This is another very short-lived piece on the M32 roundabout from Serm, who runs a commercial street art outfit under a different name. He has only recently started writing the letters SERM and this is only the second piece I have found.
Serm, M32 roundabout, Bristol, March 2020
Clearly an experienced and accomplished writer, Serm has finished this piece beautifully. The colours work really well on the off-white backwash and the shadows lift the piece really well away from the wall. I look forward to seeing a whole load more from Serm.
Dibz is turning out new work at an extraordinary rate at the moment which is great to see, although keeping up is proving to be something of a challence. I was lucky enough to catch up with him while he was painting this one and he stopped for a bit of a chat.
Dibz, Dean Lane, Bristol, March 2021
Even though he didn’t buff the wall to start with, which is something he does more often than not, the quality of this piece shines through. Either deliberately or accidentally, this piece somehow blends in with the Slakarts and Mudra collaboration beneath it, complementing them well.
Dibz, Dean Lane, Bristol, March 2021
I guess I am labouring the point a bit, but Dibz is right up there with the very best in Bristol in his finishing. Every piece is so clean and tight, which given the intricacy of the writing is nothing short of miraculous. Another outstanding piece.
Inkie and his ASK compatriots have been smashing it in recent weeks, and it is a very good thing to see. I can’t remember a time when so many classy pieces have been painted in such a short space of time. 2021 is shaping up to be one hell of a year for street/graffiti art in Bristol.
Inkie, M32 roundabout, Bristol, March 2021
This lovely piece is in colours favoured by Inkie and seen many times on Natural Adventures before. It is the intricacy of the piece that I find rather special about this one. There is so much interlocking and cross-over of the letters, it becomes impossible to work it all out in your head… goodness only knows how Inkie manages to do it. Yet another very nice piece from that man Inkie.
Another very nice large piece of graffiti writing from Subtle, one of several recent works after quite a long quiet period. It seems that like many other artists Subtle is painting in bursts of activity, hitting loads of walls in a matter of a few days.
Subtle, Brunel Way, Bristol, March 2021
I also think that Subtle must have bought a job-lot of paint, because his recent works have contained similar colour palettes. The letters here are a little more ornate than usual, and the pink boundary and dark stripes are very nice decorations to the piece. Classy as always.
Soker hasn’t painted many walls during the pandemic, but what he has lacked in quantity he has surely made up for in quality. This is a magnificent recent piece painted alongside Inkie and Sepr in the depths of St Paul’s.
Soker, St Pauls, Bristol, March 2021
Everything about this piece of graffiti writing is right out of the top drawer, from the colour selection to the letter design, the graded fills and dripping black spots. There is so much to enjoy here, and Soker is exceeding even his very high bar.
Soker, St Pauls, Bristol, March 2021
I genuinely think that in Inkie, Soker and Sepr, we have some of the very best graffiti writers and street artists in the world, a bold claim I know, but difficult to argue against.
Yesterday I posted a gallery of Hemper’s work, and if you’ve not stumbled across it, you can find it here. This is yet another beauty in a disaggregated style, a little bit like Benjimagnetic perhaps, up at the M32 roundabout. I would like to say it is his most recent piece, but I know of at least two more since this one was painted.
Hemper, M32 roundabout, Bristol, March 2021
At first glance, and to the untrained eye, this might look like a bit of a chaotic mess. It is however a beautifully crafted HEMS in several colours, without a solid fill, but instead a hint at fills and outlines. I think that this is the kind of piece that a novice simply couldn’t create. Appearances can be deceptive.
Here we have another absolute scorcher from the fantastically productive Hemper. This artist’s trademark is his extraordinary creativity; how many different ways can he present the letters HEMS? Combined with his enormous skill and talent.
Hemper, M32 cycle path, Bristol, March 2021
In this piece, Hemper has created a snakes and ladders board decked out in the garish colour squares that are so familiar to many of us from our childhoods. What an amazing thing to be able to do from a few old tins of spray paint. This is a magnificent, bright, happy piece. Thank you Hemper.
“Work to live, don’t live to work” – can’t argue with that.
Another one from the archives and one that I am so pleased to have re-found. It is a lovely collaboration from Turoe and I think Veks, although I might have that wrong. I think I never posted it at the time because I was uncertain about the artists, and it disappeared, quite neglected.
Veks and Turow, Dean Lane, April 2017
Dating from way back in April 2017, the writing in dark brown colours is clearly by Turoe, who definitely wasn’t on my radar back then (what kind of blind was I?). The character I believe to be by Veks and is masterfully painted, so crisp and clean and vibrant. I feel I should have done more homework at the time, but I don’t think I even had an Instagram account back then and was still learning (that never ends). A fine and once forgotten, until now, collaboration.
There are some artists in Bristol whose style is recognisable from the slightest glance. It might be the shape of the letters, the colours, the form or any number of common themes or motifs. Every now and again though they let their hair down and do something quite different. This is something different from Dibz.
Dibz, Dean Lane, Bristol, February 2021
This is a fun and rather small burner from Dibz, which if it weren’t for the letters might be difficult to attribute to him. What you can always be assured of though from Dibz is outstanding clean lines and finishing and this piece is no different. I caught up with him while he was painting another more Dibzy sort of thing on an adjacent wall and asked why he had painted something so different here and he indicated that he was just having a bit of laid back fun. Great to see.