Writer – Page 94 – Natural adventures

6120. M32 Cycle path (268)

Hemper, M32 Cycle path, Bristol, June 2024

In Bristol we are spoilt and have become accustomed to seeing extraordinary wildstyle graffiti writing from Hemper on a regular basis. This wonderful organic piece is simply the latest in an outstanding series from the talented artist.

The letters spell out HEMS and have remarkable depth to them created through both incredible design and technique using light and shade. The whole thing almost looks like a metal plate or buckle slapped onto the wall. Subtle colours, shiny light and a cool drippy border all contribute to the overall 3D effect. What a beauty.

6118. St Werburghs tunnel (428)

A quick couple of posts today, because I am writing this in advance of my niece’s wedding party today, and have a rather squeezed timetable. There is something rather special happening with Benjimagnetic’s work at the moment, and I can’t quite put my finger on exactly what it is, but he seems to have stepped up a level recently, with some great designs and a cleaner look to his pieces.

Benjimagnetic, St Werburghs, Bristol, June 2024

This one in the tunnel is an absolute belter and the colour selection is sublime and may, in part, be what is contributing to his new level. Ordinary Benjimagnetic writes BEN, but I am struggling a little to read this piece. I am very much enjoying this strong surge of pieces from Benjimagnetic.

6117. Cumberland Basin

Solar, Cumberland Basin, Bristol, June 2024

Although I have been featuring Solar on Natural Adventures since 2021, it wasn’t until May this year that I actually got to meet him while he was painting this piece. As with pretty much all the artists I meet he is a really nice person and managed to instantly dispel some of my imagined preconceptions of members of the PLB crew, which were largely based around not having met any of them.

I would categorise Solar’s writing style as soft anti-style, meaning that while he bucks the trend of conventional graffiti writing, there is some order and consistency to his letters, nothing too chaotic or anarchic. The letters are nicely done but the star of the show is the ‘implied’ drop shadow in blue and black, which is a very clever mechanism I haven’t seen deployed before. You’d think that the colour scheme wouldn’t work, and at first that was my impression, but actually it seems to work remarkably well.

6113. Sparke Evans Park (98)

Stivs, Sparke Evans Park, Bristol, May 2024

Stivs has utterly smashed it with this outstanding writing/character combination piece, which was painted alongside a Kosc piece (featured a few days ago) on the long wall at Sparke Evans Park. Stivs is an artist of many talents, and although he in well known predominantly for his calligraffiti, he isn’t half bad at painting characters, as this piece demonstrates.

Although he is a bit of a ‘potty-mouth’, this piece reads ‘FUK PIG’, he dresses the letters up so beautifully, that it kind of creates a profanity filter of sorts. The cartoon-style character, probably lifted from a film or cartoon series, is beautifully presented and makes you wonder why he doesn’t paint characters more often. Together with the Kosc piece, this is one half of a very fine collaboration.

Kosc, Sparke Evans Park, Bristol, May 2024

6111. Dean Lane skate park (723)

Unfortunately, I missed Soker when he was painting this unexpected piece in Dean Lane, because he had disappeared for a break, and I couldn’t hang around too long. This was extra unlucky (so near and yet so far) because he doesn’t paint all that often these days.

As I would expect, the writing from Soker is outstanding, with some quite thin script-like letters spelling out his name. What transforms a good piece into a great piece is the attention to small details, such as the yellow and orange tips to the letters. A beautiful drop shadow lifts the letters away from the luscious pink background, and the whole piece is an exemplar of great graffiti writing. Soker remains one of the very best in Bristol.

6110. M32 roundabout J3 (582)

Biers, M32 roundabout, Bristol, June 2024

I am taking a little break from Upfest now to concentrate on the street and graffiti art that happens every single day in Bristol, the lifeblood of the urban art culture in the City. One of the stalwarts of this culture is Biers (a name I use because this is what he used to write when I first encountered him – he goes by several other names these days, including Jimothy Slip).

