Tag: Wildstyle

698. Dean Lane skate park (36)

I know that there are a great many Bristol street/graffiti artists that are not yet on my radar, which seems mad after two years of writing about them. The main reason is that some don’t sign their work and or have no social media footprint and are really hard to track down, so I see their work, but don’t know who they are.

Lokey, Dean Lane, Bristol, March 2017
Lokey, Dean Lane, Bristol, March 2017

This is a great 3D piece by Lokey, an artist I had heard of, but whose work I had not knowingly seen. I now find I have photographed some of his work before. There is something pleasing about this piece, it is very easy on the eye, and the fillers around the lettering add a nice touch. I will be on the look out for more.

694. Dean Lane skate park (34)

This was a rather nice surprise left by one of Bristol’s master graffiti artists at the Deaner recently. Inkie has been back in town, and it is great when he leaves something like this behind. This is a beautiful piece of writing, typical of his style, and the colour selection is just brilliant.

Inkie, Dean Lane, Bristol, March 2017
Inkie, Dean Lane, Bristol, March 2017

I know how busy Inkie is, with commissions all over the place, so a piece like this…back to his roots…somehow seems so very valuable and meaningful. Enjoy this, from one of the longest lasting and very best there is.

Inkie, Dean Lane, Bristol, March 2017
Inkie, Dean Lane, Bristol, March 2017

692. St Werburghs tunnel (10)

This is another quick piece by Whysayit at one end of the tunnel in St Werburghs. I can’t believe that I missed this when I went in to photograph pieces in the tunnel, and it wasn’t until I came out again that this caught my eye.

Whysayit, St Werburghs tunnel, Bristol, March 2017
Whysayit, St Werburghs tunnel, Bristol, March 2017

I really do like his style of graffiti art, the way he disguises his letters (YSAE) with curvy shapes and the colours he uses and the outlines to his pieces. I am also rather fond of his tagging, which is peculiar, because as a rule I dislike tagging. All in all a nice piece here.

Whysayit, St Werburghs tunnel, Bristol, March 2017
Whysayit, St Werburghs tunnel, Bristol, March 2017

689. Church Road top (2)

This is the second half of the wall referred to in the previous post, which accompanies Cheo’s work. This right hand side in the beautiful wildstyle writing so typical of Soker. It is a lovely piece and like it’s neighbour, really crisp and sharp.

Soker, Church Road, Bristol, March 2017
Soker, Church Road, Bristol, March 2017

Soker’s work is very distinctive and I have yet to see a piece by him which I think is a bit rubbish or below par. He always seems to turn out excellent work…an artist on the top of his game.

Soker, Church Road, Bristol, March 2017
Soker, Church Road, Bristol, March 2017

 

688. Church Road top (1)

Tucked away behind an industrial unit in Church Road is a little lane that I have not visited before. The building is sprayed with permitted pieces all around, and many of them by Cheo. This is a recent piece, and the wall was shared with Soker – see the next post.

Cheo, Church Road, Bristol, March 2017
Cheo, Church Road, Bristol, March 2017

Cheo has been a little quiet in Bristol since Upfest, but seems to have gone on something of a spray spree recently. This is a quality bit of wildstyle work and there is a crispness so typical of Cheo’s style. This is a great piece, and nice to see a return of the bee.

Cheo, Church Road, Bristol, March 2017
Cheo, Church Road, Bristol, March 2017

687. Upper York Street (5)

This is a quick one from Whysayit in Upper York Street, replacing one he had there before. It is also a quick one from me. I like Whysayit’s work, and the way that he fist his moniker into the space available, always retaining his characteristic ‘font’. While not his best or most colourful piece, it is still skilfully worked.

Whysayit, Upper York Street, Bristol, January 2016
Whysayit, Upper York Street, Bristol, January 2016

679. Moon Street (25)

Face F1st seems to have upped his game recently, producing pieces all over the city, and continuing to develop his style. Together with Laic217, he seems to be ‘in the groove’ at the moment.

Face F1st, Moon Street, Bristol, March 2017
Face F1st, Moon Street, Bristol, March 2017

This piece is on a famous wall with pieces from several Bristol artists on it including a piece by Mr Sleven (the three-eyed characters). I really like this piece by Face F1st, it feels like more time and effort has gone into its production and the face is simple and also wonderfully expressive.

Face F1st, Moon Street, Bristol, March 2017
Face F1st, Moon Street, Bristol, March 2017

I have more pieces by Face F1st in my pending folders, but I think this is the best so far.

678. Upfest 2016 (105)

Some of the artists who painted at Upfest are a little elusive. This piece is by Rupertty, and there is very little I can find out about him…there wasn’t even a programme entry for him. He does have an Instagram account, but there is little there to go on other than some rather nice wildstyle pieces.

Rupertty, Upfest, Bristol, July 2016
Rupertty, Upfest, Bristol, July 2016

I guess some people keep a lower profile than others. I felt that this was a rather low-profile piece and that it feels unfinished, although I think this is it. I think this piece really shows off the diversity of styles that Upfest has to offer. Something for everyone.

667. Norfolk Place (2)

Painted at the same time as the Deamze piece in my previous post, this is a rather more colourful offering from Soker, which was almost certainly sprayed at the same time. This vibrant piece seems to have something that reminds me of Captain America…is it the stars?

Soker, Norfolk Place, Bristol, August 2016
Soker, Norfolk Place, Bristol, August 2016

I like Soker’s work a great deal and together with his ASK crew members he really brightens up Bristol’s streets and walls. Another old piece surviving in mint condition.

 

666. Norfolk Place (1)

This is a rather old piece from Deamze, but I was down there very recently, and it is still looking in good nick. I have to say though that this is not my favourite piece by this artist. I feel the colours are all wrong for this location. It feels to me a little drab and lacking in vibrancy.

Deamze, Norfolk Place, Bristol, August 2016
Deamze, Norfolk Place, Bristol, August 2016

It happened from time to time. I can’t ‘love’ every piece I see. Technically this is a great piece…it just doesn’t do it for me. It is utterly untagged and respected though which shows the high esteem in which Deamze is held.

Deamze, Norfolk Place, Bristol, August 2016
Deamze, Norfolk Place, Bristol, August 2016