Not long ago, I met Lee Roy, whilst walking our respective dogs, and he informed me that he was hanging up his spray cans for a while, which was disappointing to hear, because I like his work and the way he expresses himself through it. However, this piece might signify a return for the anti-style(ish) writer.
Lee Roy, Cumberland Basin, Bristol, December 2024
During his ‘lay-off’, he hasn’t lost his touch in the slightest, indeed, this is a rather sharp piece, beautifully presented and with an array of his favourite fill patterns and shapes. The purples and greys work well against the blight blue background, and this is a very fine ‘come back’ piece. Hoping this is more than a splash in the pan.
Werm has an amazing capacity to concentrate on a particular style of lettering, focussing on that style for a period of time, and then trying something new and moving on, it feels like restlessness settles in after a few months and new challenges await. This is a wonderful piece that is new to me, and differs from his bilateral symmetry work that has been his hallmark for the last four months or so.
Werm, River Avon, Bristol, December 2024
Werm paints on this stretch of wall a lot, and many of his older pieces are on display here, it is a bit of a Werm gallery. The colours in this piece work incredibly well together, and the shape and form of the letters with some interlocking between them is a new and exciting aspect. I look forward to seeing whether this is a new phase of design that Werm will be adopting, or whether it is a one-off.
It is always, always a great pleasure to welcome Wispa to Bristol, and finding her pieces (almost always an unannounced surprise) is such sweet joy. This recent piece was painted to celebrate Pekoe’s birthday, hence the shout out top left.
Wispa, Dean Lane, Bristol, December 2024
Wispa’s work is always immaculately turned out, and the clever fills in this piece read across from letter to letter. Simply a wonderful piece.
Seriously quick one today – I have loads of Christmas preparations (housework) still to do, and very little time to do it in. This is a nice mega-tag type of piece by an artist I don’t know much about, called Blam, who I believe might live in Bristol, and who paints occasional pieces.
Blam, Cumberland Basin, Bristol, December 2024
This spot is one I really like, and Blam has managed to fill the space well with this ultra-green combination piece.
Vane and Bnie, Cumberland Basin, Bristol, September 2024
This stunning collaboration from Vane and Bnie was painted a little while ago during a paint jam organised to wish Mena a swift recovery from her accident in Thailand. The character on the left is by Vane and the writing, spelling MENAS is by Bnie.
Vane and Bnie, Cumberland Basin, Bristol, September 2024
The colour selection in this collaboration is really quite something, with the purples, pinks and mint green working exceptionally well together. I don’t get to see much artwork by Vane, and Bnie hasn’t painted too much this year, so this collaboration was bonus and a bit of a treat. I hope all the good vibes created during this paint jam have helped Mena on her journey to recovery.
Bazamataz, Sparke Evans Park, Bristol, November 2024
It would be a bit of an understatement to say that I really like this piece. I don’t know what it is about it, perhaps it is the unique fills for each of the constituent parts of the letters NESK, or perhaps the freshness of an artist I am not familiar with. Probably a combination of the two.
Bazamataz, Sparke Evans Park, Bristol, November 2024
The artist is Bazamataz (thank you, Paul H), and the colourful piece stands out brilliantly on the grey backwash and above the autumn-brown leaves. It all comes together so well and stands out a mile. The 3D drop shadow might be a little lost, and could have been a bit more prominent, but it is a small matter really. Wonderful work.
When I say that this piece is in North Street, I wouldn’t want to send people off to Bedminster unintentionally. This is the North Street that is part of the A38 that branches off the Bear Pit roundabout. The piece by Kid Krishna is on the hoarding outside what used to be the Blue Mountain.
Kid Krishna, North Street, Bristol, November 2024
The combination piece contains the usual cryptic writing from Kid Krishna, spelling CRIE, and the character aspect is in the form of a partial skull. I think that there is some special part of Kid Krishna’s brain that is able to visualise and create these pieces, which are really quite different from much of the other stuff on the streets of Bristol. Often his characters are partial or hinted at, rather than being overt full-on, which makes it all the more intriguing.
Hypo and ZBomb, St Werburghs, Bristol, November 2024
Hypo has been quite busy in St Werburghs tunnel of late and here he has teamed up with ZBomb, to create this rather nice collaborative wall. The only common factor between the two pieces is the blue background, but it qualifies as a collaboration because of that and the fact that they painted together.
Hypo, St Werburghs, Bristol, November 2024
The Hypo letters are less elaborate than some of his recent pieces and the horizontal fills – I can see at least six colours – create a nice traditional feel to the piece. The whole thing sits nicely on the background, and is beautifully bordered with a yellow line and a few icicle drips.
ZBomb, St Werburghs, Bristol, November 2024
I don’t know much at all about ZBomb, but I am sure I have seen other work by the artist about the place. This is a real case of say what you see… the letter Z painted over an archetypal cartoon bomb. The piece is eye catching and instantly fun, sometimes the simplest of ideas can be the most enjoyable. A nice collaboration.
These pictures are proof that it is always worth taking pictures (however bad the conditions might be) of street/graffiti art if you can, because the next time you swing by the piece might have gone. There was a van parked in front of this writing by Nips when I passed by, but I thought I’d try to photograph the piece, even from rather weird angles, just in case it didn’t last. It didn’t, so the strategy worked, and I get to share the graffiti writing, even if the pictures aren’t the best.
Nips, St Werburghs, Bristol, November 2024
Nips is one of my favourite artists in Bristol at the moment. Her simple and no-nonsense approach to her letters and her creative fills, in this case nicely worked blue and grey blended colours and spots, tick my boxes and make me happy. She is one of a handful of artists that always bring a smile to my face when I find their work.
Oust, Stivs and Noise, Frome Side, Bristol, November 2024
This magnificent triptych forms one part of a larger paint jam under the M32 prompted by World Wall Stylers wi the theme of the animation Ninja Scroll – not a film I am familiar with. The three artists who have collaborated are Oust, Stivs and Noise.
Oust, Frome Side, Bristol, November 2024
To the left is some highly accomplished writing from Oust. Quite how it relates to Ninja Scroll, I don’t know, but having not seen the film, connections might be difficult for me to spot. There is a misty quality to the piece, and the 3D drop shadow is masterful.
Stivs, Frome Side, Bristol, November 2024
The obvious focal point of the collaboration is the wonderful character piece in the middle by Stivs, whose talent appears to have no bounds. I am assuming that the character is taken from the animation, and is wielding a fine double ended sword. Stivs is so good at painting these kinds of characters.
Noise, Frome Side, Bristol, November 2024
To the right, the ubiquitous Noise has added his own inimitable style to the proceedings with some chunky bronze letters spelling out NOISE. His letters hive some nice fills and a contrasting pink drop shadow. The common factor with each of the three pieces is the greens-blue plasma cloud surrounding. Very nice work from the trio.