Month: May 2022

4469. Cumberland Basin

When it comes to precision, there are few artists better than Flava136. In recent months, he has reinvented his work with a new look, ditching the monster character, but still uses the same style of blended straight lines and curves, solid fills and geometry. I would liken his work to Epok, although each has their own distinctive look.

Flava136, Cumberland Basin, Bristol, May 2022
Flava136, Cumberland Basin, Bristol, May 2022

Flava136, now pushing the NTS label, teases us with these abstract shapes and designs, in a well thought out colour palette. I am not sure what the letters spell out, and I will need to get better at interpreting his cryptic work. Suffice it to say though, Flava136 is without doubt one of the tidiest artists painting in Bristol, and always produces spectacular work. This is a beauty.

4468. Queen Street (1)

This magnificent collaboration between Paul Monsters and Tom Miller was painted a little while back, but I couldn’t work out where it was. I found it by accident when returning from a trip to Greenbank. Although it is a large piece, it is easy to miss if you are not looking out, and is pretty much invisible if driving in the opposite direction.

Paul Monsters and Tom Miller, Queen Street, Bristol, May 2022
Paul Monsters and Tom Miller, Queen Street, Bristol, May 2022

I’m glad that I did find it though, because it is a truly spectacular collaboration from a pair of artists who are unafraid of using a ton of colour in their work. The two styles, one geometric and the other surreal, are a perfect match because of the blending of colour palette. The elaborate geometric pattern is by Paul Monsters and is as complex as I have seen from him. The frenetic explosion of objects spilling out of a portrait is by Tom Miller, whose work I have been following closely and admiring for several years.

Paul Monsters and Tom Miller, Queen Street, Bristol, May 2022
Paul Monsters and Tom Miller, Queen Street, Bristol, May 2022

A closer look at Tom Miller’s piece gives us a small window into the busy mind of the artist, with at least three portraits, a car, a rubber duck and some crystals. Heaven only knows what it all means, but it matters not, it is the work of an enormously talented artist. This is as fine a collaboration as I have seen this year.

Holiday

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Computer switched off

overactive mind switched off

coming up for air

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by Scooj

4467. Frome Side (13)

It would appear that Logoe has had another blitz in Bristol recently, hitting several walls over a very short period of time. These two pieces are from the Frome Side spot underneath the M32 between the two roundabouts. This is a place I don’t often visit, because it is too dangerous to go there with the dog, and I rarely photograph street art without him.

Logoe, Frome Side, Bristol, May 2022
Logoe, Frome Side, Bristol, May 2022

Both pieces follow Logoe’s modus operandi, which is to paint his thin script lettering on a colourful background and to decorate the whole thing with a horizontal array of oval spots of varying sizes. This is his thing and this is what he does. This red piece looks wonderful and is accompanied by the words: ‘Attitude legit cos I’m tearing up shit’ – which is a lyric from NWA’s Straight Outta Compton – something I’d have never found out without Google.

Logoe, Frome Side, Bristol, May 2022
Logoe, Frome Side, Bristol, May 2022

The second piece following the same formula although with chunkier writing and a duller mustard background is a tribute to the late Meatloaf, which is a rather nice gesture. The two pieces are about 20 yards apart, and I am guessing were painted in the same session. More to come from this latest whistle-stop tour by Logoe.

4466. North Street

Timing can be crucial when photographing street art, and shutters in particular need to be down to be photographed properly or indeed at all. Parking also presents a problem (if not on foot) with some specific spots, and this shutter piece by Taboo on North Street has evaded me for far too long, but a week or son ago the stars aligned, and I was able to grab a couple of snaps.

Taboo, North Street, Bristol, May 2022
Taboo, North Street, Bristol, May 2022

Taboo has such an interesting style, that I have a feeling might be called anti-graff, although it is only a term I have recently become aware of, and I might have got that wrong. However, using his writing and character combination, Taboo has smashed this shutter, with great design, colour and a spectacular Minnie Mouse.

Taboo, North Street, Bristol, May 2022
Taboo, North Street, Bristol, May 2022

There is a lot to like here, made all the more admirable for being on a shutter, which are notoriously difficult to paint. Captured and catalogued at last.

