It is such a good feeling when new graffiti writers on my radar start to appear once, then twice and then all of a sudden everywhere. Examples might include Raid, Dirtygypo, Grimes, Jevoissoul, Nips, Butch and so on, and now I am hoping that Fudge will be joining their ranks.
Fudge, Montpelier Park, Bristol, September 2024
Her last piece (and first I became aware of) was on the M32 roundabout and included a large eyed cartoon character. This one in Montpelier Park is a straightforward piece of writing, but there is something rather pleasing about her letters and her fills too are rather nice and dreamy. I’ll be looking out for more from Fudge.
When Logoe hits town, he tends to hit it pretty hard. When this collaborative piece was painted earlier in the month, I think it might have been a one-off, because I didn’t find any other pieces in all the spots he usually decorates so freely. It is a collaboration with Nova, about whom I know absolutely nothing, but it is a beauty nonetheless.
Logoe, M32 Spot, Bristol, September 2024
More often than not Logoe writes with thin script letters, but he has switched things up in this piece of graffiti writing with great big fat chrome letters with a bold solid black drop shadow. The whole piece is very neat and tidy and well presented on a red cloudy background. Of course, there is a sprinkling of small oval dots running through the piece, just in case we weren’t sure it was by Logoe.
Nova, M32 Spot, Bristol, September 2024
Nova has painted letters using the same colour scheme, and also incorporated little ovals, although arranged a little more orderly than Logoe’s. Another cross-reference feature is the yellow ‘o’ in both pieces. Nova’s writing is also nicely presented, and I am intrigued to know more about the artist, but that might need to wait until the next time I bump into Logoe. A fine collaboration an a favourite wall.
This is the third piece by Butch that I have posted, and although I can’t put my finger on exactly why, I really like what I see. There is a consistency to the letters from piece to piece, which means that the main focus is always likely to be on the fills and background.
Butch, M32 roundabout, Bristol, August 2024
This work by Butch, is on the cusp between casual throw up and a polished tight piece, which is an interesting space to inhabit, and I see that there is potential to create some high class finishing, but perhaps not the desire to go full-on high-end. The letters are composed of solid ‘plates’ of light blue and dusky yellow, riveted together, a device used by some artists, and a very effective one too. This is great work from the PLB graffiti writer.
Painted as part of the World Wall Stylers ‘Who Framed Roger Rabbit’ paint jam, this is an absolute beauty by Sait Bare, and possibly the best piece I have seen from the artist yet. Although there is no character, Sait Bare has adhered to the colour scheme, and thrown himself into the collaborative effort.
Sait Bare, Cumberland Bain, Bristol, August 2024
The colours are expertly blended with beguiling patterning running through the letters which spell out SAIT. There is a smoky, ephemeral feel to the whole piece, all very atmospheric. There is a bit of a juxtaposition between the wispy fills and the solid 3D drop shadow, but I think it comes together nicely.
Unknown artist, M32 roundabout, Bristol, September 2024
I photographed this piece before I knew that Mena had had an accident and that she couldn’t have possibly painted this piece. I initially thought it was hers, but had doubts, because it isn’t really in her style. This leaves me with a bit of a problem, in that I don’t know who to attribute this shout-out piece to, hence the label of ‘unknown artist’.
Unknown artist, M32 roundabout, Bristol, September 2024
There are some clues in the piece as to who painted it… there are lots of graffiti arrows, used a lot by artists such as Hypo. There are also some nice subtle stars in the fill patterning, which many artists use. This one will remain a mystery until somebody tells me who painted it, but the sentiment is, I’m sure, much appreciated by Mena and her family/friends.
An explosive and colourful piece by Nips on the long wall at Greenbank was a very welcome sight, especially as the turnover at this spot seems to have slowed down a litle, so finding anything new there is always rewarding.
Nips, Greenbank, Bristol, September 2024
Once again it is the fills that delight and Nips seems to specialise in beautiful designs and colour palettes for her letters. As ever, the letter form tends to remain reasonably regular from piece to piece, although the dot over the ‘i’ allows scope for variation, and here she has placed a simple heart icon in the pink circle. I am not 100% convinced by the green and blue border, the green in particular gets a little bit overwhelmed by the purple fills. Nice stuff from Nips.