This is a very neat and tidy WD40/character combination piece, although I have had trouble identifying the character peering out of the ‘0’. The fills in the letters are nicely worked and the thick white drop shadow lifts the letters nicely above the lime green background. A nice piece from Biers.

6109. Upfest 2024 (25)

Kid Crayon, Greville Smyth Park, Upfest 24, Bristol, May 2024

This combination character and graffiti writing piece by Bristol’s Kid Crayon was something of a rarity at Upfest this year. It seems fitting that Kid Crayon was selected to paint this wall, because for me, he kind of represents the ‘Bristol school’ of street art, and although the styles of Bristol are enormously varied, somehow KC encapsulates them in his art.

The piece is a tribute to Jack Black, who KC obviously admires, and he openly states “This is not the greatest Montana burner in the world, no, this is just a tribute!”. This statement shows Kid Crayon’s modesty, because this is an accomplished piece, perfectly presented for an Upfest audience. It would have been nice to see a bit more graffiti writing at this year’s festival – maybe next time. More of Kid Crayon’s work in this gallery.

6103. Greville Smyth Park (2)

Acer One, Andy Council and Paul Monsters, Greville Smyth Park, Bristol, May 2024

Although this outstanding collaboration piece from Andy Council, Acer One and Paul Monsters was painted a little while ago, I only got to photograph it during Upfest 2024, however it is not an Upfest piece (although many visitors won’t know that). This is what I call a true collaboration, where the distinct styles of the three artists are combined into one story, and they have achieved this fusion expertly.

The three components are a wonderful geometric background design from Paul Monsters, which creates a colourful backdrop and tone, while also providing some depth with light and shadow tricks. The writing ‘New Story’ and circle are beautifully created by Acer One, whose precision and accuracy are unsurpassed. Note the subtle shadow to the lower and left sides of the letters, lifting them ever so gently from the wall. Finally, the greyscale monster in thee middle is painted by Andy Council and stands out against the colour of the background and is framed by the circle. Brilliant composition from the three of them. The piece was painted on the Spring Equinox on 24 March 2024 and a film and full explanation of the collaboration is given on Andy Council’s Instagram feed.

6102. Cumberland Basin

Sait Bare, Cumberland Bain, Bristol, May 2024

Rather annoyingly, I keep missing pieces by Sait Bare, either finding them prior to completion or that they have been overpainted, so it was a relief to find this one finished and intact. This letter/character combination piece is painted in a metallic gold colour, that is strong, and the background decor reflects the general messiness of the wall.

The letters spell SAIT with the character taking the pace of the letter ‘i’, and there is a deep red and black striped drop shadow. The character is painted in a carton style, with the eyes and mouth standing out in white against the gold. There is a lot to like about this piece and I look forward to finding more from Sait Bare.

6100. Sparke Evans Park (97)

It is too easy to be seduced into expecting outstanding work from Kosc, and what I mean by that is that it isn’t easy to turn out unbelievably great from work every painting session, and it shouldn’t be taken for granted. Kosc works really hard, continuously improves and seems to be reaching another level these days.

This piece was painted alongside Stivs (to follow) in a collaboration that shares a colour scheme and combination theme. It would seem that the creative ideas were liberally shared, with Kosc creating some calligraffiti letters in a kind of Gothic font which have turned out really well. The eye though is drawn to the extraordinary portrait replacing the ‘O’ of Kosc. The fine detail and sheer beauty of the portrait is unbelievable, and that it is painted in two shades simply adds to the wonder of the piece. Kosc’s portrait work is magnificent, and this piece showcases it perfectly. We are blessed in Bristol.

	Sheree on 7622. North Street
	paulh121 on Oblivious
	paulh121 on 7620. M32 roundabout J3 (…
	hitandrun1964 on What is she?
	hitandrun1964 on 7620. M32 roundabout J3 (…

	Sheree on 7622. North Street
	paulh121 on Oblivious
	paulh121 on 7620. M32 roundabout J3 (…
	hitandrun1964 on What is she?
	hitandrun1964 on 7620. M32 roundabout J3 (…

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