6889. Greenbank (155)

Sepr and Pekoe, Greenbank, Bristol, April 2025
Sepr and Pekoe, Greenbank, Bristol, April 2025

I’m not sure why, but I am always surprised (and thrilled) when I see collaborations between Pekoe and Sepr. Somehow in my head I don’t see them as natural collaborators, but how wrong I am. This delightfully witty piece on the long hoarding at Greenbank took me several attempts to get decent pictures. The fine weather we have been experiencing has a downside which is that full sun causes shadows to be cast everywhere. Eventually I took advantage of an overcast day and made my way to the spot.

Sepr, Greenbank, Bristol, April 2025
Sepr, Greenbank, Bristol, April 2025

The combination tells a story of a headless chicken, and in the left hand side, Sepr has created one of his superb cartoon characters, in this case a ‘one chicken band’. Obviously the festive bird wasn’t to everyone’s taste and the decapitated body marches on as the head complete with party hat watches on.

Pekoe, Greenbank, Bristol, April 2025
Pekoe, Greenbank, Bristol, April 2025

The perpetrator of the violent crime is a rather charming young woman wielding an axe, which makes one feel a little uncomfortable. Pekoe has done a great job here and unusually has painted more of a full character than her more usual head portrait. I have noticed that recently she has also been painting traffic cones in her pieces, like a little signature. The collaboration is witty, gruesome and really well painted. It would be great to see more of these story pieces from these great artists.

6888. Dean Lane skate park (826)

Conrico, Dean Lane, Bristol, April 2025
Conrico, Dean Lane, Bristol, April 2025

Every day, pretty much, I see graffiti and street art and every once in a while I see something by an artist I know and I think to myself ‘this is special, this is really classy’. This clever piece of combined writing and a portrait by Conrico left me feeling that this was special, definitely a ‘keeper’.

Conrico, Dean Lane, Bristol, April 2025
Conrico, Dean Lane, Bristol, April 2025

Conrico has painted his name, but instead of a solid or patterned fill, there is a portrait of a girl behind, as if you are peering through the letters to see her. The piece is expertly executed, but at the same time incredibly modest. No fanfare, no showing off, just a really great fusion piece.

Conrico, Dean Lane, Bristol, April 2025
Conrico, Dean Lane, Bristol, April 2025

Conrico has been turning out some great pieces recently, and this one expands and continues the series. As ever, I look forward to more.

Pura Decadencia

A gallery of fabulous graffiti writing and a selection of vampire teeth from Bristol/Spanish artist and tattooist, Pura Decadencia.

Instagram: puratattoos

All photographs by Scooj

Pura Decadencia, Greenbank, Bristol, February 2025
Pura Decadencia, Greenbank, Bristol, February 2025
Pura Decadencia, Cumberland Basin, Bristol, December 2024
Pura Decadencia, Cumberland Basin, Bristol, December 2024
Pura Decadencia, Dean Lane, Bristol, November 2024
Pura Decadencia, Dean Lane, Bristol, November 2024
Pura Decadencia, Brunel Way, Bristol, May 2024
Pura Decadencia, Brunel Way, Bristol, May 2024
Pura Decadencia, Brunel Way, Bristol, April 2024
Pura Decadencia, Brunel Way, Bristol, April 2024
Pura Decadencia, M32 Cycle path, Bristol, February 2024
Pura Decadencia, M32 Cycle path, Bristol, February 2024
Pura Decadencia, Dean Lane, Bristol, December 2020
Pura Decadencia, Dean Lane, Bristol, December 2020
Pura Decadencia, Brunel Way, Bristol, June 2023
Pura Decadencia, Brunel Way, Bristol, June 2023
Pura Decadencia, Brunel Way, Bristol, October 2020
Pura Decadencia, Brunel Way, Bristol, October 2020
Pura Decadencia, East Street, Bristol, September 2021
Pura Decadencia, East Street, Bristol, September 2021
Pura Decadencia, Redcliffe subway, Bristol, March 2021
Pura Decadencia, Redcliffe subway, Bristol, March 2021
Pura Decadencia, River Avon, Bristol, November 2020
Pura Decadencia, River Avon, Bristol, November 2020
Pura Decadencia, Dean Lane, Bristol, February 2021
Pura Decadencia, Dean Lane, Bristol, February 2021
Pura Decadencia, Dean Lane, Bristol, January 2021
Pura Decadencia, Dean Lane, Bristol, January 2021

6883. Dean Lane skate park (825)

Werm and Zake, Dean Lane, Bristol, April 2025
Werm and Zake, Dean Lane, Bristol, April 2025

Tucked away behind the iron fence of the swimming pool at Dean Lane is this fabulous collaboration combination piece from Werm and Zake. Werm, more than adequately providing the symmetrical letters, and Zake offering a couple of different cheeky characters peering over the top of them.

Werm and Zake, Dean Lane, Bristol, April 2025
Werm and Zake, Dean Lane, Bristol, April 2025

The horizontal band colour scheme, painted on an off-white background, works really well, and Zake has cleverly incorporated the band of colour into his characters. I’m not quite sure what it is about it, but this feels like a really classy piece to me, and I really like it.

6882. Cumberland Basin

Totosoapcity, Cumberland Basin, Bristol, April 2025
Totosoapcity, Cumberland Basin, Bristol, April 2025

I have seen quite a few pieces by Totosoapcity in Bristol before, but hadn’t known who the artist was, so haven’t posted them. This could mark the opening of a little floodgate for when I do some digging in my archives, which I like to do from time to time. I’m not sure that Totosoapcity is from Bristol, but must be reasonably local I would think, because we see visits every few months.

