Where did it all go?
Youth, enthusiasm and
immortality.
by Scooj
Where did it all go?
Youth, enthusiasm and
immortality.
by Scooj
I never made it to Upfest 2015, which might be a blessing, as I would probably still be writing posts about it now if I had. I was struck though by how many ‘treats’ were hidden in the North Street area after the event.

It was in searching carefully for these ‘treats’ that I started to find some lovely paste ups by 23Magpies, such as this chameleon. Her work is heavily focused on wildlife and the environment, and her feature piece for Upfest was this lovely fox and design.

I am a big fan of 23Magpies’ work and will be writing about some of the treats she left behind after this year’s festival. On this particular piece, you’ve got to love the detail of the bee on the rim, which the fox appears to be watching. Great stuff.
This artist has appeared regularly on this blog and requires no introduction. Aspire’s birds are in inspiration and a tonic for those who live in the city of Bristol. He is a prolific artist who brightens up the some of the darker places for example; The Bearpit and walls and hoardings in the Stokes Croft area.

This is not the first Blue Jay that I have seen by Aspire, and I hope he will continue to do more. This one is special though, in that it was produced for Upfest and will remain intact for at least a year as it is within the playground of Ashton Gate School, in the company of some other great street art.

Alas! I didn’t make it to this site on the Saturday, and missed the opportunity of seeing Aspire at work and of meeting him. Note to self…make better use of the Saturday at Upfest 2017.

“You are beautiful when you are who you are”
Strolling through Shoreditch
shutter working overtime
utterly vibrant.
by Scooj
I used to play five-a-side football with someone called Karl Read, but it wasn’t this Karl Read. This one is a stencil artist from the South Coast and created this amazing portrait in one of the key locations for Upfest. Last year, the wall was home to Robers Wass’ beautiful fox.

There is something about the tones and lines that reminds me a lot of Copyright’s work, of which there is quite a lot in the area, and at first I thought it might be one of his, but then I looked closer.

Once again, one of the real pleasures of being at the festival was to be able to see the artists at work. In this instance, Karl was working with some really large pieces of card that were not entirely cooperating.

The more observant viewer, and one that gets to this final sentence, might spot a reflection of the author of this post (that’s me) in the glass door in the feature image. Vanity publishing!
Dawning of a new
era; so beautiful in
her school uniform.
by Scooj
On the Saturday of Upfest 2016 I was not sure who the artist was on this wall. He was high up on a scaffold tower, and seemed only to have started his piece.

The wall in Greville Road is one of the least photogenic ‘art walls’ in Bristol. It is high up and surrounded by bright skies with the sun during the day behind the wall and so the face is usually in shade. The previous occupant was a hand by Jody.

Even on the Sunday and the Monday the wall was only half done, so I was still in the dark about the artist. I returned a few days after the Festival and the full picture was revealed…a most fantastic work by Cosmo Sarson.

His ‘Breakdancing Jesus’ remains one of the most celebrated pieces in Bristol, and this is equal to it. The colours of this work are wonderful as the figure floats under the multicoloured surface and his half-naked body is reflected in swirls. This really is one of the highlights of the festival and so worth waiting for.

After seeing all of his wonderful wheatpastes in Stokes Croft whilst ‘on tour’ in the UK, it was a real treat to find this fabulous Tian work at Upfest this year. This time his work was not a paste up, but nevertheless unmistakably a Tian piece.

I love his work, and in this piece there is a continuation of his use of sepia tones for the main subject. The whole work shows how accomplished Tian is using different techniques and materials. I am not too sure who is in the picture, but I guess she is famous.

I was rather hoping that while Tian was in Bristol, he might do another series of wheatpastes, but so far I haven’t found anything. I very much look forward to his next visit.

No more packed lunches
thank heavens; reclaiming time
lost from our mornings.
by Scooj
I am a huge fan of China Girl Tile, and was so excited to hear that she would be at Upfest 2016. I had seen lots of her work on social media, but nothing in the flesh, so it was a real treat not only to see her at work, but to be able to say hello and stop for a quick chat.

I caught up with China Girl Tile while she was finishing off her work in the drizzle on the second day of the festival. The wall she was working on is in the back yard of the Hen and Chicken and in really great company (Fake, Cosmo Sarson…and others).

I am glad she chose foxes for this installation, because as many of you may know Bristol is famous for its urban foxes. In fact some research a few years ago showed that the most densely populated group of foxes on record were in and around my allotment. Their numbers fell due to mange and the introduction of wheelie bins with strong lids. I digress. I love foxes.

Her reference to the Campbells soup tin is not only witty but is incorporated so very well into the unfolding story.

Her work is unusual and refreshing and executed with such skill and dedication. The tiles are really beautiful and enchanting. Please can we get more China Girl Tile work in Bristol.