4465. Cumberland Basin

I was lucky enough to be visiting Cumberland Basin on a dog walk at the same time as Roo and SkyHigh were painting next to one another on the long wall by the corner. I stopped for a chat and discovered that regrettably they weren’t going to be painting at Upfest this year, due to a clash of diary commitments – they will be missed. However, on this particular visit, they left three rather nice pieces between them for us to enjoy. This is a small giraffe piece from Roo.

Roo, Cumberland Basin, Bristol, May 2022
Roo, Cumberland Basin, Bristol, May 2022

There is something about the simplicity of Roo’s animal characters that makes them both cute and very easy on the eye. The fills are nice and solid and the lines crisp and sharp. Roo has also injected some humour into this piece with the suggestion that the giraffe’s head is above the clouds on account of its height.

Roo, Cumberland Basin, Bristol, May 2022
Roo, Cumberland Basin, Bristol, May 2022

There is a subtle difference between the two pictures in the body of the text here, that demonstrate the importance of properly finishing a piece with lines and details. You can see also how quickly a piece can get tagged (naughty boy Asre). It is always a pleasure to welcome Roo to Bristol.

4464. M32 Cycle path (176)

It seems that barely a week goes by without seeing another artist new to the Bristol scene. These artists might be visiting the city, newly moved here, or starting to paint walls for the first time. All are welcome, even if it makes my job of keeping on top of it all even more difficult. This rather refreshing piece was recently painted by Sprat, and I have to say I really rather like it (and not just because of my marine biology background!).

Sprat, M32 Cycle path, Bristol, May 2022
Sprat, M32 Cycle path, Bristol, May 2022

Sprat, making his debut on Natural Adventures, has painted a rather interesting crocodile/fish thing chasing after a sprat with legs. What is happening here, you might wonder, and I am not sure that I can be of much help with that. The pink backdrop works well with the greeny blue colours of the crocofish. The whole thing is really well painted, with great proportions and anatomical details. A very welcome start for Sprat.

Thursday doors – 26 May 2022

Doors – 185 – Westminster doors

Still the pressure of work prohibits as full a post as I should like to write this morning for Thursday doors. The selection I have for you this week is another batch of doors from Westminster, where I have to work about once a month. On my work trips, I take the opportunity to photograph a few doors, to spice up the walk from Westminster station to the office.

I guess I am fortunate that the walk takes me through some extraordinary and historic places, and it is all too easy to take such things for granted. Anyhoo, I hope you enjoy today’s selection:

Westminster door with beautiful fanlight, Westminster, London, May 2022
Westminster door with beautiful fanlight, Westminster, London, May 2022

Westminster Mansions door, Westminster, London, May 2022
Westminster Mansions door, Westminster, London, May 2022

Enormous doorway to Romney House, Westminster, London, May 2022
Enormous doorway to Romney House, Westminster, London, May 2022

Ghost door at Phillimore Chambers, Westminster, London, May 2022
Ghost door at Phillimore Chambers, Westminster, London, May 2022

Beautiful arched nine-panel black door, Westminster, London, May 2022
Beautiful arched nine-panel black door, Westminster, London, May 2022

So that is it for another week. No doors from me next week as I will be on a mini-break with my daughter. Of course, I will take the opportunity to go on a couple of doorscursions!

If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors  from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s Thursday Doors post.

by Scooj

Liar

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I don’t believe you

complete insincerity

oozes from your lips

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by Scooj

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Boris Johnson must go. Every minute he remains he erodes the credibility of our government and the reputation of our country.

4463. Upfest 2022 (5)

This fabulous piece on one of my favourite Upfest walls is a great way to round off the first five pieces from Upfest 2022. As you can imagine, there will be hundreds of pieces to post by the time the festival ends, so please bear with me as I try to write about them in batches, alongside all the other wonderful street art that we are blessed to see in Bristol. This is by an artist I haven’t heard of before, Derm, and features what looks like a Vaughn Bode Lizard, an Iconic character in the world of street art.

Derm, Upfest 22, Bristol, May 2022
Derm, Upfest 22, Bristol, May 2022

The lizard in this piece is riding what looks like a half-track motor cycle, complete with flat tyres. A classic cartoon-style piece of urban culture street art that really stands out on this wall. One of the great pleasures of Upfest is being exposed to the talents of new artists from around the country, Europe and the world. A great piece of work.