complete that the other one and is lighting up a ‘cigarette’. The shading and colours used for the piece are from an interesting and varied palette; for example the thumb is made up of greens, yellows, pinks and reds.
Not knowing who the artist is was not a good enough excuse for not posting this piece. I like it a lot.
Since I first ‘found’ Leonard Lane about two years ago, I have been back many times to see if there is any new art down there. Sometimes I get lucky, and this was one of those occasions.
This is an unusual piece by an unknown artist (please let me know if you know who painted it), who seems to have used the narrow alleyway to practice some outdoor fine art. The reclining woman is nicely painted, but it is the face that steals it for me – really nicely done.
It seems incongruous placed alongside graffiti and tags, but somehow it enhances the piece somewhat. A bit like a DIY PichiAvo piece. I would love to know more about this unusual piece, but suspect it will remain a bit of a mystery.
I have no idea who this is by, but it really tickled me when I saw it. This is one of those pieces that you really have to keep your eyes peeled to be able to see. Low down and quite small. A dog on a skateboard. A paste up. What is not to like here?
If anybody might know who the artist is, I would be eternally grateful. Pure class as far as I am concerned.
This piece was one of the most mysterious and moving of the whole festival. It depicts, in a stained glass window style, a mother and child wrapped in a blanket. On first glance it looks like a Virgin Mary and Jesus depiction, and the mother has a halo effect around her head. Look closer and for a little longer and the horror of the image becomes clear. This is a contemporary study of the terrible refugee crisis of people from many of the world’s most troubled regions desperately crossing the Mediterranean Sea to get to mainland Europe.
The child is not dressed in swaddling clothes as one so young should be, but strapped into a life jacket and the pair of them are enveloped in a silver sheet to keep them warm. This is both distressing and compelling, and pretty much my favourite piece of the whole festival. One big hitch…The picture was not there on the second day, and I never got to find out who it was by. I scoured the Interweb but drew a blank. If anyone might know, I’d love to find out. I am still really moved by this piece. Brilliant. Bravo.
I took this picture some time ago, and have never been able to find out who it was by. I felt, though that it was worth posting, because it is really quite unusual and not the kind of thing you normally see at Dean Lane.
I like the piece a great deal, it is very well executed and the colours spectacular. What is going on here for the girl with the green sneakers? Who is this by?
Occasionally, when looking for street art on my wanderings, I am confronted by a piece that is unsigned and looks nothing like anything I have seen before. This is one of those. It is an unusual and rather compelling portrait beautifully sprayed, but it is tucked away on a small hoarding and largely out of view, except to those who seek out these places.
I wonder if it is an artist having a bit of a practice at the street scene, or maybe a visitor to Bristol who is uncertain of the rules governing walls. Either way it is a refreshing piece, and I am content to not know who painted it. Maybe I’ll find out in the fullness of time.