Regular readers may recall that I am not a fan of posting work that is in effect advertising, but it seems that it is becoming all too common, whether promoting music or art. I guess I am more forgiving if an artist is promoting their own work, or helping out with mates, but it it still doesn’t sit very comfortably with me. It is a fine line between advertising for mates and corporate advertising. I suppose if money doesn’t change hands then it is ok. Somehow, though, the promotional aspect seems to disrupt the freedom of the artist, because there is a different driver or purpose, and this is reflected in their style and content.
Kid Crayon, Dean Lane, Bristol, July 2024
Kid Crayon manages to gain leniency from me because I love his work, and in this piece he promotes n exhibition ‘Art on wax’ that happened way back in July. I expect the delay in posting the piece was down to my prevarication. It is well painted but in my view insincere. There you have it.
Dibz, Jody, Urge, The Art of Sok and Fade, Brunel Way, Bristol, July 2024
This is another stunning production piece, led and bookended by Dibz and Fade, incorporating work from Jody, Urge and The Art of Sok. The themed colours of orange and light blues works exceptionally well in this spot that can have a tendency to be a bit gloomy.
Dibz, Brunel Way, Bristol, July 2024
Starting with Dibz on the left (and rather annoyingly, capturing that shaft of light which makes an appearance in the afternoons), the collaboration gets off to a great start, with as sharp and tidy wildstyle graffiti writing as you would expect from Dibz.
Jody, Brunel Way, Bristol, July 2024
With five artists in the line-up, and three of them writers, the character pieces appear in the second and fourth slots. This astonishing Godzilla piece is by Jody, who has been on fire since joining up with Dibz and Fade over the last year or so (although, to be fair, he is always on fire, but perhaps more so recently).
Urge, Brunel Way, Bristol, July 2024
Next up is a piece by Urge, who I know nothing about, but whose writing looks completely at home with the Bristol artists. I guess that Urge was visiting, or passing by, and got invited to join in. I love it that Bristol artists are so welcoming of others from around the country.
The Art of Sok, Brunel Way, Bristol, July 2024
The fourth slot is taken up by the Art of Sok, whose distinctive style of cartoon characters, while so utterly different from the other four pieces, somehow manages to complement them very well. His characters are always beautifully presented in as close to a perfect state as they could be.
Fade, Brunel Way, Bristol, July 2024
Things are rounded off by Fade, who along with Dibz ‘owns’ this manor. His beautiful letters, immaculately filled with two shades of blue and bordered with an orange 3D drop shadow, reflect the writing that comes before it. This is a very classy production piece from these five artists. Bravo!
It is quite unusual to find a Hire piece outside the Dean Lane skate park area, but here he is joining in the fun with the World Wall Stylers ‘Who Framed Roger Rabbit’ paint jam, and although his piece isn’t as overtly on-topic as most of the pieces, it is nonetheless a part of the whole wall.
Hire, Cumberland Basin, Bristol, August 2024
The wonderfully crafted letters spell out HIRE, but I was sorely tempted to fib and say they spelled RABBIT. A feature I haven’t noticed about his work before is the long shadows that have been cast from the tips of his letters, which seem to lift the piece a little. This is a nice reversion to his more spiky style that sets him apart from other writers.
After his slightly controversial topless piece, entitled Norks, a few weeks back, Stivs has followed it up with this fantasy piece, only this time the character has a hint of clothing in an effort to avoid the piece being scribbled over.
Stivs, M32 roundabout, Bristol, September 2024
Whilst this piece won’t be everyone’s cup of tea, it clearly demonstrates Stivs’ talent as a cartoon character artist as well as the best Calligraffiti artist in Bristol. I was lucky enough to catch up with him, and Corupt, as he was finishing off the piece, adding touches to the writing with such ease and complete competence. Another great piece by Stivs.
Natural adventures 