Kingfishers are a favourite subject for street artists and it is amazing how these little bird can give such inspiration, I wonder what it is about them that makes our hearts sing, is it the colours? The fleeting glimpses? The fishing? Who knows, but they are certainly a very popular.
Graffoflarge, Paint festival, Cheltenham, September 2020
I don’t know anything about the artist Graffoflarge, but he clearly has a sense of humour by fusing a kingfisher and duck in this piece. The artwork is really interesting, being made up largely of lines and the background is beautifully done to provide the perfect backdrop for the subject. Vibrant and fun, a classy piece.
It is time for another short series of posts on this year’s Cheltenham Paint Festival back in September, starting with this lovely collaboration from Bristol artists Inkie and Soker. This is one of those collaborations where the artists share a wall and colour scheme, but each piece is otherwise independent.
Inkie, Paint festival, Cheltenham, September 2020
On the left is a stunner from Inkie full of intricate detail. This is a piece which the artist obviously spent a lot of time on and that time has paid off because in my eyes this is a near-perfect piece of graffiti writing.
Soker, Paint festival, Cheltenham, September 2020
On the right of the wall Soker has similarly smashed it. To anyone seeing this and thinking this is just another piece of graffiti, think again… this is world-class writing from two of the very best, and how lucky are we that they both come from Bristol. The more I look at this piece, the more I enjoy it. Bravo!
Inkie and Soker, Paint festival, Cheltenham, September 2020
It took me a little while to solve the mystery of these faces that started to appear all over Bristol from about September time. Of course the answer was staring me in the face (almost literally) all the time, but I simply didn’t make the connection. It wasn’t until I saw an Instagram post by the artist that the penny dropped. It is of course by Slakarts.
Slakarts, Cumberland Basin, Bristtol, October 2020
Slakarts is another artist who has been fairly quiet for most of the year, but suddenly a rash of pieces very similar to this one started appearinng a few weeks ago. It is strange that an artist who is known for using a certain style changes the basic shape of his pieces and then repeats them all over the place in the form of a mega-tag, but that is what Slakarts has done. I like this piece with strong lines and fills, and it certainly catches the eye. Look out for more on Natural Adventures before too long.
I pitched up in the tunnel just as Elvs and a couple of friends were just leaving. Unfortunaetly I wasn’t able to say hello as they jumped into their car and disappeared. Fortunately they had left behind some lovely pieces, including this one by Elvs himself.
Elvs, St Werburghs, Bristol, October 2020
It feels like Elvs has been fairly quiet through the latter part of summer and the walls of Bristol have been all the duller for his absence (or at least they might have been were it not for the abundance of talent in the city, but I think you know where I’m coming from). This is a typical piece of Elvs writing in his unique style with three horizontal fills and a 3D shading with a vanishing point in the centre of the work. Welcome back.
Mr Draws has been turning out some really nice pieces recently and this one is a particularly colourful one. His work has a tendency not to last too long, probably an artefact of the walls he paints rather than any commentary on the quality of his work.
Mr Draws, Dean Lane, Bristol, October 2020
In this piece, as usual, he spells out DRAW! and his fills are a colourful array of lines, spots, stars and squiggles. This is classic ‘make it up as you go along’ artwork and looks like it was fun to do. The streets of Bristol would be duller without Mr Draws.
A couple of weeks ago I bumped into Paul H in St Werburghs tunnel and he tipped me off that Smak was likely to be painting at the M32 Spot, so naturally my next port of call was to my favourite board under the motorway. There I found not only Smak, but Mena too, both busily spraying.
Smak and Mena, M32 Spot, Bristol, October 2020
I have many photographs of Mena’s work, but I think this is the first time I have posted anything, so I guess a bit of a rummage through my archive will be happening in the not too distant future.
Smak, M32 Spot, Bristol, October 2020
On the left of the board is a beautifully worked piece of graffiti writing from Smak. What is noticeable about this is that the light conditions on the two days I visited this piece have presented two different tones, one much yellower than the other – I guess that cameras get pretty goofed up with poor light under the motorway and bright light bleedinng in at the sides. Auto settings simply can’t cope.
Mena, M32 Spot, Bristol, October 2020
On the right is a ‘stock’ piece of writing from Mena. The letters are uniform in size with interesting shapes and Mena really goes to town with some beautiful horizontal fills in wonderful complementary colours. The outcome is very pleasing, and the black 3D shading really helps to lift the whole thing out from the wall. I am really looking forward to sharing more from Mena.
There is a thing at this time of year in the street/graffiti art world and that is to do a Halloween piece. I haven’t seen too many this year, although I have just been out to walk the dog and photographed a whole bunch more. This one is by Biers, who I am pleased to report is writing Biers again having spent the last year or two writing OhYeah.
Biers, M32 cycle path, Bristol, October 2020
This piece is a classic writing/character combination with a rather friendly looking grim reaper popping up to the right hand side of the writing. Biers has been reasonably dormant this year, so it is great to see him getting out and about.
It has been a very, very long time since I last saw a piece from Object… and at this time of political turmoil I have missed his interjections and commentary defending the less well off and downcast members of our society.
Object…, M32 Spot, Bristol, October 2020
Another rather grotesque imagining of a hand being eaten by hungry mouths… a piece with a lot of pain anguish and rage. The whole scene is rather unpleasant and uncomfortable, but I think that is the point, this is a challenging and political piece. The slogan ‘Eat the Rich’ accompanies th work as in so much of Object…’s art. A provocative and compelling piece.
Natural adventures 