Totosoapcity, Cumberland Basin, Bristol, April 2025
Totosoapcity, Cumberland Basin, Bristol, April 2025

This piece is part of a large collaboration from a group of artists I am not too familiar with, but who have done a great job on this wall, selecting a themed colour approach to all their writing. I think the letters here spell ARS(Z)A, and have a pleasing symmetry to them. The red, pink, black, brown, yellow and orange colours are not my favourite combinations, but work reasonably well – not sure about the pink. They do, however, contrast perfectly with the themed grey banner background, which is consistent through the entire collaboration.

6881. Cumberland Basin

#DFTE and Dave Sharp, Cumberland Basin, Bristol, April 2025
#DFTE and Dave Sharp, Cumberland Basin, Bristol, April 2025

These two artists collaborated on almost this exact spot back in July 2022 – how time flies, I had it in my mind that it was last year. From what I can gather #DFTE and Dave Sharp are good friends, and this fine collaboration ‘anxious iron giants’ combines the distinctive writing of #DFTE with the artistic talents of Dave Sharp.

#DFTE and Dave Sharp, Cumberland Basin, Bristol, April 2025
#DFTE and Dave Sharp, Cumberland Basin, Bristol, April 2025

I would love to see more from #DFTE – the power of words is so beautifully presented with his unique style, going big on the drips, but he doesn’t seem to paint all that often. Dave Sharp, I don’t know much about, but he has captured the Iron Giant robot really well, perhaps tinged with a little anxiety… who knows. Their combination works really well, and as a bonus, here is their last one…

Dave Sharp and #DFTE, Cumberland Basin, Bristol, July 2022
Dave Sharp and #DFTE, Cumberland Basin, Bristol, July 2022

6879. M32 roundabout J3 (675)

Minto, M32 roundabout, Bristol, March 2025
Minto, M32 roundabout, Bristol, March 2025

This is an outstanding piece of graffiti writing from Minto, and is a great example of what is not there as being as important as what is there – if that makes any kind of sense. There is a lot of empty space alongside multiple illustrations and decorations throughout.

Minto, M32 roundabout, Bristol, March 2025
Minto, M32 roundabout, Bristol, March 2025

The letters spell out MINTO, and there are some regular motifs that the artist has used before, such as the character and a pair of sneakers at the base of the letter M. I’m not sure whether there is a coherent story or whether the piece is simply a collection of ideas and thoughts bundled up together. Either way, there is plenty to look at in this energetic piece.

6875. Jamaica Street, Liverpool

Liam Bononi, Jamaica Street, Liverpool, March 2025
Liam Bononi, Jamaica Street, Liverpool, March 2025

There are many parallels between Bristol and Liverpool, in part due to the established trading routes with America and the West Indies. Unfortunately, both cities prospered through the trade in slaves, alcohol and tobacco, along with a huge amount of other less controversial goods. Place and street names tend to reflect the development of a city, and it is no surprise that both Bristol and Liverpool have a Jamaica Street, and that both are in areas that have seen a lot of change.

In Liverpool, the area around Jamaica street is a hotspot for street art, and I was lucky enough to find some superb pieces during my recent visit there, including this old piece by Liam Bononi.

Liam Bononi, Jamaica Street, Liverpool, March 2025
Liam Bononi, Jamaica Street, Liverpool, March 2025

Liam Bononi has become one of the great high-end artists in Europe and is a favourite for premium walls and festivals, and this piece, I think, was painted sometime last year. Much of his work contains contorted, agonised or corrupted portraits, perhaps reflecting an inner struggle. This beautiful portrait piece appears to be cracked and disfigured as if it were a broken mirror, and as a result is a little unsettling. Although based in the North of England, Liam Bononi does manage to travel around the country a little, which is great news.

6872. M32 roundabout J3 (674)

Face 1st, M32 roundabout, Bristol, April 2025
Face 1st, M32 roundabout, Bristol, April 2025

Now that Face 1st isn’t living in Bristol, and he paints less frequently, he appears to be a little more judicious in what he paints, and seems to be experimenting a lot more with his writing and his fonts.

Face 1st, M32 roundabout, Bristol, April 2025
Face 1st, M32 roundabout, Bristol, April 2025

This is a wonderful chrome combination piece with Face 1st’s trademark laughing girl character and hair made up of the word FACE. This time though the letters have more of a calligraffiti style to them, and are nicely finished. Somehow, Face 1st is, for me at least, emblematic of the Bristol scene, and I am so pleased that he comes back reasonably regularly to remind us of his talent and style.

6871. Dean Lane skate park (822)

Eska, Dean Lane, Bristol, February 2025
Eska, Dean Lane, Bristol, February 2025

I have met ESKA on a couple of occasions, and he is a genuinely nice bloke. In our chats, I was under the impression that he was passing through Bristol, as he has quite an itinerant lifestyle. However, it seems that he is hanging around longer than I thought, which is brilliant news, because his work is outstanding, and quite different from the Bristol style we are used to seeing here.

Eska, Dean Lane, Bristol, February 2025
Eska, Dean Lane, Bristol, February 2025

This is a fine piece on the back of the long ramp in the skate park. Normally, his letters spell out ESKA, but I am not convinced that is the case here. His colour choices are superb, and there is a remarkable anamorphic effect, with great depth in the piece.

Eska, Dean Lane, Bristol, February 2025
Eska, Dean Lane, Bristol, February 2025

One of the special features of Eska’s writing is hidden in the small details, such as the little figures watching on at some futuristic spaceships or something like that. Always, his work contains plenty of hidden messages and symbolism, and of course they are finished to an incredibly high standard. Long may his stay in Bristol last.